Resultados de búsqueda: Títulos que empiezan por F de Brian Cassidy Bookseller at Type Punch Matrix

Phoenix, AZ: Guaranty Bank / Republican State Committee of Arizona, 1964. First Edition. Very good +.. Inscribed first edition of then-Senator Goldwater's photographs, sponsored by the Republican State Committee of Arizona. Fifty plates. With an introduction by Clarence Buddington Kelland, who directs "[h]istorians and all people who have a veneration for America and a love of beauty" to "welcome this book with enthusiasm." Hardcover. Large folio. Beige linen boards. Minor edgewear; corners and spine ends bumped. INSCRIBED on ffep to artist James Cassell: "For a fellow Photographer - Jim Cassell - / Best Always / Barry Goldwater". Plates protected by attached tissue guards. This copy number 272 of a limited edition of 1000. Very good plus.

Berkeley: Tuumba Press, 1981. First Edition. Very good.. Tuumba 35, from the landmark series of chapbooks devoted (primarily) to the Language Poets, all letter-pressed and edited by Lyn Hejinian. Unpaginated. Wraps. 8vo. Publisher's printed wraps. Very good with light wear at edges and a smudge at rear panel. Else bright and sharp overall. Limited to an edition of 450, this number 148.

(New York): (Praeger Publishers), 1974. First edition. Near fine.. First paperback printing (simultaneous with the hardcover) of this classic and groundbreaking work on early NYC graffiti writers. Documenting some of the earliest New York graffiti artists (like the legendary Taki 183), FAITH captures the writers just before the Wild Style generation. While largely anthropological in its approach, Kurlandky and Naar's photography clearly paved the way for Martha Cooper and Henry Chalfant's more more intimate work in SUBWAY ART a decade later. With an essay by Norman Mailer, from which the book gets its title, a nice copy of a foundational work. 15.75'' x 10.5''. Original color pictorial wraps. [80] color pages with [16]-page black-and-white insert. Mild shelfwear only. Overall bright and sharp.

Fort H.G. Wright, NY: The Office of Education, Fifth CCC District, 1936. First Edition. Good.. Rare mimeographed collection of poems: OCLC does not locate the title. Wraps. 4to. Stab-bound with Nepaco metal band. Original green printed wrappers. Mimeographed. About good with heavy wear and soil to wrappers. Contents very good. Overall, sound. pp: [9], 82, [3].

New York: W.W. Norton & Company, 2016. First printing. Fine in fine jacket.. Lovely first US edition of this poetry collection, the follow-up to Oswald's acclaimed and prize-winning MEMORIAL. 8'' x 5.5''. Original half black cloth with black boards. In original unclipped ($25.95) black dust jacket. 42, [40] pages.

(Santa Monica): (Smart Art Press), 1998. First Edition. Very good.. Dzama's first book. Contains short text about his work by Wayne Baerwaldt, titled "Lord of the Flies." Wraps. 8vo. Saddle-stapled pictorial wraps. About very good. Small abrasion to front cover, light handling wear to wraps. Interior bright, clean throughout. Good and sound. [32] pp.

Madras & New York: Hanuman Books, 1988. First printing. Very good plus in very good plus jacket.. Scarce title by actress, writer, and general legend Cookie Mueller. One of two Hanuman titles whose shipment from the Madras printer to New York was imperiled by obscenity charges, in this case due to a photo of a Priapus statue looking very like himself. Unimpeachably classical, but as Mueller herself notes in one Letter, "a little antiquity goes a long way." Hanuman Books No. 15, edited and published by Raymond Foye and Francesco Clemente. 4'' x 2.75''. Original red wrappers. In original dust jacket. 79, [1] pages. Color illustrations. Minor edgewear. Light scuffing to jacket, with faint soil to rear panel.

(Plainfield, VT): North Atlantic Books, 1976. First Edition. Very Good +.. First printing of Clark's odes to the games of baseball, with his paintings illustrating. Rear author photo by Bill Berkson. Paperback. 8vo. Pictorial wraps. Very good plus. Minor rubbing, faint creasing. Else clean and sound. Unpaginated.

New York: Amphoto, 1983. First Edition. Near fine in a near fine jacket.. First printing, with over 80 color plates and 84 black and white photographs. Hardcover. 4to. Black cloth boards in pictorial dust jacket, both near fine with minimal shelfwear. 144pp.

San Diego: Publisher's Export Co., Inc, 1967. First Edition. Near fine.. Rural sleaze pulp featuring the erotic goings-on of two women, a man, a tractor, and a hi-fi. Uncredited but striking cover art. "A steamy Louisiana set epic" (John Harrison, HIP POCKET SLEAZE: The Lurid World of Vintage Adult Paperbacks.) A PEC Novel. Wraps. Mass market paperback. Pictorial wraps. Light wear and faint creasing to spine and front cover. 160 pages. Near fine.

Calais, VT: Z PRESS, 1977. First Edition. Good +.. First printing, published in an edition of 500, with cover art by Glen Baxter. Wraps. 8vo. Publisher's original illustrated wraps. Spine darkened. Two scratches at rear. Interior bright and clean. Good plus. 41pp.

Athens, GA: The University of Georgia Press, 1991. First edition. Fine in fine jacket.. Handsome first printing of this investigation of US poetry's imminent doom, an association copy inscribed by the author to poet Stanley Plumly (to whom Holden devotes several pages), and with Plumly's own critical annotations ("nonsense") throughout. 8.5'' x 5.5''. Original violet cloth. In original grey dust jacket. Grey endpapers. 152 pages. Inscribed by Holden on half-title page: "For Deborah and Stanley, with utmost admiration and affection, / Jonathan Holden / 9 July 1992 / Montpelier, Vermont." Additionally signed by Holden on title page. Annotations in pen by Plumly throughout. Minor edgewear.

(Madison, WI): (Aurora), nd. Reprint. Very good +.. Pamphlet containing a review of the 1973 Italian film LOVE AND ANARCHY, originally distributed in San Francisco by a group of anarchists after the film's screenings; this a "republished" edition from Madison, WI's Aurora Press. Printed throughout with variously colored stock and inks. One copy found by OCLC. A charming edition. Wraps. 8vo. Saddle-stapled self-wraps. Very good plus with mild soiling near spine, touches of handling wear. Clean and bright throughout. [8]pp.

San Francisco: [Bill Presson], 1970. First Edition. Very good +.. Charming mimeo with contributions from Clark Coolidge, Tom Clark, Tom Veitch (an interview with Ted Berrigan), Lewis Warsh, Dick Gallup, and a piece by Wally Moon on Neil Young and Crazy Horse. Wraps. 4to. Side-stapled pictorial wraps. Light touches of soil, handling wear to wraps. Internally bright and clean throughout. Unpaginated.

Placitas, NM: Duende Press, 1973. First Edition. Very good +.. Poetry/art mimeo which ran for five issues, from Larry Goodell's press (also responsible for the better-known '60s mag DUENDE). This issue features contributions from Kenneth Irby, Fielding Dawson, Tom Raworth, and many others. Wraps. 4to. Illustrated stiff pink wraps. Very good plus. Mild rusting near staples. Interior bright and clean throughout. Good and sound. Unpaginated.

Los Angeles: Upper Limit Music, 1994. First Edition. Good +.. First printing of this collection of poems by Downs, published by this Los Angeles press, or "Newsletter in Poetics," named after a line from Zukofsky's "A." Wraps. 8vo. Saddle-stapled wraps. Good plus to very good. Some smoke damage to front cover. Interior overall clean throughout. [19] pp.

Brooklyn: Assembling Press, 1974. First edition. Very good.. Fifth issue of Kostelanetz's noted contributor's journal of concrete, visual poetry, and other art works. Coming down from writing his controversial END OF INTELLIGENT WRITING, Kostelanetz remarks in the introduction to FIFTH ASSEMBLING that "whole classes of literature were excluded from the dominant channels of cultural communication" because "the literary-industrial complex" was "subservient to the demands of fashion and commerce." In this work we see the material he would prefer to see in print, assembled by taking submissions from artists willing to send in 1000 copies of their pieces. 11'' x 8.5''. Original staple-bound photographic wrappers. Illustrated variously throughout. [142] leaves. Original $3.95 price on cover crossed out, repriced "4.95" in ink. Lightly scuffed with mild soiling and small tears around spine ends. Else sound and bright.

New York: The Film Journal, 1971. First Edition. good +.. First issue of this film periodical, featuring extensive coverage of I AM CURIOUS: YELLOW, the controvercial film that had its screening ban lifted by the US Supreme court just previous the this issue's publication. The magazine's production is highly visual, with many full-page photographs. Wraps. 4to. Publisher's wraps. Some toning to wraps. Abraided spot at front. Some wear at corners, with upper corner of rear torn, lacking.5" approx. Some curling to page corners, one lower corner crumpled. Interior bright and unmarked. About very good.

Providence, RI: Burning Deck, 1978. First Edition. Very good.. Signed first printing of this short collection of verse from the seminal language poet. Wraps. 8v0. Publisher's white wraps printed in black. SIGNED at half title. Mild toning with touches of thumbsoiling and several tiny dampstains at front panel. Interior clean and sharp. Very good. Number 20 of 350.

New York: Cinema 16 and the Filmmakers Cooperative, 1963. First Edition. Second issue (of three, all dual-numbered) of one of the earliest American journals devoted to experimental and avant garde film and filmmakers, begun when editor Sitney was just 16 years old. The young editor would produce issues focusing on the work of Stan Brakhage and running interviews with the likes of Jean Cocteau, Willard Maas, and Owen Land. This issue dedicated to entirely to the films of Gregory Markopoulos. Includes a cover design by Richard Tuttle predating his first solo exhibition by almost a year. A rare zine. OCLC finds just over a dozen holdings across all issues. Side-stapled 4to mimeo wraps. About very good. Covers and pages toned. Some mild wear. Else clean and sound. Cover illustration by Jean Cocteau. Cover design by Richard Tuttle. 68pp. SIGNED and numbered (#117, of 500?) by Markopoulos to limitation/copyright page. Additionally INSCRIBED by him in 1964 to first page.