Resultados de búsqueda: Photography from Minotavros Books

Toronto: Thomas Allen Limited, 1960. First Edition. Hardcover. Very Good/Very Good. 12mo. Original jacket and tan boards, title in red on spine, 165pp. Illustrated throughout with photographs by Yousuf Karsh and accompanying essays by John Fisher. Small bruise to foot of spine, jacket soiled and rubbed to covers, extremities otherwise very good. Newfoundland, Prince Edward Island, Nova Scotia, New Brunswick, Quebec, Ontario, Manitoba, Saskatchewan, Alberta, and British Columbia.

Toronto: Doubleday Canada, 1999. 1st Edition. Hardcover. Fine/Fine. 8vo. SIGNED by Christopher Moore to ffep. B&W pictorial paper boards. 511 pp. Fully illustrated in colour and B&W. Fine in fine clear mylar dust jacket.

Edicoes O Cruzeiro, 1957. Hardcover. Fine/Near Fine. 8vo (large). Not paginated. Paper boards. Large photographs throughout. Boards decorated with shapes, identical to dust-jacket. Loss to bottom of covers and spine ends. Some scratching to dust-jacket cover. Rubbing to spine ends. Bumping to extremities. Top of spine tears, slightly loose. Otherwise, a fine copy of book. Candomblé is an African-Brazilian religion that has over two million adherents throughout Brazil. This book portrays their common rituals using photographs and paragraphs written in Portuguese.

Toronto: Deneau & Wayne, 1983. First Edition. Soft cover. Near Fine. First Printing. 72pp. Light soiling and rubbing to covers, otherwise near fine. Photographic portraits from fiures in the Canadian arts scene, including Mavis Gallant, Leonard Cohen, Irving Layton and others.

Toronto: Deneau & Wayne, 1983. Soft cover. Very Good. 9" x 9" Soft cover. 72 p.p. Fully illustrated in B&W. Age toning to covers. Here, collected for the first time, are Sam Tata's portraits of some of the leading figures in the arts in Canada, including Leonard Cohen, Alice Munro, Donald Sutherland, and more.

San Jose, Costa Rica: Jadine, 2006. Hardcover. As New/Fine. 4to (oblong). Orig. illustrated boards, 118pp. Illustrated. Text in Spanish. About fine in d/w. A collection of antique photographs from Costa Rica.

Toronto: Oxford University Press, 1980. 1st Edition. Hardcover. Near Fine/Near Fine. 10.5" x 8.5" Oblong. Full orange cloth. Unpaginated, approx. [94] pp. Fully illustrated in colour. Light rubbing to extremities, else fine. Dust jacket lightly bumped in a few places, near fine overall. This is a book for anyone whose childhood memories call to mind summer camps, who has ever sat by the stillness of Lake Muskoka in the early morning or rested on a wide verandah looking across Lake Rosseau at the evening sky.

Dubai: Motivate Publishing, 1999. 1st Edition. Hardcover. Near Fine/Near Fine. 4to. SIGNED by Thesiger to title page. Orig. black paper boards. 176 pp. Duotone photos in text throughout. Fold out mapped tipped in at rear pastedown. Bruising to spine ends. Some edge toning to text block. Dust jacket lightly bumped at spine ends, lightly soiled to edges of flaps. A stunning pictorial edition of the travel classic Arabian Sands.

New York: Viking Studio, 1999. Hardcover. Near Fine/Near Fine. 4to - over 9¾" - 12" Tall. Full black paper boards. 275 pp. Fully illustrated with 313 illustrations, 257 in duotone, 56 in colour. Bruised to foot of rear joint, small spot of wear to fore edge of front board. Spine tilted. Dust jacket has a small perforation to fore edge of front flap.

Boston: New York Graphic Society, 1974. 1st American Edition. Soft cover. Very Good. 9" x 10.25" Soft cover. 14 pp., 120 numbered B&W photographs. Covers are age toned and curled, creasing to corners, sticker to head of rear cover. In San Francisco on 18 February 1972 Tony Ray-Jones was told that he had an acute and rare form of leukaemia. He died in London at the Royal Marsden Hospital less than a month later. He was thirty years old. The pictures that he took, and what he had to say about photography: these are of singular importance. As eccentric as their subjects, surreal, hilarious, yet kindly and bittersweet, Tony Ray-Jones' photographs show the gentle madness that overtakes people when they feel they can relax and be their true selves. Born in England, he studied design at Yale and freelanced in the US. When he returned to England he looked afresh at English life and the result is A Day Off, the only collection of his work in book form. Pictured here with a sharp but compassionate eye, are… Leer más

San Francisco: Tides Foundation, 2002. 1st Edition. Hardcover. Very Good/Near Fine. 4to. Black cloth boards, white and yellow lettering at spine. 288 p.p. Beautifully illustrated with more than 250 full colour photos. Rubbing to top and tail edges, spine ends and corners,small dent to rear board. Dust jacket has some minor bumping to edges and some light chafing to covers, rubbing to corners. Evey image in this extraordinary book was captured on one day - February 28, 2002 - when 100 of the world's top photojournalists fanned out across the entire continent of Africa for a historic 24-hour shoot. Their mission: to capture images that celebrate a vast, vibrant continent in transition. The diverse photo team from 26 countries included more than a dozen Pulitzer Prize and World Press Photo winners and more than 20 African and African-American photographers.

Akron, Ohio: Damiani/Akron Art Museum, 2010. 1st Edition. Hardcover. Fine/Fine. 4to (oblong). Oblong. Pictorial paper boards. 127 pp. Fully illustrated in colour. Fine condition.

[New York]: Rizzoli. Hardcover. Fine/No Jacket. 8vo (super). [2008]. Pictorial paper boards. 431 pp. Fully illustrated. A few scuffs to boards. Fine. Print accompaniment to Steven Sebring's 2008 documentary about Patti Smith.

New York: Alfred A. Knopf, 1976. 1st Edition. Hardcover. Fine/Fine. 10" x 11" Full brown cloth. 363 pp., viii (index). Fully illustrated. Some minor bumping to extremities of dust jacket, small stain to front cover, chip to spine head. Fine overall. One of the supreme treasures of photography is here assembled for the first time in a book. This early Victorian album is the work of two pioneer Scottish photographers, who in the year 1848, scarcely a decade after the birth of the camera, selected what they considered to be their finest pictures (258 of the 1500 their collaboration had already produced) for presentation to the British Royal Academy. These photographs subsequently disappeared - were lost for more than a century - and after their rediscovery in 1967, commanded the highest price ever paid until that time for a collection.

New York: Thames & Hudson, 2016. 1st Edition. Hardcover. Fine/Fine. 4to (oblong). Full grey cloth. 202 pp. One hundred and forty-eight colour photographs. Fine condition. Edward Burtynsky has achieved global recognition with his large-scale photographs and project-based monographs, such as Quarries, Oil and Water, all of which have resulted in popular touring exhibitions and, in the case of Water, a feature-length documentary film entitled Watermark. However, while Burtynsky's global standing is without question, no comprehensive retrospective of his career to date exists. Edited and curated by William A. Ewing, Edward Burtynsky: Essential Elements provides an overview of Burtynsky's work across four decades, including both iconic images and previously unpublished photographs.

Los Angeles: The J. Paul Getty Museum, 2012. 1st Edition. Hardcover. Fine/Fine. 8vo (imperial). Full brown cloth. 144 pp. Fine. Known for his exquisite images of birds and landscapes, Eliot Porter (1901-1990) was a pioneer in the use of colour photography.

Toronto: Exile Editions, 1992. 1st Edition. Soft cover. Near Fine. 8vo (royal). SIGNED with inscription from Reeves to half-title. Soft cover. 149 pp. Offsetting to covers, creasing and stain to tail edge of rear cover.

New York: Timken Publishers, 1991. Soft cover. Near Fine. 10" x 10" Soft cover, 105 p.p. B&W photos throughout. Slight bumping to corners, scuff to rear cover, light age toning to edges of pages. Otherwise near fine.

Toronto: PhotoSensitive, 2010. 1st Edition. Hardcover. Near Fine/Near Fine. 10.5" x 10" Full black paper boards. 195 pp. B&W photos in text. Spine tilted, slight sunning to spine ends. Edge toning to interior. Dust jacket is rubbed to extremities, short tears and creasing to top edge of dust jacket.

New York & London: W.W. Norton & Company, 1992. 1st Edition. Hardcover. Fine/Near Fine. Black cloth, 155pp. Illustrated. Fine in d/w, a small white scratch to lower front jacket.