Resultados de búsqueda: Photography from Appledore Books, ABAA

Grinnell College (Faulconer Gallery), 2006. 1st. Hardcover. Collectible; Fine. The catalogue based on the October-December 2006 exhibition at Grinnell College's Faulconer Gallery. Bright and Near Fine in its pictorial laminate boards, with light bumping at the lower tips. Tall quarto, crisp color plates on each recto.

Baton Rouge, LA: Louisiana State University Press, 1996. 1st. Hardcover. Collectible; Fine/Fine. SIGNED BY TAYLOR MEAD, JOHN ASHBERY, ANNE WALDMAN, JOHN GIORNO, ERNESTO CARDENAL AND EILEEN MYLES across their portraits. A crisp, very sharp copy to boot of the 1996 1st edition. Tight and Fine in a bright, price-intact, Near Fine dustjacket. Folio, very impressive black-and-white portraits thruout.

Munich/Paris: SAchirmer/Mosel, 1992. Original wraps. Near Fine. A very sharp copy of the 1992 1st French edition. Clean and Near Fine (very light creasing at the lower edges) in its pictorial wrappers. Folio, crisp, high-quality reproductions thruout.

Santa Fe: Twin Palms, 2003. Pictorial boards. Fine/Fine. A pristine copy of the 2003 1st edition. Clean and Fine in a bright, Fine dustjacket. Oblomg folio, limited to 2,500 copies.

Rochester, NY: Aperture, Inc, 1961. Original Wraps. Collectible; Very Good. Important photography anthology, published quarterly by Aperture, Inc. and edited by Minor White. The 1961 "Robert Frank" issue, including a healthy dose of some of Frank's finest work. Clean and VG in its stapled, pictorial wrappers, with very light soiling at the panels. Octavo, 42 pgs.

Millerton, New York: Aperture, Inc, 1978. Boards. Near Fine. SIGNED BY ROBERT FRANK on pg. 78, just below 2 of his black-and-white photographs ("Peru, on the Road, 1948" and "Public Gathering, Switzerland, 1951"). A crisp, very sharp copy to boot of the 1978 1st edition. Tight and Near Fine in its pictorial laminate boards, with very light bumping at the front panel's lower-tip. Quarto, also includes photographs by Dorothea Lange, Walker Evans, Duane Michals, Helen Levitt, Eudora Welty, William Christenberry, Robert Adams, Garry Winogrand et al.

New York: Steven Kasher Gallery, 2006. Cloth. Fine/Fine. A pristine copy of this uncommon catalogue based on the exhibition of McDarrah's photographs at Steven Kasher Gallery in Chelsea in New York. THIS #28 OF 90 COPIES SIGNED BY FRED MCDARRAH at the limitation. Crisp, beautifully-reproduced black-and-white examples of some of McDarrah's finest work. From portraits of a very young Alice Neel to Eva Hesse to MoonDog to David Smith to Phil Ochs to the Maysles Brothers to Charlotte Moorman to Ed Sanders in front of his Peace Eye Bookstore on 10th St., from Yoyo Kusama to Paul Thek to early Warhol Happenings to Francis Bacon to Carolee Schneeman, from Red Grooms and Mimi Gross to Mark di Suvero to Janice Joplin, Fred McDarrah's camera seemed to be everywhere in cultural --even Underground-- New York, chronicling some of the incomparable energy radiating from the city in the 60s and 70s. Clean and Fine in its bright pictorial dustjacket. Oblong quarto (not unlike the original formatting of Robert… Leer más

Paris: Editions du Chene/Hachette, 1979. Cloth. Fine/Fine. A pristine copy of the 1979 1st French edition. Clean and Fine in a bright, Fine dustjacket. Tall quarto, crisp reproductions of Atget's masterful black-and-white photographs. Also includes a clean example of the cardboard slipcase.

New York: Farrar , Straus and Giroux, 1978. Pictorial boards. Near Fine/Near Fine. INSCRIBED BY RICHARD AVEDON along the front free endpaper. A crisp, very sharp copy to boot of the 1978 stated 1st edition. Tight and Near Fine in a clean, price-intact, Near Fine example of the printed acetate dustjacket. Folio, with an Introductory essay by Harold Brodky. Avedon's inimitable black-and-white portraits throughout.

New York: Random House, 1999. Pictorial boards. Fine. SIGNED BY RICHARD AVEDON on the front pastedown (behind the dustjacket's front flap). A crisp, very pleasing copy to boot of the 1999 stated 1st edition. Tight and Fine in a crisp, Near Fine dustjacket, with just a touch of light soiling --and one very small streak-- along the rear panel. Folio, Avedon's generation-defining black-and-white portraits throughout.

Tokyo: Little More, 2010. Original wraps. Fine/Near Fine. A near-pristine copy of the 2010 1st edition, SIGNED BY REIKO KRUK at the first blank endpaper. Clean and Fine in a crisp, Near Fine dustjacket, with very light creasing along the panel edges and just a touch of light scuffing to the front panel. Thick octavo, also includes an immaculate copy of the publisher's printed obi. Hundreds of photos related to experimental fashion, theatre and cinema (including a tribute to Werner Herzog's "Nosferatu" and specifically to Klaus Kinski).

New York: Rizzoli, 2000. 1st. Cloth. Collectible; Fine/Fine. SIGNED BY THE POETS MARK DOTY, TIMOTHY LIU, DAVID LEHMAN AND YUSEF KOMUNYAKAA --AND BY THE NOVELIST MICHAEL CUNNINGHAM AND THE PLAYWRIGHT EVE ENSLER across their portraits. A very sharp copy to boot of the 2000 1st edition. Tight and Near Fine in a bright, Near Fine dustjacket. Tall quarto, crisp black-and-white portraits thruout. Introduction by Carter Ratcliff.

Morgan and Lester. Hardcover. ****FROM THE LIBRARY OF PHOTOGRAPHER SLIM AARONS**** The complete 5 vol set. All vols. 1st editions, except vol. 2 (2nd ptg.). All vols. solid VG+. Octavos, just shy of 600 pgs. all told. Although not stated, these came from the personal library of Slim Aarons.

Boston: Bruce Humphries Publishers. Cloth. Collectible; Very Good/Very Good. First Edition. Lovely nude portrait photography, c. 1960. Very tastefully rendered, sumptuous photogravure. The 2nd volume in a series called "Beauty Which Inspires". Clean and VG+ in a bright, VG+ dustjacket with very light, subtle rubbing to the front panel. Tall quarto, unpaginated.

New York: McGraw-Hill, 1982. Cloth. Near Fine/Near Fine. SIGNED BY BERENICE ABBOTT on the title page. A crisp, very presentable copy to boot of the 1982 1st trade edition. Tight and Near Fine (light offsetting to the front pastedown and the front free endpaper) in a bright, price-intact, Near Fine dustjacket, with just a touch of wear at the spine ends and the tips. Folio, lavish black-and-white reproductions throughout of Abbott's spectacular cityscapes and portraits.

Editions Dar An-Nahar, 2009. 1st. Decorative Cloth. Collectible; Fine. An immaculate copy of the 2009 1st edition.Bright and Fine in its pictorial boards. Tall quarto, 126 pgs. Crisp black-and-white photography thruout.

Graphic Arts Research Center (Rochester Institute of Technology), 1980. Original wraps. Near Fine. A crisp, clean copy of the 1980 1st edition. Tight and Near Fine in its pictorial wrappers. Quarto, compiled by M. Susan Barger, Preface by Larry Booth.

New York: St. Martin's Press, 1986. Cloth. Fine/Near Fine. A tight, handsome copy of the 1986 stated 1st edition. Clean and Fine in a crisp, Near Fine dustjacket. Square quarto, Foreword by Ntozake Shange.

New York: PIX Incorporated. Photograph. Very Good. Crisp, attractive black-and-white press photograph of Agatha Chrsitie by PIX International. Light creasing along the edges, otherwise bright and clean. The uncredited photograph measures 6" wide x 8" tall.

Santa Fe: Twin Palms, 1998. Cloth. Near Fine. #19 OF 250 COPIES "SIGNED, NUMBERED, AND PRESENTED IN A CLAMSHELL BOX WITH AN ORIGINAL, SIGNED ETCHING BY THE ARTIST (JOEL-PETER WITKIN)" LAID-IN. A tight, near-pristine copy to boot of this 1998 limitation. Clean and Near Fine, with just a touch of light rubbing along the spine. Square quarto, Witkin's inimitable black-and-white photos thruout. And including an immaculate example of the signed etching (#19/250) and the brown solander box. One of Witkin's scarcest limitations.