Resultados de búsqueda: Prints - English from Alan Wofsy Fine Arts

London, early 19th cent.. Three engravings by unknown artists, two probably after John Hoskins, of Arthur, Lord Capel (1604-1649), 1st Baron Capel. Also on sheet, an engraving by Maddox of Thomas Herring, Archbishop of Canterbury. Image size: 170 x 103 mm and others. Trimmed within plate marks. Pasted down. Staining on each. From a collection of prints of celebrities of Hertfordshire.

London, early 19th cent.. Engraving by Cooper after a painting by Sir Godfrey Kneller of Arthur Maynwaring (1668-1712), politician and journalist, outstanding figure in the Kit-cat club. Image size: 245 x 164 mm. Sheet size: 376 x 276 mm. Full margins. Wove stock. Small stain and crease in left margin. From a collection of prints of celebrities of Hertfordshire.

London, early 19th cent.. Engraving by Cook after a painting by Dodd of Admiral Augustus Keppel, Viscount Keppel (1725-1786), prominent naval figure. Image size: 160 x 89 mm. Trimmed within image. Light staining and small tear at lower left corner.

London: Craddock and Barnard, 1837.. Print: 11.2 x 13 cm. Plate: 16 x 16 cm. Spot in lower marign.Theatre ticket: a stage scene with seven performers, a dog and a cat, and in the background two tightrope walkers accompanied by an ape; within a frame, a satyr on either side; a forgery purporting to be an admission ticket for a performance of Fielding's Pasquin at the Haymarket Theatre in April 1736 The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818. The Works of William Hogarth as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates.

New York: E. Weyhe, 1924 (co-edition with St. Dominic's Press, Ditchling, Sussex, England). Wood-engraving on Plate 25 of "Wood-engravings." Physick, 231. No. 44 of the publications of the St. Dominic's Press. Edition of 150 copies. Skelton, Check List , no. 183. Printed on J Batchelor and Sons Ltd handmade paper. Sheet size 31 x 25 cm, (12 x 10 inches).

London: Hogg & Co., 1805.. Engravings by an unknown artist. Image: 137 x 87 mm. Sheet: 306 x 251 mm. Pasted down. (92 x 70 mm image not pasted down). From a periodical of remarkable characters.Manuscript description in a contemporary hand on lower margin. From scrapbook compiled by noted 19th c. British collector T. Purland in 1845.

London: llustrated London News, 1878.. 15.5 x 21.75 inches. Wood-engraving with central fold mark.

London: T. Cadell Jr. and W. Davies, 1800.. Etching by an unknown artist of Baumes, formerly the Seat of Sir George Whitmore, including a windmill and church steeple in background. Image size: 199 x 249 mm. Sheet size: 216 x 266. Full margins. Discoloration in margins.

London: Thomas McLean, 1839-49.. Tinted lithograph. 21.5 x 13.75 inches.Marginal tears.Abbey, Scenery of Great Britain Ireland, no. 402: 82.

London: John Thomas Smith, 1815.. One of the rare handcoloured etchings from the portfolio from a set on Whatman wove paper, some watermarked J. Whatman 1812. 14 x 11 inches sheet size. (355 x 280 mm).

London: John Nichols and Son, circa 1826.. 2 separate prints on wove paper. 15 x 12 inches image size on 20.5 x 16.25 inches sheet size. Both prints with repaired margins and light foxing. Before (left) and After (right),; plates made in 1736. Etching and engravings, 2nd state (Paulson 141 and 142), with the the prices still slightly visible in the lower right margin.Hogarth painted two versions of these scenes, one depicting the lovers indoors and one outdoors. The first was commissioned by John Thomson, who fled to France before the paintings were finished, after being charged with fraud and theft in the 1731 Charitable Corporation scandal.The man in the scene has been identified as Sir John Willes, Walpole Chief Justice of the Court of Common Pleas and a notorious womanizer. Hogarth fills the prints with sexual innuendo, such as the framed cupid preparing to shoot his rocket before and smiling contentedly as the rocket returns to earth after.Although she hesitates, the woman is not… Leer más

London: G & I. Robinson, 1802.. Two engravings on one sheet 23 x 16.25 inches.

London: John Nichols and Son, circa 1826... Etching and engraving. 18 x 20 cm,. (top image) and 12 x 21 cm. engraved text. 50.5 x 39.5 cm. (sheet). Paulson, 205 v/ivi. Four bewigged judges, three of whom are asleep, seated on the bench in Westminster Hall; at the top, eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper; below, lengthy text on a separate plate; fifth state. 1758, published after Hogarth's death in 1764 Etching and engraving51-3335.jpgThis famous image by William Hogarth, engraved from an original painting in 1758, depicts four judges listening to a case in the Court of Common Pleas. Though intended purely as piece of comical caricature, much of the imagery reflects common perceptions of senior judges at the time: pompous and indifferent men, inattentive to most of their case, and half asleep or even drunk when cases were being heard.… Leer más

London, early 19th cent.. Line engraving by Charles Turner after a painting by Mason Chamberlain of Benjamin Franklin (1706-1790), American statesman. Image size: 170 x 104 mm. Trimmed within plate marks, to edge of image. Some water damage.

London: C. Johnson, early 19th cent.. Engraving by an unknown artist of Bertholde of Bertagnona, dwarf who was made Prime Minister of Alboin. Image: 179 x 105 mm. Sheet: 306 x 251 mm. Pasted down. From scrapbook compiled by noted 19th c. British collector T. Purland in 1845.

London, 1828.. Colored engraving by George Cooke after a drawing by Sir Augustus Wall Callcott, R.A. of Billings Gate, London. Printed by S.H. Hawkins. Image size: 160 x 117 mm. Sheet size: 254 x 174 mm.

London, late 18th cent.. Engraving by H. Gavin after an unknown artist of the Bishop of Cambray. "Published according to Act of Parliament." Image size: 162 mm x 97 mm. Laid paper. Trimmed to plate marks. Light staining.

London: Harding & Lepard, 1834.. Engraving by J. Cochran of Blanch Somerset, Baroness Arundell of Wardour, obit. 1649. Image size: 206 mm x 140 mm. Wove paper. Trimmed within plate marks. Light staining.

London: John Thomas Smith, 1816.. One of the rare handcoloured etchings from the portfolio from a set on Whatman wove paper, some watermarked J. Whatman 1812. 14 x 11 inches sheet size. (355 x 280 mm). Blind beggar attended by a boy. From a drawing made in West Smithfield. Well known about Finsbury Square and Bunhill Row. His cant is, "Do, my worthy tender hearted Christians, remember the blind; pray, pity the stone-dark blind."

London: llustrated London News, 1878.. Wood-engraving. 15.5 x 22 inches. CMS. An original antique engraving, from the Illustrated London News of 1878, showing bloodhounds on the trail with mounted riders following on. Folded.