Resultados de búsqueda: Musical Instruments de A J Hipkins

A & C. Black Ltd, 1945. Hardcover. Good. 1945. No Edition Remarks. 123 pages. No dust jacket. Red cloth covered boards with gilt. Colour illustrations. Pages with some foxing and tanning, particularly to endpapers and textblock edges. Binding remains firm. Boards have moderate shelf wear with mild bumping and fraying to corners and crushing and fraying to spine ends. Some marks and staining to surfaces. Boards are slightly bowed.

London: A. & C. Black, Ltd., 1945. (UK) Owner;s inscription to half-title page, no other markings, a bit of toning to edges of preliminary pages, a bit of"softness" to cover corner tips, there is a small portion of the cover cloth which has bubbled up to the side of the leading edge of front cover, edge tear to page 111/ 112, Good used copy; nodust jacket. Redcloth with gold title wreath, xix, 123pp. Index. 48 beautiful full-pge colour illustrations of rare instruments by William Gibb. Instruments incude the Lamont Harp, the Calabrian, Queen Elizabeth's Virginal, the Regal, the Theorbo, Bagpipes, Violins, and many more. This book originally appeared in1888. A heavy book. (4.2 JM LVR 201/b6. Hardcover. Good/No Jacket. Illus. by Gibb, William. 4to - over 9¾" - 12".

A. and C. Black, Ltd.,, 1921.. Hardcover. Used, very good. Rather nice condition, all plates present. This is a very large hardcover with red boards and cream spine, gold lettering and design on spine and front cover, 48 full-page color plates, 122pp, copyright 1888 print date 1921. CONDITION: Cover has slight wear on edges, very lightly soiled by use, 3" tear in front edge of spine, 1" tear in upper rear edge of spine; endpapers split at hinge but covers securely held by cloth mesh; text as new except plate 33 is creased and 4" tear, plate 34 has 1" tear and is loose from binding, plate 35 is loosening; no marks or writing. Overall quite nice. HEAVY/OVERSIZE. Overseas orders may require additional shipping. ** We are a small family business selling fine new and pre-owned books online since 1999. We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA. **Your purchase supports… Leer más

A. And C. Black, 1921. Hardback. Very Good. William Gibb. Hardback reprint, 1921, with no jacket. Ex library book rebound into library binding - buckram boards with leather spine - only a coupe of the usual stamps and markings, no pages removed. In overall very good used condition with only minor signs of age, handling and storage - boards slightly marked. Binding tight and appears little read. Internally clean, no annotation or inscriptions; toning to page-ends but text and 48 charming illustrations bright and clear throughout. This book is both large and heavy (nearly 3kg packaged). Photographs available.

A & C Black, 1945. A fine copy despite having belonged to an academic library. The only marks are one small cancelled name plate in the top right corner of the half-title and a half-inch accession stamp on the full title. 48 plates in colour.. Cloth. Fine. Illus. by William Gibb. Folio.

London; A. & C. Black, 1945., 1945. Hard Cover. Royal quarto, pp. xxiii, [1], 123, [1]. With forty-eight coloured plates. Scarlet publishers' cloth, with gilt titles and ornaments to cover and spine, in a pale turquoise blue publishers' dust-jacket. Ever so slightly bumped at spine tips and corners otherwise a a clean, bright, tight copy free of annotations or ownership inscriptions. Dust jacket is sunned and slightly soiled with some small closed tears (and two 3cm closed tears) on to the edges and minor loss to spine tips and corners. Overall a very good copy which is scarce to find in a dust-jacket. A lavishly illustrated authoritative guide to unusual historical musical instruments from across the globe. The author, Alfred James Hipkins, was somewhat of a virtuoso who despite little classical training was an accomplished harpsichordist and a respected authority on antiquarian musicology. Much of his work is based on his own extensive collection of antique instruments which is now housed at the… Leer más

Edinburgh: Adam and Charles Black, 1888. First edition, first printing. Rebound in one-half red morocco over tan cloth sympathetic to the original binding. Light to moderate foxing throughout, mostly not affecting plates.. 16 x 12 inches. Limited to just 1040 copies.

Edinburgh: Adam & Charles Black, 1888. First Edition . Hardcover. Good. Good in three-quarter leather. The binding on this copy is essentially shot although loosely holding together, however the interior pages, including the full-color engraved plates, are fine with only a few smudges in the margins and some offsetting from the facing plates. We have noticed no foxing. A large format production of a landmark book.

Edinburgh: Adam and Charles Black, c.1888. A fine and handsome example in decorative original morocco and vellum, plates are vivid, clean, and crisp. . Binding: Half morocco over cream vellum boards, with gilt ruling at joints. Decorative gilt embossed centerpiece with title on upper board. Spine in six compartments of raised bands with titles on two and three. All edges gilt. , Notes: Alfred James Hipkins (1826-1903) was an English musicologist whose ground-breaking work on cataloguing musical instruments remains celebrated to this day. Not only a writer and researcher, Hipkins also was a popular lecturer and performer. His greatest legacy, however, remains his book Musical Instruments, Historic, Rare and Unique (and perhaps also his later work A Description and History of the Piano-forte and of the older keyboard stringed instruments). Hipkins was a contributor to Encyclopaedia Brittanica, Grove’s Dictionary of Music and Musicians, as well as a Honorary Curator of the General Museum of the Royal… Leer más