Resultados de búsqueda: princess badoura de dulac edmund housman

Norwalk, CT: Easton Press, 1996. Hardcover. Fine. 10.8x8.3x0.9in. faint shadow from removal of bookplate on front paste-down. 113pp 2.01lb 10.8x8.3x0.9in

Norwalk, Conn: Easton Press, 1996. Collector's edition. Hardcover. Very fine ; as new. Sealed in original shrinkwrap. Small folio in dark blue and red leather lavishly ornamented and illustrated in gilt; 113 pages, [10] leaves of plates: color illustrations; 28 cm. Originally published in 1913 by Hodder & Stoughton.

[London]:: Hodder & Stoughton,, no date [1913].. First trade edition. publisher's gilt-decorated white cloth; top edge stained green.. Some light foxing to a few of the tissue overleaves; small abrasion and erasure to the front free endpaper; rear pastedown a little foxed; tipped-in plates fine. The cloth is tanned at the spine and there is some splattered ink on parts of the lower right quadrant of the front cover, and dust-soiling to the rear cover. . Small folio,. Illustrated by Edmund Dulac with ten tipped-in color plates, each with printed tissue overleaf.. Retold by Laurence Housman.

London: Hodder and Stoughton, 1913. First Edition. Small quarto; G+/no-DJ; tanned spine, gilt text; ornately illustrated cover has age toning, rubbing, bumping and fraying in corners and at spine head and tail, comes in protective plastic cover; textblock has edgewear, ex libris plates on front pastedown and endpaper, all text and plates clean; pp 113; FLP Collection. 1284947. Full-priced Rockville.

[London]:: Hodder & Stoughton,, no date.. First edition; No. 382 of 750 copies, signed by Edmund Dulac.. publisher's gilt-decorated white cloth.. Old ink gift inscription on front free endpaper; spine tanned with a few small spots and light use at extremities; some light soiling to the front and rear panels. Contents fine.. Folio,. Illustrated by Edmund Dulac with ten tipped-in color plates, each with printed tissue overleaf.. Retold by Laurence Housman.

[London]:: Hodder & Stoughton,, no date.. First trade edition. publisher's gilt-decorated white cloth; top edge stained green.. A beautiful bright unworn copy.. Folio,. Illustrated by Edmund Dulac with ten tipped-in color plates, each with printed tissue overleaf.. Retold by Laurence Housman.

PRINCESS BADOURA A TALE FROM THE ARABIAN NIGHTS, Hodder & Stoughton, first edition thus, (1913), slight hint of scattered foxing to the fore edge, else a bright fine copy in the publishers original gold-gilt and lime green pictorial stamped off-white cloth with 10 tipped in full color, full page plates by Edmund Dulac in the somewhat worn glassine dust-wrapper. Housed in the publishers original box with full color pictorial lid with some tape repairs to the corners.

[London]:: Hodder & Stoughton,, no date.. First edition; No. 273 of 750 copies, signed by Edmund Dulac.. publisher's gilt-decorated white cloth.. Old ink gift inscription and old retailer's stamp on front free endpaper; some light dust-soiling to cloth; contents fine.. Folio,. Illustrated by Edmund Dulac with ten tipped-in color plates, each with printed tissue overleaf.. Retold by Laurence Housman.

London: Hodder and Stoughton, no date [1913]. [Illustrated Folk Tales] FIRST DULAC EDITION, SIGNED LIMITED ISSUE. Quarto (29 x 23cm), pp.[8] 113 [3]. With 10 mounted colour plates by Dulac, including a frontispiece, each with a captioned tissue guard. Publisher's white cloth with elaborate pale blue and gilt decoration to upper and spine, decorated framed margins to text block, top edge gilt, others untrimmed. Printed notice for Dulac watercolour exhibition tucked in (Leicester Square Galleries, London, Nov.15th-24th Dec. 1913). Contents very clean, loose flyer a little spotted, binding tight and square, spine gently toned. A crisp, near fine copy. A special presentation of a single story from the vast 'Thousand Nights and a Night' corpus of Middle Eastern folk tales. Copy number 429 of 750, signed by Edmund Dulac.

London: Hodder and Stoughton,, [1913]. Nothing more purely beautiful has ever come even from Dulac's fairy brush Signed limited edition, number 346 of 750 copies signed by the artist. A review in The Bookman stated that, "Scherazade's romance of Badoura, the beautiful Princess of China... supplies Edmund Dulac with a subject exactly suited to his gracious, exquisitely delicate art". The Athenaeum found in the tale "a rootlet of later Persian feminism". Hughey notes that Dulac "altered his style" for this book in order "to follow that of Chinese painting. The result is a very new, but mature style, most subtle in both design and colours. None of his work before or after was quite like it". A review in The Outlook stated "nothing more purely beautiful has ever come even from Dulac's fairy brush than the picture of Badoura in the arms of Camaralzaman against a background so exquisite as to make one hold one's breath". Quarto. Original white cloth, spine and front cover lettered in gilt and decorated… Leer más