Resultados de búsqueda: Art from Zoar Books & Gallery

New York: Crescent Books, 1979. Cloth. Fine/Fine. 4to - over 9¾" - 12" tall. A beautiful copy with color plates throughout.

New York: Crescent Books, 1979. Cloth. Fine/Very Good+. 4to - over 9¾" - 12" tall. Beautiful pictures. A great collectable book.

New York: The Art Foundation Press, Inc., 1952. Soft cover. Good. Folio - over 12" - 15" tall. 62 pages. Cover is shelfworn and rubbed with light soiling, but intact. Inside clean and bright with no cut-outs.

New York: The Art Foundation Press, Inc., 1952. Soft cover. Good. Folio - over 12" - 15" tall. 130 pages. Fiftieth Anniversary Issue. Cover is shelfworn and rubbed with light soiling, but intact. Inside clean and bright with no cut-outs.

New York: The Art Foundation Press, Inc., 1952. Soft cover. Good. Folio - over 12" - 15" tall. 70 pages. Cover is shelfworn and rubbed with light soiling, but intact. Inside clean and bright with no cut-outs.

New York: The Art Foundation Press, Inc., 1955. Soft cover. Good. Folio - over 12" - 15" tall. 70 pages. Cover is shelfworn and rubbed with light soiling, but intact. Inside clean and bright with no cut-outs. Small 1 1/2" tear on spine tail.

New York: The Art Foundation Press, Inc., 1950. Soft cover. Good. Folio - over 12" - 15" tall. 70 pages. Cover is shelfworn and rubbed with light soiling, but intact. Inside clean and bright with no cut-outs. Crease on front cover.

New York: ARTnews, 1965. Hardcover. Good/No Jacket. Folio - over 12" - 15" tall. All the art news for 1965 in one volume. First divider missing (page 25/6), ink mark on cover.

New York, NY: Harry N. Abrams, 1988. Cloth. Very Good/Good. 9.75" X 9.5." 112 pages. Reproduces over 100 remarkable images by today's leading pioneer of computer-generated art. These extraordinary creations, almost all made directly with computers, represent the forefront of this new technology and art form. Some shelf wear. Dust jacket corners worn with a 3/4" tear at bottom front corner. Slight fading to jacket. Pen line on rfep.

Toronto, Canada: Allen Lane/Madison Press, 1981. First Edition . Cloth. Fine/Fine. 4to - over 9¾" - 12" tall. Eighty Two color plates of birds and mammals with B & W drawings and pictures throughout. Some minor soiling on top edge. Protected in Mylar cover. A beautiful copy.

New York: Grumbacher Art Library, 1976. Printed Wraps. Very Good/None. Folio - over 12" - 15" tall. 30 pages. An introduction to a painting method that develops single, traditional brushstrokes into complex compositions. Step-by-step instructions and demonstrations in the techniques of Sumi-e, the acient art of Oriental Brush Painting. Light soiling. Owners stamp on cover.

Salt Lake City, UT: Ancient City Press, 2006. First Edition . Cloth. Very Good+/Fine. Jim Arndt (Photos). 8 3/4" X 8 3/4." 128 pages. The romance of the cross is an enduring statement of faith, protection, commitment and adoration. Crosses in art are loved for their exquisite materials and design. In hand-woven rugs, fashionable silver jewelry, beadwork, candleholders, leatherwork and architectual ornament this book celebrates the Southwest Native, Mexican and Spanish interpretations of this beloved symbol. Spine tail and bottom corners slightly worn.

Washington, D. C.: Smithsonian Institution Press, 1984. Printed Wraps. Very Good/No Jacket. 224 pages. The myth of the solitary artist is the focus of this volume. Edge-wear and minor soiling.

New York, NY: Viking, 1963. Cloth. Very Good/No Jacket. 8 1/2" X 6." 721 pages. This book has been prepared for the purpose of giving the artist a complete and up-to-date, at that time, account of the materials and methods of his craft. Spine tail and bottom corner bumped.

Brooklyn, NY: Pratt Graphics Center, 1967. First Edition . Cloth. Very Good+/Very Good. 8 3/4" X 11 1/4." 128 pages. Missing original print by Leonard Baskin. Artist's Proof is all-inclusive. It scans the past. It explores the future of printmaking on an international scale. It addresses itself to the steadily growing circle of connoisseurs, collectors, curators, artists, and teachers interested in the print medium. It reports on graphic workshops throughout the world, on print exhibitions, new books, and portfolios. Spine of dust jacket is sun-faded. Light soiling of dj.

Philadelphia: Artists/USA, INC, 1970. First Edition . Cloth. Fine/Very Good. 9" X 11 1/4." 239 pages. A guide and buyers catalog to art for sale in 1971. 709 illustrations, 300 in full color. An essential reference. Poster-size advertising flyer laid in.Spine faded and some edge wear on dust jacket.

New York, NY: Allworth Press, 1994. Trade Paperback. Fine. 9" X 6." 176 pages. Career Assistance, working with arts organizations, funding sources, legal & accounting services, artist-in-residence programs, artist's networks, health & safety for artists, locating affordable studio space, art colonies, and much more.

Brooklyn, NY: Pratt Graphics Center, 1971. First Edition . Cloth. Near Fine/Very Good. 8 3/4" X 11 1/4." 128 pages. Contains an original print signed by the artist. Artist's Proof is all-inclusive. It scans the past. It explores the future of printmaking on an international scale. It addresses itself to the steadily growing circle of connoisseurs, collectors, curators, artists, and teachers interested in the print medium. It reports on graphic workshops throughout the world, on print exhibitions, new books, and portfolios. Spine ends of dust jacket slightly worn with a 1/2" tear on spine head. Two more small tears on top front edge of dj.

New York, NY: Weidenfeld & Nicolson, 1989. First U.S. Edition . Cloth. Very Good+/Very Good+. 240 pages. 11 5/8" X 9 1/4" (4to). Timeless landscapes, eternal realms, sacred wonders, all here in one book. One bump on top edge. Tiny scrape on fore-edge of dust jacket.

New York, NY: Todtri, 1997. First Edition . Hardcover. Fine/Very Good. Folio - over 12" - 15" tall. 128 pages. 105 illustrations. One of the greatest artists of the nineteenth century. Often the object of great controversy, Rodin's sculpture was a precursor of many later developments in art. One tiny chip on bottom front edge of dust jacket.