Resultados de búsqueda: the orton diaries including the correspondence de orton joe lahr

New York: Harper and Row, 1986. 304pp. Soiling, wear boards, DJ: wear extremities, rubbing.. Hb. VG-/VG-.

Da Capo Press, 1996. 304pp. Softback, slight crease across front top edge and back bottom corner, slight bump on spine edge, index, chronology, b&w photos, Written during the dramatists last eight months chronicles his life, . Soft Cover. Very Good.

New York: Harper & Row. Very Good in Very Good dust jacket. 1986. First Printing. Hardcover. 0060157437 .

NY: Harper & Row, 1986. First Edition. Hardcover in dust jacket. Published NY: Harper & Row, 1986. Some scuffing to cloth, spotting to edges. Very good minus in dj. . 1st. Hard. Very Good Minus/Very Good Minus. 8vo.

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Methuen 1986. Octavo softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

Methuen 1987. Super octavo softcover (VG-); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition but usually secondhand; frequently they are superior examples. Ordering more than one book keeps postage costs down.

London: Methuen, 1986. -----The scan you see is the book you get. Black cloth with gilt, 304 pages with illustrations plus 24 b & w plates, with photos of Orton's defaced library books on end papers, Near Fine condition with ink name on front blank end paper, dust jacket is in Very Good Plus condition with one small smudge on reverse of jacket (minor) else Near Fine. "From December 1966 until his murder in August 1967, Joe Orton kept a series of diaries that prove to be one of the most candid & unfettered accounts of that remarkable era." Contents include: List of Illustrations / Editor's Note / Intro / The Diaries: London, December 1966 - May 1967; Tangier, May - June 1967; London, July - August 1967 / Appendices: The Edna Welthorpe Letters; Chronology; List of Published Work. Check out the scans. . First Edition First Printing. Hard Cover. Near Fine/Very Good Plus. Illus. by Paul Davis Studio. 8vo - over 7¾" - 9¾".

Da Capo Pr, 1996. Trade Paperback. New. reprint edition. 304 pages. 8.75x6.25x0.50 inches.

Methuen 1986. Super octavo hardcover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs

London : Methuen, 1986. First Edition. Hardcover. Very good cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper. Remains particularly well-preserved overall. Physical Description: 304 pages, 25 unnumbered pages of plates : illustrations, portraits ; 24 cm. Subjects: Orton, Joe 1933-1967; Orton, John Kingsley (Joe) 1933-1967 playwright, author, satirist; Orton, Joe 1933-1967 ; Biography; 1900-1999; Dramatists, English 20th century ; Biography; Dramatists, English 20th century Diaries; Biography; Dramatists, English; Twentieth century; Writers Memoirs; English Literature 20th century Biography; English Dramatists Diaries 1966-1967; Diaries; Homosexuality; Murder; Playwrights; English drama.

Da Capo Pr, 1996. Trade Paperback. New. reprint edition. 304 pages. 8.75x6.25x0.50 inches.

London: Methuen, 1986. Hardback. Very Good. 8vo.. First edition. 8vo. With b/w frontis and plates. Black cloth, gilt lettering to spine. Illustrated endpapers. Very occasional blemish to text block, else, clean, tight and bright. In the playful original DJ - sunning to spine, light wear to spine ends. A pleasing copy of Orton's posthumously published diaries. Edna Welthorpe (Mrs) was one of Orton's letter-writing alter egos. Created in the 1950s, she was a guardian of public morals, who Orton used to mischief-make and even, occasionally, to generate controversy around his plays.