Resultados de búsqueda: Prints from Leopolis Volodymyr Dmyterko

Moscow / Berlin: Gelikon, 1922 8vo (22 cm), 131, [1] pp. Printed wrappers (wrappers slightly rubbed and creased at extremities). In Russian. "Engraving and Lithography: A Concise Guide". Wassili Masyutin (1884-1955) was a Ukrainian-born artist who resided in Berlin since 1920. He is renowned for his prints and book illustrations. This uncommon book offers a comprehensive overview of printing techniques, covering chapters on copper engraving, etching, aquatint, mezzotint, drypoint, color prints, woodcuts, and lithography. The final chapter includes recipes for various varnishes used in printmaking. Illustrated with 81 reproductions showcasing the most famous examples of each printing technique. The cover is designed by the author himself. A very good copy.

Kodansha International, 1982 Folio (37 cm), 48 pp. Publisher's cloth and dust jacket. "The last great master of the Japanese tradition of woodblock printing known as ukiyo-e was Utagawa Hiroshige (1797-1858). In the Japan of his day, Hiroshige's landscape prints, deeply poetic, genial, intimate, fostered in the common man a new appreciation for nature in art. To such Western artists as Whistler, Cézanne and Gaugun, his work presented a vision of nature that was revolutionary." (from the publisher's description)

Dover Publications, 1963 8vo (21 cm), front., XVIII, 487 pp. Laminated wrappers (minor shelf-wear, bookplate). Reprint of the classical monograph first published in 1923. Arthur Mayger Hind (1880-1957) was a leading historian of engraving, one of the most highly respected art historians of modern times. Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving that has yet been written. This book contains references to every etcher or engraver worthy of mention from the early fifteenth century to 1914, and it gives a fair account of influences, artistic repercussions, and accomplishments of each individual.

Down East Books, 2006 Oblong 4to (25 x 29 cm), 136 pp. Publisher's cloth and dust jacket. In conjunction with the Maine Print Project, print curator David Becker has written this chronological overview of Maine printmaking. Written for a general audience, but equally appealing to art specialists, the variety of styles, subject matter, and technical approach may well provoke viewers to look further.

Dover Publications, 1963 2 volumes 8vo (20.5 cm), front., XLII, 395 pp; VIII, PP. 396-838 pp. Laminated wrappers (minor shelf-wear, bookplates). Unabridged, unaltered republication of the classical monograph first published in 1935. Arthur Mayger Hind (1880-1957) was one of the most highly respected art historians of modern times, Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford. The central purpose of this two volume study was to survey the origins and early developments of woodcut and wood engraving. 484 illustrations.

Moscow - Petrograd: Gosudarstvennoe izdatel'stvo, 1923 8vo, 217, [3] pp. Brown cloth (some toning of paper). In Russian. The book is a history of engraving and lithography in Russia by Erich Gollerbakh (1895-1942), who was an art and literary critic and bibliophile. He was one of the founders and the chairman of the Society of Bibliophiles. He worked as a scientist at the Leningrad Bibliology Institute and the Bibliology Institute of the Ukrainian Academy of Science.

Private Libraries Association, 1985 4to (25.5 cm), LXII, 160 pp. Publisher's cloth, spine and front board gilt. A bibliography of a wood engraver and book illustrator Joan Hassall (1906 - 1988). Includes an introduction by John Hassall, 'Engraving technique' by George Mackley, 'Books and bookplates' by David Chambers, a list of illustrated books. a list of illustrated journals, dust-jackets & miscellanea, a list of book-plates and selected bibliography. Over 470 illustrations.

Rome: Ex Typographia Reverendae Camera Apostolicae, 1758 Poster 66.5 x 37 cm printed on two sheets (two folds, few candle stains). Pope Clement XIII description of Universal Jubilee and conditions of participation in it.

Kraków: Wydawnictwo Muzeum Narodowego, 1902 8vo (22.5 cm), 101 pp. Leather backed boards, original wrappers bound in (paper slightly toned). A comprehensive catalogue showcasing etchings and engravings by the German painter and printmaker Daniel Chodowiecki (1726-1801), housed in the National Museum in Kraków. The catalogue begins with a detailed biography of Chodowiecki, followed by descriptions of 790 items featured in the collection.

Wroclaw: Zaklad Narodowy im. Ossolinskich, 1997 8vo (24 cm), 88 pp, 56 plates on 28 leaves. Printed wrappers. Catalogue of prints from the Library of the Polish Academy of Sciences: !5th century engravings. In Polish with the summary in English. Among 57 engravings from the 15th century owned by the Library of the Polish Academy of Science 46 represent German school, 11 belong Italian. In the catalogue included detailed description and an illustration of each engraving, bibliography and tracing of watermarks,

Leipzig: C. G. Boerner, 1937 4to (27 cm), 106 pp, 32 plates. Printer wrappers (paper browned). Action catalogue of Boerner sale 193 held in Leipzig on 16-17 June 1937. 1125 entries. Price list loosely inserted.

Brussels: La Société des Bibliophiles et Iconophiles de Belgique, 2016 8vo (22.5 cm), 174 pp. Printed wrappers. Contents include Georges Forestié "Recherches sur les bois gravés et polytypés dans le dernier quart du XVIIIe siècle"; Stéphan Pascau "Qui a écrit Je suis pucelle"; Francis Sartorius "La publication de Misérables, une aventure éditorial peu banal".

Rodovid, 2006 4to (32 cm), 288 pp. Publisher's cloth and dust jacket. In Ukrainian. A monograph on the art of Leopold Levyc'ky (1906 -- 1973), an influential Ukrainian modernist artist. Introduction by Mar'ian Besaha. Included prints, paintings, sculptures and documents and photograps.

Alan Wofsy Fine Arts, 2005 4to (30 cm), 375 pp. Publisher's cloth and dust jacket (bookplate tipped in front pastdown). In 1925, Max Lehrs (1855-1938) released his authoritative catalog of Martin Schongauer's prints. This English translation of Lehrs' work includes introductions by Alan Sherstack and Charles Minott, summarizing the progress made in Schongauer scholarship since 1925. Enhancing Lehrs' meticulous descriptions of engravings, their states, impressions, and watermarks, this edition also incorporates reproductions of all engravings and their significant states.

Venice: Libreria Serenissima, 1941 8vo (23 cm), 131, [5] pp, 56 plates. Printed wrappers (wrappers slightly stained and frayed at extremities, ownership entry at the top of the front wrapper and at the top of the half-title). The second edition. 613 entries.

London: R. Ackermann's 101 Strand London, 1814 Old colored engraving on paper, measuring 45 × 29.5 cm. Some fraying at the bottom.

Universitas, 2000 4to (28.5 cm), 312 pp. Laminated boards (minor shelf-wear, bookplate mounted on the front endpaper, collector's blind stamp on the title. In Polish. The book presents for the first time, in a broad, genetic, and problem-oriented dimension, the diversity of Polish artistic graphics, manifesting itself during the formative period from 1897 to 1917. It outlines the fundamental stages of development of this aspiring discipline towards independence, defines emerging trends within its framework, introduces the artists contributing to these trends, and characterizes their pursuits and experiments. The subject of the research here largely includes graphic works that have been previously unexplored and unpublished, often engravings by creators overlooked in the historiography of Polish art. The book's narrative reconstructs the determination in the struggle for the nobility of graphics in a much broader context – the popularization of the aesthetic norms of "black and… Leer más

London: The Studio, 1909 4to (29.5 cm), vi, 42 pp, 40 plates. Publisher's cloth (binding rubbed, a label with number pasted on the front board, some toning of paper inside). An essay on the history of English color prints, enriched with engravings by renowned artists such as Bartolozzi, John Jones, C. Wilkin, Geo. Keating, L. Schiavonetti, C. Knight, and various other notable figures. This insightful exploration traces the evolution of color printing in England, highlighting significant artistic achievements and technological advancements over time. Through a selection of carefully curated engravings, readers are invited to delve into the captivating world of English color prints, experiencing the diverse styles and creative expressions that have contributed to its rich and vibrant heritage.

London: Thames and Hudson, 1967 4to (34 cm), 205, [5], [16] pp, 173 plates. Publisher's cloth and dust jacket (dj clipped and slightly sunned and rubbed at extremities).

Paris: Arts et métiers graphiques, 1979 4to (32 cm), 303 pp, 237 figures dans le texte, 137 planches (Vues de Rome), 16 planches (Les Prisons d'invention). Cartonnage éditeur sous jaquette