The Eater of Darkness Tapa blanda -

While abroad, Coates developed his celebrated experimental style with short stories and sketches he published in the expatriate magazines Gargoyle, Broom, and Secession. After the publication of The Eater of Darkness, however, he returned to the United States and began work for the newly established New Yorker magazine, for which he worked as a contributor and an art critic for more than 40 years. It is from these contributions that he is credited with coining the term "abstract expressionism" in reference to the works of Jackson Pollock and Willem de Koonig.

Prior to his retirement in 1967, Coates published four more novels, including Wisteria Cottage and Yesterday's Burdens, as well as countless works of short stories and nonfiction. Known early in his career for experimental fiction, Coates is considered by many as a pioneer of contemporary literary science fiction, and to this day, his novel, The Eater of Darkness, remains a cult classic among fans of dadaist and early twentieth century science fiction. His art criticism for The New Yorker was definitional and influential for three decades in the post World War II modernist era.

Mathilde Roza is Associate Professor of American Literature and North American Studies at Radboud University Nijmegen, the Netherlands. She is the author of the critical biography Following Strangers: The Life and Works of Robert M. Coates (South Carolina University Press, 2011), which was based on extensive archival research. She has published on American modernism, The New Yorker magazine, and a variety of other topics.