Victorian Artists

London: Routledge and Kegan Paul, 1967. First edition. Hard cover in dust jacket. Published London: Routledge and Kegan Paul, 1967, first printing. Small 4to., xiv+111pp., illustrated with 123 b/w plates. Black cloth with gilt titles. Name on flyleaf, flattened fold to upper corner of three pages of plate, else very good plus, clean, bright in very good dust jacket. .… Saber más sobre este artículo

Routledge & Kegan Paul, 1967. Hardcover. Good/Good. 1967. First Edition. 111 pages. White dust jacket with black lettering over black cloth. B&W illustrations throughout. Clean pages with firm binding. Minimal tanning to endpapers and page edges. Mild wear to spine, board edges and corners, with scuffing and marking to boards. Unclipped dust jacket. Mild wear and tear to… Saber más sobre este artículo

BELL, Quentin. VICTORIAN ARTISTS. London: Routledge and Kegan Paul, 1967. 4to. Cloth, dust jacket. xiv, 111 pages, 123 plates. First edition. These essays, focusing on painters of the Victorian era, originated as the Sl Lectures at Oxford. Typed manuscript of review for this book laid-in Endpap foxed, else very good in lightly soiled dust jacket.

Great Britain: Academy Editions., 1975. 1st thus . Soft cover. FINE-MINUS. completely redesigned and with additional colour plates".

Harvard, 1967. 1st. Hardcover. A FINE tight copy in a Near FINE bright dj.

London: Academy Editions Ltd (a division of John Wiley & Sons Ltd.), 1975-04-01. First Paperback Edition. Paperback. Very Good. From a private collection. Spine is uncreased, binding tight and sturdy; text and artwork are clean. Light age-toning. Shelfwear is minimal. Ships from Dinkytown in Minneapolis, Minnesota.

London: Routledge & Kegan Paul. Very Good+ in Very Good dust jacket. 1967. First Edition. Hardcover. 0710010672 . Tight book in black cloth, unmarked but for "withdrawn" stamp and Shakespeare & Co. Paris stamp to front endpaper; in dust jacket with shipping to top of spine. ; 123 pages .

Cambridge: Havard University Press, 1967. First American Edition. Hard Cover. Fine/Fine.

Cambridge: Harvard University Press, 1967. hardcover. near fine/very good. 123 plates in rear. xiv + 111pp. 4to, cloth, d.w.; dust wrapper rubbed, tear at head of spine. Cambridge: Harvard University Press, (1967). Small ownership inscription on flyleaf. Near fine in very good d.w.<br/><br/>

London: Harvard University Press, 1967. First Edition . Hardcover. Very Good/Very Good. 4to - over 9¾" - 12" tall. Minor rubbing and foxing on DW. Lightly soiled on top edge.

Cambridge: Harvard Univ., 1967. Large octavo, 111pp. + pls., Fine- in V.Good dust jacket. First Edition.. Hardcover. Numerous b&w illustrations./Dust Jacket Included.

London: Academy Editions, 1975. Soft cover. Very Good. 4to - over 9¾ - 12" tall. 127 pages, including bibliography, plus index. Reprint, completely redesigned with additional colour plates.The book is in excellent condition, clean, unmarked and solid. "Quentin Bell justifies his study of Victorian painters and graphic artists not as a revivalist, but as an historian who… Saber más sobre este artículo

London: Academy Editions, [1975]., 1975. 4to. pp. 3 p.l., 127, [3]. 4 double-sided colour plates & 114 b/w illus. biblio. index. wrs..

Cambridge.: Harvard University Press., 1967.. First edition.. Hardcover.. Fine copy in fine (very small closed tear, spine tip) dust jacket (in mylar).. Octavo.. Photograph available upon request. Illustrated.

Paperback. Acceptable.

Harvard University Press. Used - Good. Good condition. Good dust jacket.

Harvard, 1965 Art Hardcover 2 First edition. Book is near fine . DJ is near fine with minor scuffing. Loaded with monochrome plates.

Academy Editions, Limited. Used - Good. Used book that is in clean, average condition without any missing pages.

Academy Editions, London 1975 (redesigned with some colour plates). 29.0 x 21.0cms, 132pp, 115 b/w & 9 colour illusts, edge & endpapers foxed, The chapters are: the age of fragmentation; the Teutonic influence; hard-edged Pre-Raphaelism; Academy notes; low art; from Rossetti to Art Nouveau; the New English Art Club; Sickett & the post-impressionists.

Cambridge, MA: Harvard Univ Press. G in G DJ ex-library. (1967). Back ep removed, hinge damaged. .