Resultados de búsqueda: Libros de debussy claude 1862 1918

Paris: Durand, Sep 1953. c.1910. D.&F. 9687. Folded sheet music. 31cm. pp. 3, [1] ad. Near Fine. Acid free tape repaired tears..

New York: Edward B. Marks, 1934. Kaleidoscope edition. 10591-7. Folded sheet music in burgundy card folder. 30cm. pp. 7. Near Fine. Inner folder joint acid free reinforced..

Boston: Boston Music Company, 1934. 5985-3. Folded sheet music. 30cm. pp. 5, [1] ad. Near Fine..

Paris: Durand, c.1904, 1910; Imp. Jul. 1955. D.&F. 7680. Folded sheet music in tan card folder. 34cm. pp. 11, [1] ad; 11, [1] ad. Near Fine. Minimal wear (two copy set)..

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

2005-01-01. Audio CD. Like New.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Paris: A. Durand & Fils [PN D. & F. 7179], 1910. Quarto. Original publisher's light brown wrappers with titling in red and black within decorative border. Unbound as issued. 1f. (recto title printed in red and black, verso blank), 19 pp. Text in French and English. With "Ch. Douin, gr. ..." and "Imp. A. Mounot. Paris" printed at foot of final page of music. Wrappers very slightly worn; publisher's handstamps to lower outer corner of upper. Light uniform browning. First Edition, later issue Lesure, 92. The present work premiered in Paris on 9 April 1909 at a Concert Colonne under the composer's direction. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic."… Leer más

UsedGood. First and Second Arabesque; Elkan Vogel sheet music; 11 pages of music plus back cover; writing on some pages; not torn on pages; spine repaired with clear tape

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Paris: A. Durand & Cie. [PN 6106], 1906. Quarter leather with brown marbled boards, titling gilt to upper and spine ("Abonnement au Ménestrel 2bis Rue Vivienne Paris"). 1f. (recto title printed in green and black, verso blank), 1f. (recto publisher's note, verso blank), 1f. (recto printed dedication to Paul Dukas, verso blank), 25 pp. Text in French. Binding worn, soiled, and bumped; large "Abonnement de Musique" label laid down to front endpapers; "721/1" in red ink and publisher's handstamp to flyleaf. Uniformly browned; slightly creased. Lesure, 62. La Damoiselle Élue premiered on in Paris by Julia Robert and Thérèse Roger under the direction of Gabriel Marie at a concert of the Société National de Musique at the Salle Érard on 8 April 1893. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works… Leer más

Paris: A. Durand & Cie. [PN D. & F. 9427], 1915. Folio. Original publisher's ivory printed wrappers. Unbound as issued. 36 pp. With "Ch. Douin, gr. ..." and "Imp. Mounot, Nicolas, Paris" printed at foot of final page of music. Occasional performance markings in pencil throughout. Slightly browned and creased. Lacking separate flute and viola parts. First Edition. Lesure, 137. The present sonata premiered in Paris on 10 December 1916 at Chez Durand. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic. "At first the war depressed Debussy into a state of creative sterility from which he produced only the Berceuse héroïque for piano (later orchestrated),… Leer más

Paris: A. Durand & Fils [PN D. & F. 6441], 1905. Small folio. Original publisher's light gray laid-paper printed wrappers with titling in olive green and black. Unbound as issued. 1f. (recto title printed in olive green and black, verso "Pour remercier de mois de Juin 1904 A.l.p.M."), 15, [i] (publisher's advertisement) pp. With "Imp. Chaimbaud et Cie. Paris" and prices for separate numbers (1.75 f.) at foot of title. Publisher's small monogrammatic handstamp to lower outer corner of verso of final blank leaf. Contains: I. Les Ingénus II. Le Faune III. Colloque sentimental Wrappers very slightly worn, creased, and chipped; partially split at spine. First Edition, first issue. Lesure, 104. Fêtes Galantes premiered by Mme. Eugénie Colonne at a private salon in Paris on 23 June 1904. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas… Leer más

Paris: Durand & Cie [PN D. & F. 7576], 1949. Tall folio. Dark ivory publisher's wrappers printed in red and black. 1f. (recto title, verso publisher's "General Conditions of Sale and Hire of Orchestral Material" and list of instruments), 110 pp. Wrappers worn; torn at spine. Slightly worn and browned; signatures partially detached; publisher's handstamp to first page of music. A re-issue from plates of the first edition. Lesure p. 127.

Paris: A. Durand & Fils [PN D. & F. 8443], 1912. Folio. Original publisher's light gray printed wrappers. 1f. (blank), 1f. (recto title printed in red and black, verso "Personnages," "Note concernant l'exécution," etc.), 32 pp. With "Imp. Mounot, Nicolas, Paris" printed at foot of title and "Ch. Douin, gr ..." and "Paris, Imp. Chaimbaud & Cie." printed at foot of final page of music. Upper wrapper detached; lower partially detached; bookseller's handstamps to upper and title "Occasion Neuf Livres & Musique," etc. Slightly browned; occasional light foxing. First Edition. Lesure 125. Premiered in Paris on 22 May 1911 at the Théâtre du Châtelet. "Debussy was rather reserved in his attitude to the aesthetic of the Ballets Russes, and seems to have preferred the idea of rejuvenating the old form of opera-ballet (Fêtes galantes after Verlaine, renamed Crimen amoris). He wrote the scenario - but not the music - of Masques et bergamasques, but he detested the choreography which Diaghilev commissioned… Leer más

1 page. Octavo (ca. 168 x 122 mm). Dated Thursday evening. On mourning stationery. In French (with translation). "I have to attend [?Louis] Laloy's premiere; naturally that is tomorrow, on Friday ... Would you change the enclosed tickets for Saturday? Thanks again ..." Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio, not affecting text. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. "Laloy [1874-1944] was a noted defender of contemporary French music and was a close friend of, and mediator between,… Leer más