Resultados de búsqueda: Canadian from LEFT COAST BOOKS

Pasadena, MD: Matthew Bennett International, 2011. 176 pages, colour illustrations; 28 cm. Auction held at Four Seasons Hotel, New York, September 24, 2011. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps.. 1st. Paperback. Very Good. 4to.

Vancouver, BC: Vancouver Art Gallery; McMichael Canadian Art Collection in association with Douglas & McIntyre, 1992. Cloth, 223 pages, illustrations (some colour); 26 x 28 cm. Exhibition organized by the Vancouver Art Gallery, McMichael Canadian Art Collection, and the National Gallery of Canada. Good+. Withdrawn from non-circulating library collection, with fewer than usual markings. No writing in text. Fine DJ. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates.. 1st. Hardcover. Good/Fine. Oblong.

Peterborough, ON, and Lewiston, NY: Broadview Press, 1987. 327 pages; 22 cm. Tight, clean copy. Wraps lightly rubbed. Browning.. Paperback. Very Good. 8vo.

New York: Alfred A. Knopf; A Borzoi Book, 1954. Cloth, xviii, 314, xi pages, illustrations, plates (part colour), maps. 28 cm. Firm binding, clean inside copy. Age toning. Stated First Edition. Dust jacket, with light shelfwear, protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated.. 1st. Hardcover. Very Good/Very Good. 4to. Collectible.

Vancouver, Toronto, and Seattle: Douglas & McIntyre; University of Washington Press, 1993. 893 pages; 26 cm. Near fine. Tight, clean copy. Age toning. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. "Emily Carr's accomplishments as a painter and writer assure her prominence in the Canadian cultural scene. Her works inspire others in their own creative efforts. The gentle, irascible, passionate, poetic voice of Emily Carr resonates through her writings today, even more strongly than before. Her attitudes and observations were ahead of her time on native issues, because of the important role native Northwest Coast culture played in her art and life, and on feminism, as a woman who surmounted gender prejudice to achieve her goals with such distinction. Her deep commitment to nature in all its manifestations speaks to the environmental dilemmas that face us now. Thc Emily Carr Omnibus includes all her major published works. Here are her… Leer más

Toronto: House of Anansi Press, 2006. [xviii], 314 pages, [8] pages of plates, illustrations (some colour), facsimiles, portraits; 24 cm. SIGNED. Boldly signed by the author on the title page. A tight, clean copy. "No artist has expressed the mood, mystery, and soul of Canadas west coast as Emily Carr did in her landscape art and novels. This biography captures the originality of mind, fierce and independent spirit, and extraordinary productivity of a woman who defied convention to follow her dream. With a narrative that is at once sympathetic and penetrating, acclaimed writer and historian Maria Tippett chronicles Carr's struggles, wide travels, and achievements." - Publisher. CONTENTS: 1. Childhood 1871-1891; 2. San Francisco and Ucluelet 1891-1899; 3. England 1899-1904; 4. Vancouver 1904-1910; 5. France 1910-1911; 6. Vancouver and the North 1911-1913; 7. Chrysalis 1913-1927; 8. Discovery and Its Effects 1927-1929; 9. Spirit and the Land 1929-1933; 10. New Friends at Home 1930-1934;… Leer más

Vancouver, BC: Douglas & McIntyre: University of Washington Press, 1990. 240 pages, illustrations (some colour); 23 cm. Tight, clean copy. Light edgewear to wraps.. Paperback. Very Good. 8vo.

Canmore, Alberta, Canada: Altitude Publishing, 2003. 113 pages, illustrations, map; 22 cm. Tight, clean copy.. Paperback. Fine. 8vo.

Toronto: NC Press Limited, 1986. 64 pages, illustrations; 23 x 28 cm. PRESENTATION COPY. Signed by the author in the year of publication, with a personalized inscription. Dust jacket, with light edgewear & a sun stripe/front cover, protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. Bronze sculptures, Canadian artist.. SIGNED. 1st. Hardcover. Very Good/Very Good. Oblong. Collectible.

London: Hamlyn, 1973. Cloth, 96 pages, illustrations (some colour); 29 cm. Map on lining papers. Firm binding, clean inside copy. Expected browning. Dust jacket with moderate edgewear/taped at extremities. CONTENTS: The First comers; The Northlanders; Changing Arctic; Modern times; Eskimo art and artists. Profusely illustrated.. Hardcover. Very Good/Good. 4to.

Toronto: McClelland & Stewart, 1965. Cloth, 224 pages, illustrations (some colour); 24 x 29 cm. Text in English and French. Firm binding, clean inside copy. Expected browning. Dust jacket chipped & waterstained. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated.. 1st. Hardcover. Very Good/Good. Oblong.

Montreal: Expo 67, 1967. 121 pages, illustrations; 19 cm. Text in English and French. Firm binding, with one spine crease. Clean inside copy. TRES BON ETAT. Legerement use. . 1st. Paperback. Very Good. Oblong.

Montr al: Expo 67, 1967. 1 volume (unpaged), illustrations; 25 x 21 cm. Exhibition Catalogue. Text in English and French. VG/Tr s bon etat. Firm binding, clean inside copy. Browning. OVERSIZE! No priority/international, except by special arrangement. "The 500 photographs in this exhibition were taken in 81 countries by 272 photographers living in 49 lands.". 1st. Paperback. Very Good. 4to.

Montreal and Toronto: Alan Klinkhoff Gallery, 2016. 83 pages, color illustrations; 22 cm. Limited edition of 500 copies. Exhibition held September 15 to October 29, 2016. Near fine. Firm binding, clean inside copy. Light edgewear to wraps.. 1st. Paperback. Very Good. 8vo. Collectible.

Montreal: Musee McCord d'histoire canadienne; McCord Museum of Canadian History, 1992. 95 pages, illustrations (some colour); 30 cm. Text in French and English. An inaugural exhibition and publication marking the reopening of the McCord Museum of Canadian History, May 1992. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement.. 1st. Paperback. Fine. 4to.

Toronto: Art Gallery of Ontario, 1984. 48 pages, illustrations (some colour); 22 x 28 cm. Exhibition held March 30 to May 20, 1984. Withdrawn from library collection, with usual markings. Misprint/printing error: pp. 41-48 inverted.. 1st. Paperback. Good. Oblong.

Tokyo: Atelier Petit, 1988. [24] pages, illustrations; 21 x 22 cm. Text in French and Japanese. Exhibition held in Tokyo, 14 to 29 to January 1988. Firm binding, clean inside copy. Delegation du Quebec (Tokyo).. 1st. Paperback. Fine. Oblong.

Toronto: Royal Ontario Museum, 1984. xiv, 225 pages, illustrations (some colour); 26 cm. Catalogue of an exhibition held at the Royal Ontario Museum, Toronto, Ont., June 7 to October 21, 1984. Firm binding, with one spine crease. Clean inside copy. Age toning. OVERSIZE! No priority/international, except by special arrangement.. Paperback. Very Good. 4to.

Scarborough, Ontario, Canada: Prentice-Hall Canada, Inc., 1984. Cloth, 79 pages, [82] pages of plateas,: illustrations (some colour); 35 cm. SIGNED by the artist on the half-title page, no dedication. A near-fine copy, age toning. Stated First Edition. Dust jacket, with a slightly faded spine, protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement.. SIGNED. 1st. Hardcover. Very Good/Very Good. Folio. Collectible.

Willowdale, ON, and Buffalo. NY: Firefly Books, 1995. 64 pages, illustrations (some colour), map, portraits; 24 cm. Near fine. Firm binding, clean inside copy. Light edgewear to wraps, age toning. "For decades, the paintings of the Group of Seven have been instantly familiar to Canadians. But in the early part of the 20th century, these artists were engaged in a struggle for acceptance, mocked by critics and the public alike. Who were the Group of Seven? In 'The Group of Seven and Tom Thomson,' author Anne Newlands explores the ambitions and visions of this unique cast of characters, capturing the cultural and historical realities of their time and bringing to life their artistic response to the Canadian wilderness. Writing with insight and enthusiasm, Newlands offers us an informative introduction to the lives and work of the artists who have come to symbolize the Canadian spirit. / Anne Newlands works as an art educator at the National Gallery of Canada. She is author of 'Canadian… Leer más