Resultados de búsqueda: Visual Arts from Black Mountain College Museum + Arts Center Bookstore

Black Mountain College Dossiers #3: Lore Kadden Lindenfeld. Original publication of Black Mountain College Museum + Arts Center, documenting the works of former students and faculty of the college. Text by Sigrid Wortmann Weltge; design by Jon Jicha. 51 pages, including 76 color reproductions. Light brown paper wrappers with French flaps. Stamped by hand with BMC logo on front cover. NEW with minor shelf wear; ISBN sticker on back cover.

Originally published in conjunction with the centennial exhibition M.C. Richards, Centering: Life + Art — 100 Years at Black Mountain College Museum + Arts Center (June 3 – August 20, 2016) curated by Alice Sebrell and Julia Connor. This fully illustrated publication includes ample selections of Richards' pottery, poetry, and painting as well as photographs and ephemera from her life, and nine thoughtful essays from scholars and friends. Contributors include James C. Anderson, Paulus Berensohn, Julia Connor, Deborah Haynes, Diedra Heitzman, Sherry Wildfeuer, Matthew Fox, Irwin Kremen, Jenni Sorkin, and Jeffrey Spahn. Designed by Susan Rhew Design.

Catalog for an exhibition held January 27 - May 26, 2012 at Black Mountain College Museum + Arts Center and January 26 - May 25, 2012 at the Fine Art Museum of Western Carolina University. Spans the 63 year career of Black Mountain College alumna and first-generation New York Abstract Expressionist Pat Passlof. Acknowledgments by Connie Bostic, Alice Sebrell, and Denise Drury; essay by Eleanor Heartney; photographs of Pat Passlof in studio by Alice Sebrell. vi, 58 pages with full-page color reproductions. New.

This volume collects 42 collages made by Johnson between 1966 and 1994, most never exhibited or published before, with a new essay by writer Brad Gooch, who first came into contact with Johnson when he began receiving unsolicited mail art shortly before the artist's death. The collection of works in this volume shows the artist at his most expansive, combining art history with celebrity, word with image and the personal with the universal. Hardcover with dust jacket, 189 pages. NEW.

Catalogue for an exhibition held at Richard L. Feigen & Co. in 2007, organized by Frances F. L. Beatty, Ph.D. Slim volume containing color reproductions, an essay by William S. Wilson titled "Ray Johnson: Finite but Unbounded," and chronology. Paperback, 12 pages. NEW.

Catalogue for an exhibition held January 22 - May 21, 2016 at Black Mountain College Museum + Arts Center and August 28 - December 23, 2016 at Neuberger Museum of Art, SUNY Purchase, curated by Theodore E. Stebbins, Jr. Includes essays by Stebbins and Paul Spillenger, son of the artist. xiv, 58 pages, with full color reproductions. Bound in pictorial wrappers. New.
Ray Spillenger studied with Willem de Kooning and Josef Albers at Black Mountain College during the summer of 1948. This exhibition comprises two decades of his work from the BMC era to the late 1960s. Spillenger's paintings demonstrate a total commitment to abstraction and a passionate love of color. After leaving Black Mountain College, Spillenger moved to New York City, where he became a member of "the Club," Cedar Tavern regular, and friend to Abstract Expressionist luminaries including Franz Kline, Jackson Pollock, and Philip Guston. Despite significant contributions to the formation of the New York School, Spillenger did not find… Leer más

Sara VanDerBeek's photographic and sculptural arrangements emulate a poet's economic use of structure, phrasing and rhythm to suspend images and multiple processes within a rigorously shaped framework. This first book-length study presents close readings of VanDerBeek's (b. 1976 in Baltimore) experimentation with photographic capture, printing, cast-concrete forms, and built environments that draw on diverse material cultures Ultimately, the book richly distills the chance, process, physicality, reflection and recollection of her site visits to Detroit, New Orleans, Los Angeles, Rome, Paris, Naples, Rotterdam and New York between 2006 and 2016. Contributions by international scholars and curators offer an oblique angle not only into VanDerBeek's vital practice, but also the ways VanDerBeek is shaping current debates on the relationship between image and object within contemporary art. Features the essay "Sculpture, Photography, Surface" by Ina Blom, and an interview with Sara VanDerBeek and Roxana… Leer más

Catalogue for the first museum survey exhibition of artist and filmmaker Stan VanDerBeek (1927-1984) at the MIT List Visual Arts Center and the Contemporary Arts Museum Houston, VanDerBeek was one of the first to extend film projection into multimedia spectacle and to embrace video and computer technology: a supreme instance of what critic Gene Youngblood dubbed "Expanded Cinema." This publication features text by Bill Arning, Jane Farver, Mark Bartlett, Jacob Proctor, João Ribas, Gloria Sutton, and Michael Zyrd. Paperback with partial dust jacket (belly band), [216] pages, 370 illustrations (196 in color). NEW in publisher's shrink wrap.

Black Mountain College Dossiers #5: Susan Weil. Original publication of Black Mountain College Museum + Arts Center, documenting the works of former students and faculty of the college. Text by Donna Stein; design by Jon Jicha. 35 pages, including color and b/w reproductions. Light brown paper wrappers with French flaps. Stamped by hand with BMC logo on front cover. ISBN sticker on back cover.

Catalogue for an exhibition held September 20, 2018 - January 4, 2020, edited by co-curators Chelsea Spengemann and Sara VanDerBeek. Features full-color reproductions along with essays by Gloria Sutton, Adrianna Campbell-LaFleur, and Hyemin Kim. Includes insert with text of keynote address by Chelsea Spengemann and Sara VanDerBeek given at ReVIEWING Black Mountain College international conference, September 2019. Paperback, 125 pages. New.

Black Mountain College Dossiers #4: Ray Johnson. Original publication of Black Mountain College Museum + Arts Center, documenting the works of former students and faculty of the college. Text by William S. Wilson and Mary Emma Harris; foreword by Mary Holden; design by Jon Jicha. v, 83 pages with color and b/w reproductions. Light brown paper wrappers with French flaps. Stamped by hand with BMC logo on front cover. Fine with tight binding.

Catalogue for an exhibition held January 13 - May 13, 2017 at Black Mountain College Museum + Arts Center, curated by Connie Bostic and Alice Sebrell. Includes essays by Marcus' niece Julie Feinsilver and Garry L. Hagberg, Professor of Philosophy and Aesthetics at Bard College. xi, 32 pages with full color reproductions. Bound in pictorial wrappers. New. Zola Marcus (1915 – 1998), long-time resident of New York and abstract painter, attended the 1953 Summer Institute at Black Mountain College where he studied painting with Joe Fiore and Esteban Vicente.