Resultados de búsqueda: Art from Pistil Books Online

Atglen, PA: Schiffer, 2006. Oversize Hardback. Fine/Near Fine. XL. A clean, unmarked book with a tight binding. Glossy pictorial boards. 8 5/8""w x 11 1/4""h. 224 pages. Light edge wear to dust jacket.

Paris: Mus�e d'art moderne de la ville de Paris, 1986. Trade Paperback. Very Good. Worn cover with creases on spine, small tears, and peeling laminate. Previous owner's name inside. Sewn binding. 8 1/4""w x 9 3/8""h. 280 pages. Text in French. Includes work by Arman, Christo, Yves Klein, Martial Raysse, Niki de Saint-Phalle, Daniel Spoerri and more.

Institut Ramon Llull and Ediciones Poligafa, 2013. Trade Paperback. Fine. Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Contains work by Esther Ferrer, Federico Guzman, Hans Haacke, Jorge Oteiza, Carlos Pazos, Pere Jaume, Allan Sekula, Jaume Xifra

Parey, 1998. Hard Cover. Near Fine/No Jacket. Book is in excellent condition with one corner bumped and gift inscription on front end paper. One page has a small paw print. Otherwise as new and very clean: binding is solid and square,, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. 119 pages, chapters include Kunst am bau; Grimmes hunderscheusal; Maskottchen furs jenseits?; Cave canem; Heuler aus der neuen welt; Allem irdischen entruckt; Erst hilfe; Die nase vorn; Huten und Behuten etc. Text is in German.

Janice Speck, 1969. Oversize Paperback. Very Good. About 40 pages: full page b&w illustrations with forward.

Yale Univ Pr, 1985. Hard Cover. Near Fine. Book is in excellent condition with a faded spine, Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind save prev. owner's name and date.

Japan Publicity, Inc., 2006. Trade Paperback. Fine. A clean, unmarked book with a tight binding. 150 pages.

San Francisco: Last Gasp, 2007. First Edition. Oversize Hardback. Fine/No Jacket. XL. A clean, unmarked book with a tight binding. 12 1/8""w x 9 1/4""h.

Bellingham, WA: Fairbanks Arts and Books, 2002. Oversize Hardback. Near Fine/No Jacket. XL. A clean, unmarked book with a tight binding. Slight fading to cover. 8 5/8""w x 11 1/4""h. 167 pages.

Petersberg: Michael Imhof Verlag, 2007. Oversize Hardback. Near Fine/Very Good. XL. A clean, unmarked book with a tight binding. Full dark red cloth boards. Light edge wear to dust jacket. 9 1/2""w x 12""h. 296 pages. Text in English and German. ""The catalogue raisonne offers, apart froma critical introductin on the historica, religious and economic backgrpund of the era, a comprehensive survey of all accessible and authenticated works by Mignon. More than a hundred still life paintings are reproduced mostly in color in big scale and described according to the criteria of composition, colour, and biographical details."" [blurb]

London: Verso, 2006. Trade Paperback. Fine. A clean, unmarked book with a tight binding. 212 pages.

U.S.A.: University of Chicago Press, 1988. Trade Paperback. Very Good. Some pencil notes and underlining. 249 pages.

Cambridge, England: Cambridge University Press, 1990. Hard Cover. Very Good/No Jacket. A clean, unmarked book with a tight binding. Previous owner's name inside. 442 pages. Discusses Willem De Kooning, Adolph Gottlieb, Franz Kline, Barnett Newman, Jackson Pollock, and Mark Rothko.

Ithaca: Cornell University Press, 1981. Trade Paperback. Very Good. A clean, unmarked book with a tight binding. Edge wear and small tears to cover. 8 1/2""w x 11""h. 140 pages. Many illustrations. Artists included: Baziotes, de Kooning, Gorky, Gottlieb, Hofmann, Krasner, Motherwell, Newman, Pollock, Pousette-Dart, Reinhardt, Rothko, Stamos, Still and Tomlin. Essays by Robert Carleton Hobbs (Early Abstract Expressionism: A Concern with the Unknown Within) and Gail Levin (Miro, Kandinsky, and the Genesis of Abstract Expressionism).

N Y: Arcade Publishing, 1991. Trade Paperback. Very Good/Very Good. XL. A clean, unmarked book with a tight binding. Light wear to cover. 9 3/4""w x 9 3/4""h.

Walther K�nig, K�ln, 2004. Oversize Hardback. Near Fine/Pictorial Boards. XL. Book is in excellent condition with very light wear to covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 40 pages with large color excerpts from the artist's productions.

Oslo, Norway: Forlaget Geelmuyden Kiese, 1998. Trade Paperback. Very Good. A clean, unmarked copy (except for note on endpaper). Many illustrations. 152 pages.

Rozzoli, 1998. Oversize Paperback. Near Fine. Book is in excellent condition with a tiny bump to lower front corner, scuffing to back cover as the only flaws. Binding is solid and square, covers otherwise have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Large format: 9.25x11.25 inches with introduction by the author. Profusely illustrated with b&w and color plates: photos and reproductions of Greek vases, sculpture, classic and current painting from many genres, photos of same, most featuring nude men, 162 illustrations, many full page. Contents include: The heroic nude, The child, youth and the feminized male, Naked victims, The noble savage, Naked not nude, The triumph of the female, The male nude and the avant-garde, The mirror of homosexual desire.

London: Thames and Hudson, 1964. Oversize Hardback. Near Fine/Very Good. XL. A clean, unmarked book with a tight binding. Full red cloth boards with gilt Thames & Hudson porpoise decoration. Edge wear and small tears to dust jacket. White ribbon bookmark. 8 1/2""w x 11""h. Approx. 450 pages.

Definition Press, 1970. Trade Paperback. Very Good. Book shows light wear to covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 119 pages with essays by the above authors, chapters include essays on art, acting, painting, poetry photography, and Siegel's Is Beauty the making one of opposites?