Resultados de búsqueda: Libros de ruscha edward ed

San Francisco: The San Francisco Earthquake, 1968. Paperback. 96p., poetry, articles, fiction, art and photography, very good trade paperback literary/arts journal in pictorial wraps with Roy Lichtenstein cover. Includes Carl Solomon's piece "On Learning of the Death of Neal Cassidy" with photo of Neal. Solomon was of course the mad poet on whom Ginsberg built his "Howl". Also Ginsberg's "Pentagon Exorcism

NY: Whitney Museum, 2004.. Hardbound in cloth-covered boards. First edition. Foreword by Adam D. Weinberg. Beautiful illustrations throughout handsomely printed on heavy matte paper. Includes essays, an index of works, plus biographical and bibliographical information. Published on the occasion of an exhibition. As new.

San Francisco: The San Francisco Earthquake, 1968. 1st edition. Soft cover. Fine/No Jacket (as issued). Near Fine. 8vo, 96pp, printed wrappers. Uncommon fourth issue of this late 1960s San Francisco underground magazine, includes writing by William S. Burroughs (Schottlaender C214 / Shoaf III-123, includes a full-page portrait of WSB), Ginsberg, Carl Solomon (poem on the death of Neal Cassidy) and others, a photo piece by Edward Ruscha, a Sinclair Beiles/Annie Rooney collaboration, a Roy Lichtenstein cover, much else. Solid unmarked copy with a little outer rubbing.

NY & Gottingen: Whitney Museum & Steidl, [2004].. 4to. Quarter-bound in cloth and paper-covered boards. First edition. Splendid overview of Rucha's accomplishments as a photographer, featuring quality reproductions of images from all his photographic books, including 16 photos from Twenty-six Gasoline Stations not included in the original book. Other previously unpublished material includes photos from a 1961 trip through Europe. Features a long interview with Ruscha, and more. As new in shrinkwrap.

The Museum of Modern Art, New York, 2002-07-15. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

Ostfildern-Rutt: Haatje Cantz, [2005].. Oblong 16mo. Softbound. First edition. Published on the occasion of the 51st Venice Biennale. Text by Joan Didion, Frances Starck, Donna De Salvo, and Linda Norden. Ten color reproductions. As new in publisher's shrink-wrap.

REDCAT. Near Fine. 2003. Reprint. Paperback. Color plates, Gerald Nordland essay. ; 8.4 X 5.9 X 0.7 inches; 64 pages .

New York: Edward Tyler Nahem Fine Art.. Fine with no dust jacket. 2005. First Edition; First Printing. Softcover. First edition. Exhibition catalogue. Fine in grey printed wrappers with white & orange titles. (Tiny speck of rubbing at base of front cover. ) (47pp. ) (9" X 10") ; 9" X 10"; 47 pages .

Paris: Galerie 1900-2005. Fine with no dust jacket. 2008. First Edition; First Printing. Hardcover. First edition. Fine in pictorial boards without dust jacket as issued. (46pp. ) (7 1/2" X 10") 16 color illustrations from 1963 through 2005. Text in French & English. ; 7 1/2" x 10"; 46 pages .

New York: Kineticism Press.. Very Good with no dust jacket. 1973. First Edition; First Printing. Softcover. First edition. Very good in stapled wrappers. (Trace of staining on front cover with a good deal more on rear cover. ) Unpaginated (80pp. ) (9 1/4" X 9 1/4") Features an interview with Edward Ruscha "...A KIND OF A HUH? ?" conducted by Willoughby Sharp. Plus ad for a French exhibition of Ruscha with photograph of "Texas Gallery" and inside front cover Leo Castelli Gallery ad with "EDWARD RUSCHA (ED-WERD REW-SHAY) YOUNG ARTIST" calling card. Also an interview with William Wegman conducted by Liza Bear. Wegman cover as well. 2 inserts present. Apart from the unfortunate stains on covers a pleasing copy of an obscure early piece. ; 9 1/4" X 9 1/4"; 80 pages .

GOTTINGEN/NEW YORK: STEIDL VERLAG/GAGOSIAN GALLERY.. Near Fine with no dust jacket. 2007. First Edition; First Printing. Hardcover. Near fIne in grey cloth with silver titles, enclosed in a grey heavy card slipcase, as issued. Sealed in the publisher's protective plastic shrinkwrap. (Trace of rubbing to silver titles on spine due to crease in plastic shrink wrap. ) (12" X 9 3/4") (564pp. ) Features 165 paintings. (BC) .

Chicago: The Lakeside Group, 1983.. One of an unspecified number of copies initialed by Ruscha. The image features a series of tight circles creating a vortex around which two concentric circles of minnows are swimming. Nicely printed on Arches. Fine (39" x 28").

Los Angeles County Museum of Art, 1968. First Edition. Trade Paperback. Fine. An exceptional copy, truly in fine condition, in the original sandpaper wraps, complete with original ribbon marker and chromed screws. One of 2500 copies issued, designed by Edward Ruscha. The original sandpaper binding with flocked front cover (reading 'Billy'), is unfaded and in perfect condition, complete with ribbon marker. Laid in loose is a printed single-sheet, 2-column biography entitled '67X The Authorized Version / Bengston Bio' by Alan D. Shean dated 1967 This item is folded down the middle as usual, with slight creasing to edges. The exhibit itself was designed by Frank Gehry. A great period time piece, documenting this remarkable exhibit involving Bengston, Edward Ruscha, and Frank Gehry. Color, b/w illustrations.

NY/GOTTINGEN: GAGOSIAN GALLERY/STEIDL VERLAG.. Near Fine with no dust jacket. 2007. First Edition. Unbound sheets. UNCORRECTED PROOF. Consists of unbound folded and gathered signatures. One of 3 sets produced prior to publication for purposes of final proofing, sent by the printer to the artist's office. The copies produced were intended solely for the artist, the editor & designer. Contents are very nearly fine, with one postage stamp-size abraided spot on front cover signature. 2 yellow post-its are still in place where last minute corrections were indicated. Third volume in a projected five-volume series. 165 paintings are detailed in color, along with a comprehensive bibliography and list of exhibitions, with chronology to 1987. .

[LA: Los Angeles County Museum of Art, 1968].. Oblong 8vo. Softbound. First edition. Catalog for a 1968 traveling exhibition of works by Billy Al Bengston. Catalog designed by Ed Ruscha featuring sandpaper covers bound with screws and bolts, with pink ribbon marker. Profusely illustrated (many in color), featuring every work in the exhibition. The laid-in tissue sheet, usually lacking, that prints "67X The Authorized Version / Bengston Bio" by Alan D. Shean is present in this copy. A few minute specks of wear to edges of covers, touch of rubbing to a couple of letters of the flocking on the cover, very near fine. A bright, fresh copy.

London, England: Rocket Gallery London, 2000. First Edition. First Printing.. Hardcover. As New/No Dust Jacket, As Issued.. London, England: Rocket Gallery London, 2000. Hardcover. As New/None, As Issued. First Edition/First Printing. 1 pages. Rare Ed Ruscha collectible piece. A pristine copy of the Compact Disc (CD) celebrating his landmark London exhibition, signed by Ed Ruscha. Limited Edition of 500 copies. Precedes and should not be confused with the regular edition of the disc. There is no ISBN. The Limited Edition is now rare. A brilliant production by Ed Ruscha and Jonathan Stephenson: Cover photograph of the artist posing against giant posters of "Ed Ruscha In Pisa, Italy", that is, of naked women. Black-and-red CD encased within the jewel case. The CD design brilliantly mimics vintage vinyl records, and as such, alludes to Ed Ruscha's great Artist Book, "Records" (1971) . Booklet Insert of art by Ed Ruscha. Original music by David Stephenson and Richard Bell. In… Leer más

SeLF-PUBLISHER, 1978. Book. Fine. Hardcover. FIRST. A FINE FIRST SMALL Fine/As New paperback original. A collaborative photo-narrative by Ruscha and Weiner, divided into nine chapters with chapter designations and one line of text: "In the year 2000 all racecar driving will be taken over by women." Concept and design by Ed Ruscha and Lawrence Weiner; photographs by Ruscha, Weiner, and Susan Haller; characters depicted by Haller, Shelley Chamberlain, and Suzanne Chandler..

Hollywood: Heavy Industry Publications, 1971. First Edition. Stiff printed wrappers. Near Fine. Jerry McMillan (photos). 12mo. Unpaginated. Black & white halftone photo reproductions on coated paper. Perfect bound in stiff textured red paper wraps, titles in black. Former owner's small, discreet book stamp on blank preliminary, else fine. Photos of thirty LP covers and discs on facing pages, followed by several blank leaves. The thirteenth in a series of sixteen small artist's books produced by Ruscha. Now housed in a removable, clear archival sleeve with an acid-free backing.

Steidl, 2003. First Edition, First Printing. Hardcover. Fine. New York / Gottingen, Germany: Gagosian Gallery / Steidl 2003. Hardcover in slipcase. First Edition, First Printing. [6], 436, [3] pages. Exhaustive catalogue of the early works, with introductory essays by Walter Hopps and Yve-Alain Bois, a biographical chronology and 7-part bibliography, list of titles and of authors quoted. BOOK CONDITION: Fine; a tight, clean, solid copy in a Near Fine slipcase showing light overall rubbing and toning (including a small dime-sized abrasion/loss at lower, right forecorner). 

Steidl, 2003. First Edition, First Printing. Hardcover. Fine. New York / Gottingen, Germany: Gagosian Gallery / Steidl 2003. Hardcover in slipcase. First Edition, First Printing. [6], 436, [3] pages. Exhaustive catalogue of the early works, with introductory essays by Walter Hopps and Yve-Alain Bois, a biographical chronology and 7-part bibliography, list of titles and of authors quoted. BOOK CONDITION: Fine; a tight, clean, solid copy in a Fine slipcase showing light rubbing, slight bumping at fore edges and some uneven toning to front panel.