Resultados de búsqueda: Libros de donald westlake screenwriter

Los Angeles: Twentieth Century-Fox, 1972. Collection of five vintage black-and-white studio still photographs from 1972 film. Based on the 1970 novel by Donald Westlake. Featuring images of Robert Redford, George Segal, Ron Leibman, and more. One of the most engaging and hilarious crime films of the early 1970s, a cat-and-mouse heist film in which Redfield played the foil to Redford. A bright gathering of the New Hollywood Cinema's finest, including Robert Redford, director Peter Yates, novelist Donald Westlake, and screenwriter William Goldman. Winner of the Edgar Award for Best Picture. 8 x 10 inches. Near Fine.

Beverly Hills, CA: United Artists, 1974. Complete set of eight vintage lobby cards from the 1974 film. Based on Donald E. Westlake's 1972 novel, which follows a crew of criminals who decide to steal not only a bank's contents, but the whole bank itself. Set in Los Angeles, shot on location in Richmond, Virginia. 10 x 8 inches. Near Fine. Lee, The Heist Film.

England: Twentieth Century-Fox, 1972. Original British quad poster for the 1972 American film, "The Hot Rock," here under the British release title, "How to Steal a Diamond." Printed in England by Lonsdale & Bartholomew. Distributor notation in manuscript ink on the verso. New Hollywood director Yates' adaptation of Westlake's 1970 novel "The Hot Rock." Dortmunder (Redford) and Kelp (Segal) are jewel thieves who plan to steal a diamond from a museum...over and over again. Shot on location in New York. Nominated for an Academy Award. 30 x 40 inches, folded as issued. Very Good plus, with a few pinholes, faint stains to verso. Scarce. Lee, p. 118.

N.p.: N.p., 1972. Vintage reference photograph of director Peter Yates and actor Robert Redford on the set of the 1972 film. Based on the 1970 novel by Donald Westlake, about two jewel thieves who plan to steal a diamond from a museum...over and over again. A small gem of the New Hollywood cinema. Shot on location in New York. 10 x 8 inches. Near Fine. Lee, p. 118.

Los Angeles: Twentieth Century-Fox, 1972. Draft script for the 1974 heist film. Art Director Al Brenner's working copy, with his name in manuscript ink on the front wrapper, and his annotations throughout and on the rear wrapper. Based on the 1972 novel by Donald Westlake. One of the more creative caper comedies from the rich vein of crime films made in the 1970s, wherein a bank temporarily being housed in a mobile home begins to look appealing to a crew of ex-cons. Very much a sister film to the 1972 adaptation of Westlake's "The Hot Rock." Yellow titled wrappers, rubber-stamped No. 40, showing the film's title and "Landers/Roberts Productions on the front wrapper. Title page present, dated August 27, 1973, with a credit for screenwriter Wendell Mayes. 115 pages, principal pages on white stock, with pink revision pages throughout, all dated 9/6/73. Pages and wrapper Very Good or better, bound with two gold brads. Lee, p. 116.

N.p.: Millimeter Films, 1988. Vintage First Re-Write script for the 1989 film. A rare example of a sequel that rivals its predecessor. Following up on the cult horror classic "The Stepfather," Terry O'Quinn reprises his pitch-perfect role as a psychotic killer escaped from an insane asylum who, obsessed with "family values," marries into broken homes and murders his new family when he is inevitably unsatisfied with the results. Set in Los Angeles, shot on location in Vancouver and California. Cream untitled wrappers. Title page present, noted as copy No. 172, dated November 15, 1988, with a credit for screenwriter John Auerbach. 97 leaves, with last page of text numbered 96. Noted at copy No. 79 in manuscript ink on the title page. Xerographic duplication, first generation photocopy with punch holes, with blue revision pages throughout, dated 12/07/88. Pages Fine, wrapper Fine bound with two gold brads.

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1972. Draft script for the 1973 neo-noir crime film. Based on the 1963 Parker novel by Donald E. Westlake (writing as Richard Stark). Copy belonging to uncredited actor Norman Kaplan. One of the great crime films of the early 1970s, today a cult classic, with understated performances from Robert Duvall, Karen Black, and Joe Don Baker, as well as a who's-who of character actors, playing out a violent story that takes place mostly in a beautifully ordinary rural setting. Shot on location in Los Angeles, California. Yellow titled wrappers, rubber-stamped copy No. 182, dated December 18, 1972, with credits for producer Carter De haven, and director/screenwriter Flynn. 132 leaves, xerographically duplicated, with the last leaf of text numbered 128. Pages and wrapper Near Fine, with a few tiny corner creases throughout, bound with two gold brads. Grant US. Silver Classic Noir. Spicer US. Stephens US.

Studio City, CA: ITC Productions, 1985. Early Draft script for the 1987 film, preceding its release by 2 years. An internally duplicated copy made during production, with copied punch holes and copied annotations on the title page, noting "Complete Shooting Script / Unmarked." A cult classic slasher about a demented, image-conscious man who, in an attempt to find the perfect family, marries into broken families, becomes disappointed with the results, murders the family, and moves on to the next one. Set in Seattle, shot on location in Vancouver. Generic white ITC Productions wrappers, with a die-cut title window in the British style. Title page present, dated October 15, 1985, noted as Draft, with credits for screenwriter Donald Westlake and uncredited screenwriter David Loughery. 119 leaves, with last page of text numbered 107. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, with moderate foxing on the verso of the last leaf and the wrapper versos, bound… Leer más