Resultados de búsqueda: Art from Harper's Books, Inc.

London: The Studio, N.d. (but c. 1930). Strips of offsetting to the endpapers, else a fine, fresh copy in a fine jacket with an illustration mounted on. Remarkably well-preserved.. First Edition. Quarto. Numerous black and white images and tipped-in color plates illustrated for children. Two publisher's advertisements laid in.

Buenos Aires: Asociación Arte Nuevo, 1957. Close to near fine in printed wrappers.. First Editon. Quarto, stapled. Journal documenting modern art and design, including a review by Germaine Derbecq of work exhibited at the Museo Nacional de Bellas Artes, and a review of sculptures by Pettoruti. Also includes survey of modernist playground design. Illustrated with black and white photography. Spanish text.

Buenos Aires: Asociación Arte Nuevo, 1956. Neat split to the cover paper at the top 1.5 inches and bottom .5 inch of the spine, else close to near fine in printed wrappers.. First Editon. Quarto, stapled. Journal documenting modern art and design, including a translated essay by Paul Klee and essays by Hans Fischer, Martín Blazsko, and others. Illustrated with black and white photography. Spanish text.

Buenos Aires: Museo de Arte Moderno de Buenos Aires, 1971. Light edge wear, else near fine. OCLC locates 2 copies.. First Edition. Long accordion folded sheet with artist biographies from a show of acrylic plastic art that ran from November 26 through December 19, 1971, at the Museo de Arte Moderno in Buenos Aires. Artists include Jacques Bedel, Ary Brizzi, Victor Grippo, Osvaldo Romberg, and others. Valuable reference of biographies of artists using the the acrylic plastics medium. Illustrated with black and white portraits throughout. Spanish text.

Santa Monica: Track 16 Gallery, 2006. Fine in side-stapled illustrated printed wrappers.. First Edition. Octavo. Number 376 of 450 copies, noted in red ink in Pettibon's hand on the front cover. Additionally, SIGNED by Pettibon in black ink on the front cover.

Berlin: Edition Dieter Wagner, 1984. Near fine in printed wrappers.. First Edition. Octavo. A limited edition of 200 copies. SIGNED by Dieter Wagner and Hans-Ulrich Treichel. Additionally SIGNED by Treichel on the title page and dated 1988. A collection of writings by Treichel, designed, printed, and bound by Wagner. Text in German.

New York: PictureBox Inc., 2005. Fine in illustrated wrappers with elongated flaps and silver detail. Wild book.. First Edition. Quarto. First book by Providence art collective Paper Rad - Jessica and Jacob Ciocci, and Ben Jones - following a slew of ephemeral publications. Insane combination of graphic art, drawings, prints, photographs, and cultural detritus, presented in florescent technicolor. Early aughts photoshop for the burgeoning digital age in the strange years before social media and very easy publishing.

Lawndale, CA: SST Pubs, 1984. Faint stains to spine head and foot and a hint of edge wear; near fine in side-stapled illustrated printed wrappers.. First Edition. Octavo. 28 pp. Number 475 (of 500 copies, unstated) noted in red ink in Pettibon's hand on the front cover.

Berlin: Edition Dieter Wagner, 1982. Fine in printed wrappers.. First Edition. Octavo. Limited edition of 200 copies. SIGNED by Dieter Wagner and Harald Schmid. A collection of concrete poetry by Schmid, designed by Wagner and accompanied by his graphic illustrations. Text in Swiss German.

New York: Thea Westreich / Cologne: Gisella [sic] Capitain, 1989. This is a remarkably fine copy, with only a hint of scuffing to the plain black papered boards-and still accompanied by the publishers' original box, featuring a typescript Thea Westreich label to the front panel, identifying this as one of Wool's proofs. An astounding copy of one of the most important artist's books from the last three decades.. Limited Edition. Oversized folio (23 in. tall). One of 8 Artist's Proof copies (III/VIII), in excess of the edition of 350 numbered copies; SIGNED and hand-numbered to colophon. Christopher Wool's first major bookwork, fully illustrated after 17 of his canonical word paintings: spokesman, insomniac, pessimist, prankster, chameleon, adversary, comedian, terrorist, hypnotist, hypocrite, celebrity, authority, extremist, persuader, assistant, assassin, and paranoiac.

Hong Kong / New York: Gagosian Gallery / Rizzoli International Publications, 2015. Fine in photo-illustrated laminated boards.. First Edition. Quarto. Expansive hardcover catalogue published on the occasion of Wood and Kusaka's exhibition "Blackwelder" at Gagosian, Hong Kong, January 16 - February 28, 2015. SIGNED by Jonas Wood with a large monochromatic drawing of a basketball and dated "2015". Additionally SIGNED by Shio Kusaka with her trademark symbol. Essay by Chris Wiley, translated into Chinese. Remarkable book documenting the shared studio and interrelated practices of Kusaka and Wood, at turns intimate and clinical. The emergence of Los Angeles as hotbed of cultural innovation emanating from the artworld is palpable throughout this volume.

Bruce Conner: [San Francisco], 1970. Prints are in fine condition, each with the original tissue guard, in a fine portfolio folder in brown cloth with title in gilt; fabric tie. Though signed and unsigned individual plates from this set do show up at auction with some regularity, complete suites in the portfolio are rarely offered; this example in beautiful, as new condition.. Limited Edition. Quarto. Edition of 90. Suite of fifteen offset lithographs on Rives BFK paper, each one SIGNED, titled, and hand-numbered 1/90 by Conner. Printed a Kaiser Graphics; Typography by Grabhorn-Hoyem. This is one of 80 copies in a hand made portfolio by Schuberth Bindery. Sheet size 10-3/4 x 7-3/4 inches. The prints are each from one of Conner's meticulous maze-like drawings. Unhappy with his creative control in prior collaborations with the fine art presses Tamarind Lithograph Workshop (LA) and Collector's Press (SF), for Book One, Conner opted to work with a commercial lithography press, Kaiser Graphics; under the… Leer más

Fluxus [Self-published], 1970. Some minor toning to top yellow sheet, else near fine. Scarce, with no OCLC records located.. Manuscript artist's book from Ken Friedman; possibly unique. A book of colors, with 13 leaves of variously-colored construction paper corner-stapled; twelve of those leaves with manuscript annotations-sometimes redundant (e.g. "yellow," "green," or "pink" on yellow, green, and pink sheets), sometimes cryptic ("17" on a gray sheet), sometimes humorous ("This way Brouwn" on brown sheet, or a John Cage signature on green). Unrecorded in Fluxus bibliographies, Friedman provides a Fluxus copyright date of 1970 on the third ("red," but pink) sheet.

Brooklyn: Cabinet Books, 2008. Fine in printed cloth boards. All stamps intact, in fine condition.. First Edition. Quarto. With 15 detachable sheets of artist-designed stamps from: Walead Beshty, Melissa Brown, Melissa Dubbin & Aaron S. Davidson, Spencer Finch, Carl Michael von Hausswolff & Leif Elggren, Jonathan Herder, Mikhail Iliatov, Emily Jacir, Julia Jacquette, Vandana Jain, Sandra Eula Lee, Line Up, Frank Magnotta, Michael Oatman, and David Shrigley.

Minneapolis: Walker Art Center, 1994. As new, still sealed in publisher's shrink-wrap. (Photos of interiors from reference copy).. First Edition. Thick quarto. Published to accompany the 1994-95 traveling exhibition (Reina Sofía, Walker, MOCA, Hirshhorn, and MoMA); the catalogue was issued in two editions: a 216 pp. softcover specific to the works in the show and this preferred edition in cloth, featuring an additional 176 pp. catalogue raisonné. Edited by Joan Simon, with essays by curators Kathy Halbreich and Neal Benezra, along with additional texts from Paul Schimmel and Robert Storr.

[Düsseldorf: Feldmann Verlag], [2001]. A fine copy. This first issue uncommon, with no OCLC records located in North America.. First Edition. Slim quarto. Artist's magazine. The first number of this collaborative project between Hans-Peter Feldmann and Céline Duval, which totaled 7 issues (2001-2002), each printed in 600 copies. A series of appropriated images, enigmatically-assembled according to poetic themes: Hazard, Image, Rouge, Album de famille, Flying, Emotions, and Charlotte [Gainsbourg]. Side-stapled self-wrappers: [24] pages; fully-illustrated after photographic images, some color.

Brussels: MFC-Michélle Dider, 2007. Fine in photo-illustrated wrappers, with elongated French flaps.. First Edition. Quarto. SIGNED by both artists in 2010. A collaborative artists' book by Christopher Wool and Josh Smith, consisting of black-and-white photographic reproductions of their paintings. For the series, each artist transformed the other's original paintings using technological means, creating unique, digitally manipulated works as their end result.

Lawndale, CA: SST Pubs, 1985. A faint hint of toning along spine; fine in side-stapled illustrated printed wrappers.. First Edition. Octavo. 28. pp Number 295 (of 500 copies, unstated) noted in red ink in Pettibon's hand on the front cover.

New York: Library Fellows of the Whitney Museum of American Art, 1990. Leather spine with gilt lettering and yellow cloth boards. Some rubbing to head of spine, else near fine. In original cardstock slipcase.. Limited Edition. Folio. Number 137 of 160 copies, SIGNED by both artist and writer to colophon. For the first volume of their American Journals series (as subset of their Artist and Writers series), the Whitney Museum of American Art commissioned Saul Steinberg to illustrate a meandering chronicle from New Yorker staff writer Ian Frazier on the bustling history and present of Lower Manhattan's Canal Street. Featuring 16 tipped-in lithographs from Steinberg, along with two colored woodcuts.

Tokyo: Salon de Coo / Toshiba Records, 1966. Fine copy overlaid in seemingly original publisher's glassine jacket with a few small nicks and tears.. First Edition. Square octavo. SIGNED by Kuri. Number 4 of around 300 copies. Red vinyl 7 inch LP with two tracks narrated by Yoko Ono in English inserted in the inside front cover. The book contains 12 illustrated pages of black and white cartoon imagery by Yoji Kuri, a well-known Japanese cartoonist, independent filmmaker, and pioneer of Japanese animation. The images act as the story board for the reader to follow along with Ono's narration. No copies in OCLC.