Resultados de búsqueda: art from North Country Books

Boston: South End Press, 1982. Paperback. Very Good. Trade paperback, light wear to corner pages, light rubing, well bound, no spine crease, contents bright clean and unmarked.

NY: Alpine Fine Arts, Ltd., 1982. First American Edition. Hardcover. Fine in Fine dust jacket. Oversize cloth binding in dust jacket -- both are like new, no faults to note, publisher's postcard laid in. Fitted into publisher's cardboard slipcase with just light wear. The book could be sold "new" in a bookstore. 311 pp. 40 color, 151 bw plates. Although a heavy volume, it will not require extra postage for domestic Media Mail. "It is very rare to find artists who have played real political roles. This is, however, true of David (Jacques-Louis David, 1748-1825), who lived through the most eventful period in all French history, from the Ancien Régime to the restoration. He was a deputy to the Convention, voted for the death of the King, became a member of the Comité de Sû^reté Générale and for a time inspired the cultural policy of the country." -- Book jacket

Paperback. Very Good Plus. Oversize trade paperback with light cover wear; black remainer stripe on bottom edge, some writing on the title page else clean and unmarked. 182 pages, illustrated. Text in Spanish. Uncommon Exhibition catalogue published in conjunction with show held May 26 - June 29, 1979. Introduction by Robert Natkin. Includes exhibition checklist and selected biography.

J. Paul Getty Museum, 1995. Paperback. VG+. Oversize wraps with light wear, French-fold covers, well bound, no spine crease; contents clean and unmarked. 102 pp. Illustrated in color and black and white and with one fold out plate. Monograph that examines Edgar Degas' masterwork "Waiting" ("L'Attende"), an extraordinary pastel created in 1880.

Montreal: Le Moir de la photo a Montreal, 2009. Hardcover. Near Fine in VG+ dust jacket. Oversize hardcover with dust jacket. Light shelf wear, very clean, tightly bound, unmarked and appears unread. Dust jacket has some light shelf wear, short tear and rubbing to one corner. 291 pages, illustrated. Ships domestic media mail only unless contacted for extra shipping charges. Text in French and English.

Washington DC: Smithsonian Institution Press, 1970. Paperback. VG+. Organized by the International Art Program, National Collection of Fine Arts, Smithsonian institution, Washington, D. C. National Collections of Fine Arts, Washington, D. C. April 4 – May 10, 1970. Published by the Smithsonian Institution Press, City of Washington, 1970 Installation constructed by Associated Builders, Inc.; Catalog designed by Tasi, Gelberg, Pesanelli; Catalog printed by Vinmar Lithograph; Photography by Nishian Bichajian, John Ferrari, Joan Wexler, Pe Wolf, Karlsruhle, et al. Consists of four stapled booklets, one program sheet folded, and a newspaper review. Untitled: Stapled wraps, no cover print, references, prefatory remarks, list of sponsors. 6 pages. Explorations: Toward Civic Art. Essay by Gyorgy Kepes (1906-2001). Coated white card stock paper, 8 unnumbered pages, including two full page b/w photographs. Explorations: Exhibition Contents: List and description of 29 exhibitions, including… Leer más

Salem, MA: The Essex Institute , 1964. First edition. Hardcover. VG+ in Good dust jacket. Blue cloth hardcover light wear, well bound, minor foxing to end pages, else clean bright and unmarked contents. Dust jacket has two inch tear, wrinkling, light soiling. 100 pages, with several illustrations; includes checklist of Lane's work. Further details and questions are always welcome. Scans can be made upon request.

Graphic Details/PBC International , 1996. First printing. Paperback. Near Fine. Oversize French-fold wraps with light wear, clean. The book is well bound, no spine creasing. The contents are clean and unmarked.

Paperback. VERY GOOD. Issued annually. All issues illustrated, and with period advertisments in the back. All are well bound. All are unmarked (one exception). Each has a small round mark on the covers from a sticker used, now showing dried glue remains. Nearly 1,000 pages total. 1977 (Number 43): Light wear and discoloration to covers. Pen note on backside of rear cover. 128 pages. Very Good. 1978 (Number 44): Light wear, minor soiling. 128 pages. Very good or better. 1979 (Number 45): Very light wear. 144 pages. Very Good Plus 1980 (Number 46): Light wear, minor soiling. 112 pages. Very Good Plus 1981 (Number 47): Minor wear, some discoloration and soiling, very limited. 104 pages. Very Good Plus. 1982 (Number 48): Light sunning to spine. 144 pages. Very good plus or better. 1983 (Number 49): Light crease to front cover continuing to several pages, some wear to top edge of front cover. 192 pages. Very Good or better 1984 (Number 50): Minor wear. 127 pages. Near Fine 1986 (Number 52): Minor wear,… Leer más

The Hague, Hoogsteder & Cramer 1986. Paperback. VG+. Oversize wraps with light wear, clean, no spine crease, unmarked. Includes Addendum in like condition. Multi-lingual including English. Experienced full-time bookseller since 1994 (selling online since 1998). Images may be added by request. Questions welcome.

Paperback. Very Good. Paperback with soiling to covers, well bound, title page with tear, crease and former owner's name, o/w clean and unmarked. 158 pages, profusely illustrated.

Boston: Museum of Fine arts, 1929. Second edition. Hardcover. VG+ or better. Pale green paper over boards, some discoloration, but clean, paper spine label, tightly bound, contents clean and unmarked, no dust jacket if issued.

Berkeley: Little, Brown & Co./Peabody Museum of Salem, MA, 1968. First edition. Hardcover. VG+ in VG+ dust jacket. . Oversize green cloth hardcover, light wear, clean and tightly bound' light foxing to text block edges.. Former owner's name on the title page, o/w clean and unmarked. Dust jacket with very light wear, clean, spine not faded or sunned, not price-clipped and now protected in a clear archival sleeve. 279 pp. 18 color & 168 b/w illus. This was the first full scale study of the subject ever published. Because of weight and size, this book ships media mail only with no extra shipping charges.

Pelham, NY: Bridgman Publishers, Inc., December 1944. Third printing. Hardcover. VG+ in Good- dust jacket.. Light green cloth binding with fading to edges, light shelf wear only, very clean; tightly bound, one page dog-eared, o/w clean and unmarked. Dust jacket is quite worn and mended with tape.

Washington DC: The Phillips Collection/ Philip Wilson Publisher, 1998. First Paperback Printing. Paperback. Good Plus (or better). Oversize paperback, damp stain to lower corner of book (about one inch), o/w well bound, clean and unmarked. Because of size, this book ships domestic media mail only (no extra shipping fees required)

NY: Alfred A. Knopf, 1980. First edition. Hardcover. Very Good Plus in VG+ dust jacket. Gray cloth oblong hardcover with light wear to front cover lower corner, light soiling to top edge of rear cover, limited, light soiling to fore-edge of text, limited (not affecting the interior); else well bound, clean/unmarked. Dust jacket has light rubbing, not price-clipped. Ships domestic media mail because of large format; airmail by request.

Whitney Museum of American Art/Art Institute of Chicago, 1964. Paperback. Very Good. Stiff card wraps, illustrated cover, title on back cover, light wear, clean, minor spine crease to spine, else, well bound, two line ink note on title page, brown off setting from newspaper clipping laid in, one remains and is a NYT review by John Canaday, dated 1965, o/w clean and unmarked. Catalogue of 60 works exhibited (43 oils and gouaches, 6 lithographs, 4 drawings, 5 sculptures, and sketchbooks). Foreword by John Maxon; "A Tradition of Fine Craftsmanship" by Frederick A. Sweet; reflections by the artist; chronology. 59 pp.

Walker Art Center / Air France, 1973. Paperback. VG+. Stapled wraps with minor wear, tightly bound, unmarked. Experienced full-time used & antiquarian bookseller since 1994. Images may be added by request. Questions welcome.

Sterling and Francine Clark Art Institute, Charles Crehore Cunningham, Smith College Museum of Art, Williams College Graduate Program in the History of Art, 1976. Paperback. VG+. Wraps with minro wear, clean, no spine crease, internally fine, unmarked. Exhibition organized by C.C. Cunningham with the assistance of students in the Williams College Graduate Program in the History of Art, shown first at Smith College Museum of Art, October 15-December 5, 1976. 167 pages, illustrated. Experienced full-time bookseller since 1994 (selling online since 1998). Images may be added by request. Questions welcome.

Cambridge: Fogg Art Museum/Harvard University, 1976. First edition. Hardcover. Near Fine in VG dust jacket. Bright blue cloth binding with bright gilt stamping, very light shelfn wear, very clean and tightly bound; pages clean and unmarked. Some wear to dust jacket including short tape repairs, now protected in a clear archival sleeve (Brodart). A very nice copy. Questions welcome. Images can be made upon request. "Catalogue of 165 works in various media (including paintings, drawings, sculpture and prints), with essays and commentaries on individual works by various contributors. Preface by Seymour Slive; chronology; list of books illustrated by Jacques Villon with original prints, tapestries and stained glass windows; chronological bibliography of 499 exhibitions, 1922-1975; bibliography of 461 items, p. 208-215, with chronological bibliography of writings on the artist, p. 216-222." 223 pp., many BW illus. Approx 15 color, many BW illustrations. Issued in conjunction with several 1976… Leer más