Resultados de búsqueda: Photography from Harper's Books, Inc.

New York: powerHouse Books / Thea Westreich, 1995. Illustrated laminated boards are lightly rubbed (as always), else fine in an almost fine turquoise slipcase; print has a hint of a vertical crease at one edge from lying in the book, else fine.. Deluxe Edition. SIGNED by Jack Pierson and dated '95. Includes a SIGNED color photograph, "Peaches," 10 x 8 inches, number 9 of 80 examples marked "A," dated 85, and laid into the rear of the book in a plastic sleeve. Full bleed color photographs that look like a cross between Slim Aarons and Ryan McGinley.

New York: Little Bear Press, 2005. Some slight marks to black matte covers, overall near fine in wrappers.. First Edtion. Quarto. Fifth volume in Weber's All-American series. A mix of Weber's own portraits with archival photographs and illustrations. Figures profiled include the US Marine Corps, rodeo photographer Louise Serpa, pulp novelist Micky Spillane, Fairfield Porter, Billy Graham and others.

New York: Little Bear Press, 2008. Near fine with some creases to interior pages, bump to spine and small stain to cover.. First Edtion. Quarto. Eight volume in Weber's All-American series. Profiles include Nina Simone, David Halberstam, rodeo cowboys, and others.

London / Chicago: Tackfield, Ltd., 1982. Fine in blind-stamped cloth boards, housed in a fine matching slipcase, original cardboard mailing box (worn).. First Edition. Oblong quarto. Number 453 of 500 numbered copies, SIGNED by George W. Gardner. A collection of black-and-white photographs of mostly middle America during the 60s and 70s. With a foreword by Douglas Kenyon and an introduction by Jim Hughes. Vastly unsung book in the American canon; astonishingly with no copies in OCLC.

N.p.: Chimaera Press, 2009. Fine in a fine jacket, with print in fine, excellent condition; housed in publisher's blindstamped clamshell case with one faint spot to front cover, else fine.. Limited edition. Large quarto. Number 15 of a deluxe edition of 50 copies, SIGNED by Gordon, with a matching SIGNED and numbered silver gelatin print laid in. A collection of duotone plates documenting security cameras and the culture of surveillance in American cities. With an essay by Jason Francisco.

(N.p.): TimRoplexInc., 2008. Light scuffing to the white back cover, else near fine in photo-illustrated wrappers with french-flaps.. First Edition. Limited Edition of 100 copies SIGNED by Justin Winz and numbered 57. Photobook with images in and around New York City. The images were produced using a novel technique utilizing the negative section of Polaroid material and digital post-production.

Tokyo: Yugensha, 2009. All elements fine.. Deluxe Edition. Loose plates in portfolio and box. Number 34 of 300 numbered copies. Sumptuous publication by Kazuhiko Motomura, compiling 81 contact sheets Robert Frank used in production of The Americans. Plates measure 20 1/4 x 16- 5/8 inches and are wrapped in custom Japanese paper and laid into a silver folder with colophon information printed on the inside and Frank's name debossed on the outside. Housed in a special box made from Paulowina wood and enclosed in a black cardboard box with the edition label on the side. 24 page pamphlet laid in. Complete in publisher's original shipping carton. The last of three collaborations between Motomura and Frank.

New York: The Eakins Press, 1976. Covers lightly soiled and faded, a very good copy in screw-bound elongated boards.. First Edition. Oblong folio. Limited to 2000 copies. SIGNED by Friedlander and inscribed: "Lesle [?] put this in / so I wouldn't ruin / any real pages / Lee Friedlander." From the library of publisher Nicholas Callaway (likely the recipient of the inscription). Friedlander's obsessive paean to the forgotten and forgettable monuments of America; beautifully designed, edited, and printed, providing a brilliant contrast to the apparent nonchalance of the images themselves. (Parr / Badger, v2, 28; Roth 236; Open Book 310).

Amsterdam: Contact / De Bezige Bij, 1947. Light evidence of sticker removal on the front pastedown, a few spots of foxing and light general wear; a very good copy in a very good jacket, complete, lightly foxed at the back panel, with several small tears, some of which have been repaired by tape. Quite a presentable copy of a book rarely found in jacket; still uncommon in North America.. First Edition. Quarto. Pictures taken during the winter of 1944-1945 by leading members of the Underground Camera group, including Dutch greats Cas Oorthuys and Emmy Andriese. What emerges from this book - beyond the harrowing wartime shots of starvation and destruction - are the beginnings in photo literature of a new way of seeing the world. Forced by necessity to shoot under the most extreme conditions, the photographers are formulating a new aesthetic forged from the immediacy of circumstance. (Parr / Badger, v1, 196)

Berlin: Hatje Cantz, 2008. Fine in a fine jacket.. First Edition. Quarto.

Köln: Verlag der Buchhandlung Walther Konig, 1992. Lightly faded at the edges, else just about near fine in gray boards without jacket as issued. Uncommon title.. First Edition. Oblong quarto. Gursky's second book, published by Walther Konig in conjunction with an exhibition at Kunsthalle Zurich in 1992.

Krefeld, Germany: Museum Haus Lange, 1989. Touch of soiling to the page bottom corners, else near fine in plain stapled wrappers in a card jacket with French flaps with overall light soiling, else near fine.. First Edition. Small oblong quarto. A catalogue for Andreas Gursky's first exhibition, held at Museum Haus Lange in Krefeld, Germany, November 5 - December 12, 1989. Gursky's first and rarest book, featuring 18 color images shot between 1984 and 1989, prior to digital alteration. Although not widely known (most likely due to the restrained edition size), this catalogue marks the high point of Dusseldorf School color photography.

New York: Robert Miller Gallery, 1989. Some minor soiling to the top text block and back cover, else near fine in photo-illustrated wrappers, near fine acetate jacket with some soiling and light toning.. First Edition. Quarto. Published in conjunction with the exhibition Andy Warhol: Photobooth Pictures at Robert Miller Gallery, November 28 - December 30, 1989. Illustrated in black and white with the artist's photobooth images of himself and various Factory denizens. With a text composed by Gary Indiana, consisting of transcripts of conversations between the author, Tina Lyons, and David Rimanelli.

Hamburg: Kruse Verlag, 2001. Fine in laminated boards.. First Edition. Quarto. Text by Rodney Sappington. Ethereal, slightly over exposed images of Los Angeles; shots of industry, freeway, beach. (Parr / Badger, v2, 285).

New York: The Museum of Modern Art, 2004. Fine in a fine jacket.. Second Edition. Oblong octavo. Winogrand's first book. Essay by John Szarkowski. Images at the zoo. (Roth 192; Parr / Badger, v1, 257).

Dusseldorf: Art-Press Verlag, 1970. Fine in a jacket with faint soiling, a small surface scrape bottom front cover, and a 1/2 inch closed tear and light wear along the top edge, neatly tape-repaired verso, else near fine; near fine publisher's plain cardboard slipcase.. First Edition. Quarto. The manifesto of the Dusseldorf school: a group of Becher students, loosely affiliated, comprising some of the big names of today's art world, including Andreas Gursky and Thomas Struth. Like Ruscha, the Bechers blur the line between documentation and art, creating an almost scientific polemic that transcends any preexisting medium. (Parr / Badger, v2, 261; Roth 194-195; Open Book 258-259; Auer 518).

N.p.: Nobody in association with the Archive of Modern Conflict, 2007. Fine in white printed wrappers and green velum jacket, housed in a cloth chemise.. Limited edition. Octavo. Number 26 of an edition of 100, SIGNED by Gill, with a 6.5 x 8.25 inch signed original print laid in. A collection of 25 black-and-white photographs featuring found folded toilet paper, "origami" by anonymous creators, from hotels around the world.

New York: Aperture, 1961. Rubbing along spine, else near fine in photo-illustrated wrappers.. First Edition. Volume 9, Issue 1 of Aperture photography journal. 16 photographs by Robert Frank, a poem by Jonathan Williams, 3-page essay by Edna Bennett, 15 photographs by Warren Chappell, and a 2-page section of book and exhibition reviews.

Milano: Giancarlo Politi Editore, 1982. Near fine in printed white wrappers, printed glassine overlay, slightly yellowed and nicked at the edges.. Limited Edition. Folio. Number 36 of 150 SIGNED copies. Text in Italian and English. Locci's reinvention of the archive of Roberto Pavese, broken into sections or stories introduced by a brief statement, and presented in a washed-out greenish tint. Very interesting and little-known artists' book comprised of found or reinterpreted photography. No copies in OCLC.

Mallorca: Casal Solleric, 2009. Near fine in photo-illustrated boards with a touch of rubbing and a slight tap to the back bottom corner.. First Edition. Quarto. SIGNED by Parr. Collection of photographs produced over 25 years published to coincide with an exhibition in Spain, 2009. Text in English, Spanish, and French.