Ir al contenido

The Authority of the Word: Reflecting on Image and Text in Northern Europe,
Foto de archivo: la portada puede ser diferente

The Authority of the Word: Reflecting on Image and Text in Northern Europe, 1400-1700 Tapa dura - 2011

de Celeste Brusati (Editor); Karl A. Enenkel (Editor); Walter Melion (Editor)


Detalles

  • Título The Authority of the Word: Reflecting on Image and Text in Northern Europe, 1400-1700
  • Autor Celeste Brusati (Editor); Karl A. Enenkel (Editor); Walter Melion (Editor)
  • Encuadernación Tapa dura
  • Páginas 752
  • Volúmenes 1
  • Idioma ENG
  • Editorial Brill
  • Fecha de publicación 2011-11
  • Ilustrado
  • Features Bibliography, Illustrated, Index
  • ISBN 9789004215153 / 9004215158
  • Peso 3.05 libras (1.38 kg)
  • Dimensiones 9.7 x 6.7 x 1.8 pulgadas (24.64 x 17.02 x 4.57 cm)
  • Temas
    • Aspects (Academic): Religious
  • Library of Congress subjects Authority in literature, Authority in art
  • Número de catálogo de la Librería del Congreso de EEUU 2011034530
  • Dewey Decimal Code 809.935

Acerca del autor

Celeste Brusati is Professor of the History of Art and Professor in the School of Art and Design at the University of Michigan in Ann Arbor. She has published on the relations between visual and literary discourses on art in the early modern Netherlands, particularly in still life, self-imagery, perspective, and trompe l'oeil, and on the artists Samuel van Hoogstraten, Pieter Saenredam, and Johannes Vermeer.

Karl Enenkel is Professor of Medieval and Neo-Latin Literature at the University of Mnster, Germany, and member of the Royal Netherlands Academy of Arts and Sciences (KNAW). He has published on international Humanism, the reception of Classical Antiquity, the history of ideas, literary genres and emblem studies.

Walter Melion is Asa Griggs Candler Professor of Art History at Emory University in Atlanta, where he has taught since 2004. He has published extensively on Dutch and Flemish art and art theory of the 16th and 17th centuries, on Jesuit image-theory, on the relation between theology and aesthetics in the early modern period, and on the artists Otto van Veen and Hendrick Goltzius.