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Adegi Graphics LLC. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

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London: Printed for J. Tonson, J. Hodges, J. Wren, and A. Millar, 1781. 12mo (in 6s), 175 x 105 mms., pp. 180, including half-title, contemporary sheepskin, red leather label; strip cut from top margin of half-title to remove signature, front joint cracked and tender, rear joint slightly cracked, top and base of spine chipped. Lady Mary's poetry has managed to survive Saintsbury's observation that her "verse flashes with the very paste in Dodsley."

Richard Phillips, 1803. The volumes are bound in contemporary tree calf, some of the hinges are weak, the front the front board of volume 4 is partially detached along with the endpaper, the texts are otherwise well bound together The bindings are rubbed and there are some small losses to the leather. There is some light foxing in places in all volumes. Volume 1 has ten folding facsimile letter plates at the rear. The fifth volume has a further portrait frontispiece.

London: printed for Longman, Hurst, Rees, Orme, and Brown; John Murray; and Baldwin, Cradock, and Joy, 1817. 5 volumes, 8vo, engraved frontispiece portrait by Watson after Richardson; original drab paper-covered boards, printed paper labels on spines; labels a bit rubbed but generally a very good, sound set. Uncut, and largely unopened. A commanding figure of the 18th century, Lady Montague evinced an admirable style with her intelligence, independence and sense of adventure. She defiantly noted the prevailing attitudes towards women: "There is no part of the world where our sex is treated with so much contempt as England" -- which is perhaps why she settled in Italy, choosing to live apart from her husband for a period of twenty-three years. She maintained "an undisputed supremacy as hostess in the intellectual society of London, and to her assemblies was, apparently for the first time, applied the now accepted epithet of 'blue-stocking'" (DNB).

London: printed for Richard Phillips, No. 71, St. Paul's Church-yard, 1803. 5 volumes, 12mo, 2 engraved portrait frontispieces (Lady Mary Pierrepoint. 1710; and, Lady Mary Wortley Montagu. 1720); original blue paper-covered boards, cream paper shelfback; volume designation numbers in ink on spines (variously faded); short cracks starting at the joints, but overall very good and sound. First collected edition, the duodecimo issue: this is the cheaper, unillustrated edition which followed the octavo edition of the same year which contained 8 facsimile plates. A commanding figure of the 18th century, Lady Montague evinced an admirable style with her intelligence, independence and sense of adventure. She deffiantly noted the prevailing attitudes towards women: "There is no part of the world where our sex is treated with so much contempt as England" -- which is perhaps why she settled in Italy, choosing to live apart from her husband for a period of twenty-three years. She maintained "an undisputed… Leer más

London: printed for Richard Phillips, No. 71, St. Paul's Church-yard, 1803. First collected edition, octavo issue, 5 volumes, original tan paper-covered boards, blue paper-covered spines, paper labels on spines; 2 engraved portraits (Lady Mary Pierrepoint. 1710; and, Lady Mary Wortley Montagu. 1720), 8 facsimiles (4 folding); spines creased and chipped with hairline cracks, joints cracked on volume I; top of spine chipped on vol. II; moderate wear all around; still a good, sound, venerable set. With the bookseller ticket of Booth / Bookseller Stationer & Binder / Duke Street, Portland Place / London on the front pastedown of each volume. A commanding figure of the 18th century, Lady Montague evinced an admirable style with her intelligence, independence and sense of adventure. She defiantly noted the prevailing attitudes towards women: "There is no part of the world where our sex is treated with so much contempt as England" -- which is perhaps why she settled in Italy, choosing to live apart from her… Leer más