Resultados de búsqueda: the work of jean dubuffet de selz peter dubuffet

The Museum of Modern Art, 1962. Fair. Selz, Peter. The Work of Jean Dubuffet. Dubuffet, Jean. New York: The Museum of Modern Art, 1962. 187pp. Indexed. Illustrated. Square 4to. Paperback with flaps. Book condition: Fair with corner of first flyleaf missing and a torn and bumped head of spine. Rubbed and bumped edges overall..

Museum of Modern Art; distributed by Doubleday, Garden City, N.Y., 1962. Trade Paperback.

New York: Museum of Modern Art, 1962. 187 pages, illustrations (some colour) notes; 24 cm. Firm binding, clean inside copy. Wraps creased on the front flap and nicked at the tail/spine. Age toning. Another copy available. OVERSIZE! No priority/air, except by special arrangement. First MoMA retrospective of Jean Dubuffet, the French painter who promoted the expression "art brut" to refer to art of the mentally ill, children, folk art, and other "primitives." Influenced by these untrained artists, Dubuffet was looking for authenticity and his paintings are often identified with the post-war existential philosophy of his contemporary Jean-Paul Sartre.. 1st. Paperback. Good. 8vo.

New York: Museum of Modern Art. 1962. 4to - over 9¾" - 12" Tall (small). F First Edition. Paperback. Very Good. Published on the occasion of the retrospective exhibition at the Museum of Modern Art, New York, the Art Institute of Chicago and the Los Angeles County Museum of Art (no specific dates given in book); includes 3 essays and statements by the artist, plus bibliography and index. Minimal shelfwear.

New York: Museum of Modern Art, 1962. 187 pages, illustrations (some colour); 24 cm. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/air, except by special arrangement. First MoMA retrospective of Jean Dubuffet, the French painter who promoted the expression "art brut" to refer to art of the mentally ill, children, folk art, and other "primitives." Influenced by these untrained artists, Dubuffet was looking for authenticity and his paintings are often identified with the post-war existential philosophy of his contemporary Jean-Paul Sartre.. 1st. Paperback. Very Good. 8vo.

Volume, measuring approximately 9" x 10", is bound in brown cloth, with stamped black lettering to spine and front cover. Book displays very light shelfwear. Binding is firm. Previous owner's name and address are written in upper outside corner of front flyleaf. Interior is otherwise clean and bright. Profusely illustrated with b&w and color reproductions of the work of French painter and sculptor Jean Dubuffet (1901-1985). Pictorial dust jacket is preserved in mylar cover. 187 pages.

New York: The Museum of Modern Art, 1962. First edition. Softcover. 187 pages. Includes essays by Selz along with texts from Dubuffet accompanied by numerous color and black and white illustrations. A near fine copy in wrappers in an near fine integral dust jacket that has some very minor wear and with laid in checklist. An attractive catalog.

New York: Museum of Modern Art, 1962. Softcover. VG. Color wraps. 186 pp. Numerous color & bw plates (mostly bw). This catalogue contains extensive texts, both by Selz and the artist. A plethora of photographs make it a compelling read and important source of information.

New York: Museum of Modern Art. Very Good+. 1962. First Edition; First Printing. Soft Cover. Tight, clean and crisp. With a 12 page checklist in stapled wrappers laid in. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 9.40 X 8.30 X 0.60 inches; 187 pages .

New York: Museum of Modern Art,, 1962 1. Paperback. Very Good. 187 pages, softcover in Very Good condition. Slight tear to cover near upper spine. 1