Resultados de búsqueda: Holy China de Feliks Topolski

Hutchinson, 1968. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Boston MA: Houghton Mifflin. Very Good- in Very Good- dust jacket. 1968. Hardcover. Light soiling to top page edges. Jacket has a small tear on front panel ; Small 4to 9" - 11" tall; 194 pages .

BOSTON, MA: HOUGHTON MIFFLIN CO.. overseas orders will require substantial additional postage. . VG. Hardcover. First Edition. 1968.

Boston: Houghton Mifflin. Very Good in Very Good dust jacket. 1968. Hardcover. Dustjacket has slight edge wear. .

Boston:Houghton Mifflin Company,1968,, 1968. F. cloth,dw,ill,195pgs,FIRST EDITION, NEAR FINE

Boston: Houghton Mifflin, 1968. Hardcover. Fine/Very Good. First edition. Large quarto. Illustrated. Fine in very good edgeworn, chipped dustwrapper. Topolski's drawings of China.

Houghton, Mifflin and Co., 1968T. hardcover. Good. .

Houghton Mifflin Company, 1968. Hardcover. Good/Acceptable. 1968. No Edition Remarks. 194 pages. Pictorial dust jacket over grey cloth with decorations. Colour illustrated frontispiece and black and white illustrations throughout. Binding remains firm. Pages and illustrations are lightly tanned throughout. Pencil inscription to front free endpaper. Boards have light shelf-wear with corner bumping. Slight crushing to spine ends. Unclipped jacket has light edgewear with tears and creasing. Light tanning and water staining to spine and edges.

Hutchinson, London, 1968. 28.5 x 20.5cms, 196pp, pencil drawings, very good hardcover & very good- dustwrapper Topolski documents everyday life in communist China (on the eve of the Cultural Revolution), His 'short and staccato text has the modest function of following and supporting the drawings. And it does not purport to postulate, nor to infrom, in extenso'.

Hutchinson, London, 1968. 28.5 x 20.5cms, 196pp, pencil drawings, very good hardcover & very good- dustwrapper Topolski documents everyday life in communist China (on the eve of the Cultural Revolution), His 'short and staccato text has the modest function of following and supporting the drawings. And it does not purport to postulate, nor to infrom, in extenso'.