Resultados de búsqueda: redondillas or something of that sort de pound ezra

[New York]: New Directions, 1967. First edition. [11] leaves. Blue paper boards over tan linen backstrip, printed paper label on spine. Introductory note by Noel Stock. One of 110 copies, printed by Robert Grabhorn and Andrew Hoyem in San Francisco, all signed by the author. Gallup A90. Fine copy.

New York: New Directions, 1967. First Edition. Near Fine/Near Fine. Signed limited first edition. One of a limited 110 unnumbered copies signed by Ezra Pound. Printed by Andrew Hoyem and Robert Grabhorn in San Francisco, and bound in publisher's tan linen cloth over blue paper-covered boards with errata slip tipped in at rear; in publisher's unprinted white dust jacket. Near Fine, with lean to spine, covers faintly marked. In a Near Fine dust jacket, lightly soiled and with light edge wear. An early long poem of Pound's, and his first attempt to write poetry using world history, and adding opinions of his own. Originally intended to be published in the 1911 first edition of Canzoni, Pound deemed it too serious, and removed it during the proof stage. It was not until 1967 when the poem was finally published, first in an Australian poetry magazine, then here for the first time in book format in a limitation of 110 copies. There is no equivalent trade edition. Gallup A90.

[New York, James Laughlin], 1968. . First edition, one of 110 copies, signed by the author; 4to (28.5 x 23 cm); title printed in red and black, initials in red, 'erratum' slip tipped in before final leaf; publisher's linen-backed grey paper boards, white paper label to spine printed in red and black, edges untrimmed, with the original plain off-white dustjacket; near-fine. One of 110 copies, signed by Ezra Pound on the colophon. Originally intended to be published in the first edition of Canzoni in 1911, Pound deemed the poem too serious, and removed it during the proof stage. It was not until 1967 that the poem was finally published, first in an Australian poetry magazine, then here for the first time in book format in a limitation of 110 copies. Gallup A90.

[New York]: A New Directions Book, 1967. First edition (signed); limited to 110 copies, signed by Ezra Pound (of which 100 copies were for sale). [24] pages. Printed, letterpress in red and black type, by Robert Grabhorn and Andrew Hoyem. 4to. Cloth spine, publisher's printed paper spine label, gray cloth covered boards, fine copy in near fine publisher's unprinted white dust jacket is lightly tanned on spine, with small nick at crown and two small edge tears (else fresh and bright). First edition (signed); limited to 110 copies, signed by Ezra Pound (of which 100 copies were for sale). [24] pages. Printed, letterpress in red and black type, by Robert Grabhorn and Andrew Hoyem. 4to. Gallup A90

[New York]: New Directions, (1967). Quarto. Linen and boards, printed spine label, without plain dust jacket. Errata slip. Light sunning and faint binding soil; very good or better. First edition. Introductory note by Noel Stock. One of 110 copies printed by Robert Grabhorn and Andrew Hoyem. This copy is not signed by Pound. There was no contemporary trade printing in book form of this work. Inscribed by Andrew Hoyem at the colophon page, given as a gift to friend, Allen Ginsberg. Also signed by Ginsberg on the front flyleaf. "In 1972, during my partnership with Robert Grabhorn, when the company was known as Grabhorn-Hoyem, I arranged with Irma Grabhorn, the widow of Edwin Grabhorn, to acquire the balance of the Grabhorn Press equipment. As part of the deal we were to clean out the building at 1355 Sutter Street so that she could rent it. We found left-over Grabhorn Press limited edition books, some complete, others in various stages of binding and a few unbound, in sheets. After Irma's death a few… Leer más