Resultados de búsqueda: Movements / Regionalism from LEFT COAST BOOKS

Ames, IA: Iowa State University Press, 1972. Cloth, xi, 150 pages, illustrations (part colour); 23 cm. Tight, clean copy. Age toning. Stated First edition. Dust jacket, with moderate edgewear, protected in a mylar cover.. 1st. Hardcover. Very Good/Very Good. 8vo.

Austin, TX: University of Texas Press; American Studies Ser., 1994. Cloth, xx, 282 pages, illustrations; 25 cm. Tight, clean copy. Stated First edition. Dust jacket protected in a mylar book cover. A fine copy of the first printing. "As an artist, art critic, museum director, and art educator, Jerry Bywaters reshaped the Texas art world and attracted national recognition for Texas artists. This first full-scale biography explores his life and work in the context of twentieth-century American art, revealing Bywaters' important role in the development of regionalist painting. Francine Carraro delves into all aspects of Bywaters' career. As an artist, Bywaters became a central figure and spokesman for a group of young, energetic painters known as the Dallas Nine (Alexandre Hogue, Everett Spruce, Otis Dozier, William Lester, and others) who broke out of the limitations of provincialism and attained national recognition beginning in the 1930s. As director of the Dallas Museum of Fine Arts, art… Leer más

Chicago, IL: Mongerson Wunderlich, 1990. 48 pages, illustrations (some colour); 28 cm. Exhibition held May 1990. Firm binding, clean inside copy. Midwestern Regionalist.. 1st. Paperback. Fine. 4to. Collectible.

Santa Fe, NM: Museum of New Mexico Press, 1985. 63 pages, illustrations (some colour); 26 cm. Near fine. Firm binding, clean inside copy. Age toning. CONTENTS: Preface, by David G. Turner; Joseph A. Fleck, a biographical sketch, by Sandra D'Emilio; The paintings of Joseph A. Fleck, by Joseph Armstrong Baird, Jr.; Paintings in the Joseph A. Fleck exhibition; Checklist; Chronology; Awards, exhibitions, collections.. 1st. Paperback. Very Good. 4to.

Eugene, OR: Jordan Schnitzer Museum of Art, University of Oregon, 2011. 64 pages, illustrations; 28 cm. Published in conjunction with an exhibition held at the Jordan Schnitzer Museum of Art, Eugene, Oregon. Firm binding, clean inside copy. "A look at the career of Northwest artist David McCosh, specifically his early years in Chicago. Published in conjunction with an exhibition with the same title at the Jordan Schnitzer Museum of Art." - Publisher.. 1st. Paperback. Fine. 4to. Collectible.

Eugene, OR: Jordan Schnitzer Museum of Art, University of Oregon, 2017. 64 pages, illustrations, portraits (chiefly colour); 28 cm. Published in conjunction with an exhibition held at the Jordan Schnitzer Museum of Art, Eugene, Oregon, October 21, 2017 to April 1, 2018. Firm binding, clean inside copy.. 1st. Paperback. Fine. 4to. Collectible.

Stillwater, MN: Voyageur Press, 1999. Pictorial boards, 160 pages, illustrations (some colour), colour map; 29 cm. Firm binding, clean text. Fine DJ. OVERSIZE! No priority/air, except by special arrangement. "Minnesota Days is a collection of writing, photography, and artwork focusing on Minnesota: its history, variety of people, and culture. Discover what life was like as one of the first settlers on the prairie, or what it was like to be a new immigrant in Minneapolis in 1900s.Find out how Native Americans remember life in the 1800s and what it's like in this community today.Learn about the memories of those who grew up in the state as fArican-Americans. From the northern forests to the southern plains, from the farms to the hustle and bustle of the cities, Minnesota Days tells the whole story of the people who call this exceptional place home. Contributors represent the best of Minnesota writing: Garrison Keillor, Laura Ingalls Wilder, F. Scott Fitzgerald, Sinclair Lewis, Jim Klobuchar,… Leer más

New York: Harry N. Abrams, Inc., Publishers; Art of the State Ser., 1999. 96 pages, illustrations (some colour); 16 cm. Near fine. Firm binding, clean inside copy. Remainder mark. Fine DJ.. Hardcover. Very Good/Fine. 16mo.

Hanover, NH: Hood Museum of Art, Dartmouth College; Distributed by University Press of New England, 1988. 112 pages, illustrations (some colour); 24 x 25 cm. Published on the occasion of an exhibition at the Hood Museum of Art, Dartmouth College, June 4 to August 28, 1988. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated. Regionalist painter associated with New Hampshire.. Paperback. Very Good. 4to.

Albuquerque, NM: University of New Mexico Press, 1991. Cloth, ix, 167 pages, illustrations (some colour); 28 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. "Over 100 etchings, woodcuts, lithographs, and serigraphs by New Mexicans or relating to New Mexico, are accompanied by a review of the art over the past century." - Publisher.. 1st. Hardcover. Fine/Fine. 4to. Collectible.

Santa Barbara, CA: Santa Barbara Museum of Art; Distributed in association with University of Washington Press, 1988. 88 pages, illustrations (some colour); 23 x 28 cm. Edition of 3000 copies. Exhibition held June 25 to August 14, 1988. Firm binding, clean inside copy. Corner crease/back cover & last couple of leaves. Another copy available. Depression-era Regionalism in California.. 1st. Paperback. Very Good. Oblong.

Santa Barbara, CA: Santa Barbara Museum of Art; Distributed in association with University of Washington Press, 1988. 88 pages, illustrations (some colour); 23 x 28 cm. Edition of 3000 copies. Exhibition held June 25 to August 14, 1988. Near fine. Firm binding, unmarked. Light foxing. Depression-era Regionalism in California.. 1st. Paperback. Very Good. Oblong.

Carmel and Los Angeles: William A. Karges Fine Art, 1993. 72 pages, illustrations (some colour), portraits; 23 x 28 cm. Exhibition held at William A. Karges Fine Art, Fall 1993, Springville Museum of Art, Utah, August 1 to August 31, 1993. Near fine. Firm binding, clean inside copy. Spine slightly sunned.. Paperback. Very Good. Oblong.

Santa Fe, NM: Santa Fe Art Auction Limited Co., 2003. 1 volume (unpaged), colour illustrations; 28 cm. Auction held November 8, 2003. Near fine. Tight, clean copy. Light shelfwear to wraps. OVERSIZE! No priority/air, except by special arrangement. Profusely illustrated with 259 lots; estimates. Southwestern Americana; Regionalism/Amercan Scene Painitng; cowboy art; landscapes; portraiture. Paintings, sculpture, graphic arts. Auction Catalogue.. 1st. Paperback. Very Good. 4to.

Norman, OK: University of Oklahoma Press, 1983. xiii, 305 pages, illustrations, 1 map, portraits; 23 cm. Tight, clean copy. "During the first half of this century, Santa Fe and Taos became havens for artistic emigres fleeing America's machine-age culture. The elements of the Southwest scorned by an urban-industrial nation - awesome vistas, intense light, and isolation - drew such notables as D. H. Lawrence and Georgia O'Keeffe. These aesthetes succeeded where speculators had failed - they made the Southwest attractive to the outside world. Their lives and works contradicted the conventional image of the Southwest as a cultural desert. They became citizens of their communities and precipitated a renaissance in Indian and Hispanic art. When federal policy forbade indigenous lifestyles, religion, and art in an attempt to Anglicize the Indians, the artists and writers of northern New Mexico not only challenged these policies but began to incorporate 'primitive' elements into their own… Leer más

College Park, MD: University of Maryland Art Gallery, 1982. 44 pages, illustrations; 22 x 23 cm. Good+. Wraps rubbed. Previous owner's blind stamp, otherwise unmarked.. Paperback. Good. Oblong.

Augusta, GA: Morris Museum of Art, 1998. 59 pages, illustrations (some colour); 28 cm. Exhibition held at the Morris Museum of Art, Augusta, Ga., February 12 to May 10, 1998, and at ten other museums June 7, 1998 to March 18, 2001. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. "This lushly illustrated volume for the first time focuses specifically on the strong influence the South had on Benton's explorations of America and on his career as an artist. Thomas Hart Benton (1889-1975), a widely recognized American painter, muralist, printmaker, and illustrator, first attained prominence during the 1920s and 1930s as an artist, teacher, critic, writer, and outspoken art world personality. By 1934, when he was the first artist featured on the cover of Time magazine, he had become one of the most recognized artists in the United States. Beginning in the 1920s and continuing throughout his career, Benton traveled the breadth of the country, sketching and recording… Leer más

Jefferson City, MO: Missouri State Council on the Arts; Missouri Department of Natural Resources, 1975. v, 46 pages, illustrations (some colour); 22 x 29 cm. Reprint 1978. Firm binding, clean inside copy. Light shelfwear to wraps, age toning.. Paperback. Very Good. Oblong.

Philadelphia and New York: J. B. Lippincott Company [1941, 1943], 1943. Cloth, 2 volumes, illustrations (some colour); 21 cm. A Story Press Book. Issued in a slipcase. Both volumes in very good condition with the previous owner's bookplate/paste-down endpapers (inside front covers). Expected browning. Slipcase with light shelfwear, soiling. Two novels about colts on a Wyoming ranch and the family that cares for them. Illustrated by Regionalist painter John Steuart Curry.. Hardcover. Very Good. Illus. by Curry, John Steuart. 8vo.

New York and Seattle: Published for the Division of Arts and Communications, Academy for Educational Development, New York, by University of Washington Press, 1987. Cloth, 146 pages, illustrations (some colour); 28 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. A monograph on the American Regionalist painter Wallace Herndon Smith (1901-1990).. 1st. Hardcover. Very Good/Fine. 4to. Collectible.