Descripción:
London: British Museum Publications Ltd., 1974. Book. Good. Hardcover. 4to - over 9¾" - 12" tall. Orange hardcover with titles in gilt on spine. Condition: Good, with previous onwers name and address on fep. Binding sound, text clean. Dustjacket condition: Good, with light soiling and shelfwear. Not price-clipped. 112pp. 53 b/w illustrations. This catalogue was published to accompany the exhibition held in the Department of Prints and Drawings in the British Museum, 2nd August to 31st December, 1974. 4to - over 9¾" - 12" tall.
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Portrait Drawings XV-XX Centuries
de Gere, J.A. (intro.)
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- 9780714107394 / 0714107395
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Sturminster Newton, United Kingdom
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Pre-Raphaelite Drawing
de Cruise, Colin
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- ISBN 10 / ISBN 13
- 9780500238813 / 0500238812
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Sturminster Newton, United Kingdom
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London : Thames and Hudson Ltd., 2011. Book. Fine. Hardcover. 4to - over 9¾ - 12" tall. Dark green hardcover with title in silver on spine. Condition: Fine, binding sound, no inscriptions. Dustjacket condition: Fine, with just a hint of shelfwear. 248pp. 313 illustrations. This book was published to accompany the exhibition entitled "The Poetry of Drawings: Pre-Raphaelite Designs, Studies and Watercolours" held at the Birmingham Museum & Art Gallery from 29 January to 15 May 2011 which then toured to the Art Gallery of New South Wales, Sydney, from 17 June to 4 September 2011. In this comprehensive book, the art historian Colin Cruise explores the emergence of the Brotherhod's graphic style, their theories of naturalism, their radical promotion of new subjects, and their highly original use of watercolour as a drawing medium..
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Pride and Joy: Children's Portraits in the Netherlands 1500-1700
de Bedaux, Jan Baptist and Ekkart, Rudi (ed.)
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- 9780810967304 / 0810967308
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New York: Harry N Abrams Inc./Ludion Press Ghent, 2000. Book. Fine. Cloth. 4to - over 9¾ - 12" tall. Scarlet cloth with title in dark grey on spine. Condition: Fine, Dustjacket condition: Fine. 319pp. 225 illustrations, including 98 colour plates. This catalogue was produced to accompany the exhibition held at the Frans Hals Museum, Haarlem from 7 October to 31 December 2000 which then toured to Koninklijk Museum voor schone kunsten, Antwerp from 21 January to 22 April 2001. The charming portraits of children in this exhibition by Dutch and Flemish artists of the late Renaissance and Baroque periods offer a fascinating look not just at the children themselves, along with their clothes, toys and pets, but also at the society in which they lived. Accompanying essays set the works in context, discussing topics such as childrearing and education amongst the upper classes of the Netherlands in the 16th snd 17th century. A heavy book, will require extra postage if to be sent outside UK. Size:…
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Rembrandt By Himself
de White, Christopher and Buvelot, Quentin (ed.)
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- Usado - Bien
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- 9781857092707 / 1857092708
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London: The National Gallery, 1999. Book. Good. Soft cover. 4to - over 9¾ - 12" tall. Softcover. Condition: Good, with light shelfwear to covers. Some creasing to top right of textblock. Binding sound, no inscriptions. 272pp. Many colour and b/w illustrations. This catalogue was produced to accompany the exhibition of work by Rembrandt van Rijn (1606-1669) held at the National Gallery, London from 9 June to 5 September 1999 and at the Royal Cabinet of Paintings, Mauritshuis, The Hague from 25 September 1999 to 9 January 2000. Size: 4to - over 9¾" - 12" tall.
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Rembrandt/Not Rembrandt (Vols I and II)
de Sonnenburg, Hubert von
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- 9780870997549 / 0870997548
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The Metropolitan Museum of Art Book. Fine. Soft cover. 4to - over 9¾ - 12" tall. Softcover. Two volume set in slipcase. Condition: Fine, with just a hint of shelfwear to slipcase. 148 and 262pp respectively. Many colour illustrations. This catalogue was produced to accompany the exhibition of work by Rembrandt held at the Metropolitan Museum of Art from October 1, 1995 to January 7, 1996. The Metropolitan possesses a significant collection of paintings and drawings by or attributed to Rembrandt and the purpose of this exhibition was to demystify the kind of research that happens in such a museum by demonstrating the different types of approaches taken by art historians and restorers in reaching their conclusions as to whether a painting is authentic. .
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The Reproductive Engravings After Sir Edward Coley Burne-Jones
de Hartnoll, Julian (preface)
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- 9780951305409 / 0951305409
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London: Julian Hartnoll, 1988. Book. Fine. Hardcover. 8vo - over 7¾ - 9¾" tall. Blue paper covered boards with buff colour cloth spine. Title in gilt on spine and in black and red on paper label pasted on to front cover. Glassine jacket. Condition: Fine, binding sound, no inscriptions. The glassine jacket is in very good condition with a couple of marks to rear of jacket. One of an edition of 1000 copies. 61pp. 20 b/w plates. This catalogue includes all the reproductive prints published after paintings by Burne-Jones; these prints were published in limited editions and were intended to be framed and hung. The catalogue does not include prints which were published within books. The catalogue includes notes on each picture by John Christian and an essay on Burne-Jones and his printmakers by Christopher Newall. Size: 8vo - over 7¾" - 9¾" tall.
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Richard Caton Woodville - American Painter, Artful Dodger
de Wolff, Justin
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- 9780691070834 / 0691070830
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Princeton and Oxford: Princeton University Press Book. Fine. Hardcover. 4to - over 9¾ - 12" tall. Navy blue cloth with title in silver on spine. Condition: Fine, no inscriptions. Dustjacket condition: Fine. 208pp. Many colour illustrations. This book is the first to examine the life and art of the American artist Richard Caton Woodville (1825-1855), an ante-bellum genre painter and shrewd observer of urban society and politics. Before he died at the age of thirty, he produced a small body of work including such paintings as "Politics in an Oyster House" and "War News from Mexico" (both 1848)..
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Turner's Paper: A Study of the Manufacture, Selection and Use of his Drawing Papers 1787-1820
de Bower, Peter
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- 9781854370518 / 1854370510
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London: Tate Gallery Publications, 1990. Book. Very Good. Cloth. Signed by Author(s). 4to - over 9¾ - 12" tall. Olive cloth with title in gilt on spine. Condition: Very good, with very light shelfwear to covers. The book appears to have belonged to the author as it bears his name at the top of the front endpaper. The book is also signed by the author on the title page. Dustjacket condition: Very good, with light shelfwear. 135pp. Many b/w and some colour illustrations. This book, written by the paper historian Peter Bower, was published to accompany the exhibition held at the Tate Gallery, Millbank, London from 10 October 1990 to 13 January 1991.
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The Vision of Simeon Solomon
de Reynolds, Simon
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EUR 77.31EUR 22.54 enviando a USA
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Stroud, Gloucestershire: Catalpa Press Ltd., 1985. Book. Very Good. Hardcover. 4to - over 9¾ - 12" tall. Terracotta colour cloth with title in gilt on spine. Condition: Very good, with light shelfwear to covers and some light foxing and browning to endpapers. Binding sound, no inscriptions. Dustjacket condition: Good, with general shelfwear. 183pp. Six colour plates. 74 b/w illustrations. This book contains a reprint of "A Vision of Love Revealed in Sleep" by Solomon, a prose poem originally privately printed in 1871, and also, although it is not a full biography, the book collates a wide range of previously scattered material about his life..
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An exhibition organised by the Walker Art Gallery Liverpool and the Royal Academy of Arts London - PRB Millais PRA
de Bennett, Mary (intro.)
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EUR 33.30EUR 22.54 enviando a USA
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London and Liverpool: Royal Academy of Arts, Walker Art Gallery, 1967. Book. Very Good. Hardcover. 4to - over 9¾ - 12" tall. Green hardcover with John Millais' monogram in gilt on front cover. Condition: Very good, binding sound, no inscriptions. 97pp. 1 colour and 40 b/w plates. Loosely inserted is an invitation to the private view of the exhibition, addressed to Roger Smith, who is credited in the foreword as the designer of the catalogue and poster for the exhibition. This catalogue was produced to accompany the exhibition of work by Sir John Millais 1829-1896) held at the Royal Academy of Art, London which then toured to the Walker Art Gallery, Liverpool, from January to April 1967. The catalogue includes a thorough introduction by Mary Bennett..
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