Resultados de búsqueda: Movements / Art Brut from LEFT COAST BOOKS

Prague: Artia, 1967. Cloth, 192 pages, illustrations (part colour, part tipped-in); 28 cm. Firm binding, clean inside copy. Expected browning. Dust jacket, toned, protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. An attractive copy.. Hardcover. Very Good/Very Good. 4to.

Baltimore: Baltimore Museum of Art, 1975. 48 pages, illustrations (some colour); 26 cm. Exhibition held at the Baltimore Museum of Art, December 16, 1975 to January 18, 1976; Gruenebaum Gallery, New York, February 4 to March 6, 1976; Louise E. Thorn Memorial Art Gallery, Keene, New Hampshire, October 1976. Near fine. Firm binding, clean inside copy. Age toning. . 1st. Paperback. Very Good. 4to. Collectible.

Philadelphia: Goldie Paley Gallery, Moore College of Art, 1988. 64 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held at the Goldie Paley Gallery, Moore College of Art, Philadelphia, September 9 to October 26 1988; Grey Art Gallery, New York University, New York, November 8 to December 23, 1988, and at 2 other institutions through June 18, 1989. Firm binding, clean text. Bookstore's ink stamp/title page, otherwise unmarked. A near-fine copy. Another copy available. All works lent by the Adolf Wolfli Foundation, Kunstmuseum Bern, Switzerland. 1st. Paperback. Very Good. 4to.

Philadelphia: Goldie Paley Gallery, Moore College of Art, 1988. 64 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held at the Goldie Paley Gallery, Moore College of Art, Philadelphia, September 9 to October 26 1988; Grey Art Gallery, New York University, New York, November 8 to December 23, 1988, and at 2 other institutions through June 18, 1989. SIGNED and inscribed by one of the contributors, artist Howard Hussey (former assistant to Joseph Cornell), on the inside front cover, accompanied by an occult sketch. A fine copy. All works lent by the Adolf Wolfli Foundation, Kunstmuseum Bern, Switzerland. SIGNED. 1st. Paperback. Very Good. 4to. Collectible.

Los Angeles and Princeton: Los Angeles County Museum; Princeton University Press, 1992. 334 pages, illustrations (some colour); 31 cm. Catalogue of an exhibition organized by the Los Angeles County Museum of Art, and held October 18, 1992 to January 3, 1993 and other museums through December 1993. Firm binding, clean text. Foreedge and endpapers lightly soiled. Another copy available. OVERSIZE! No priority/international, except by special arrangement. "In 1912 Paul Klee declared that the art of the mentally ill, as well as the art of children, "really should be taken far more seriously than are the collections of all our art museums if we truly intend to reform today's art." What Klee found most fascinating and instructive about the art of 'outsiders'--those self-taught individuals, sometimes mentally disturbed, who create while isolated from mainstream culture--was the sincerity, depth, and power of their un-adulterated, unmediated expressions. Parallel Visions, an… Leer más

Los Angeles and Princeton: Los Angeles County Museum; Princeton University Press, 1992. 334 pages, illustrations (some colour); 31 cm. Catalogue of an exhibition organized by the Los Angeles County Museum of Art, and held October 18, 1992 to January 3, 1993 and other museums through December 1993. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement. "In 1912 Paul Klee declared that the art of the mentally ill, as well as the art of children, "really should be taken far more seriously than are the collections of all our art museums if we truly intend to reform today's art." What Klee found most fascinating and instructive about the art of 'outsiders'--those self-taught individuals, sometimes mentally disturbed, who create while isolated from mainstream culture--was the sincerity, depth, and power of their un-adulterated, unmediated expressions. Parallel Visions, an exhibition and catalogue organized and produced by the Los… Leer más

Birmingham, AL and Jackson, MS: Birmingham Museum of Art; University Press of Mississippi, 1995. 247 pages, colour illustrations; 28 cm. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated.. Paperback. Fine. 4to.

Long Beach, CA: Long Beach Museum of Art, Department of Parks and Recreation, 1984. 64 pages, illustrations (some colour); 27 cm. An exhibition organized by Kent James Smith. Firm binding, clean inside copy. Wraps lightly soiled, age toning. OVERSIZE! No priority/international, except by arrangement.. 1st. Paperback. Very Good. 4to.

New York: Christie's, 1995. 89 pages (1 folded), illustrations (some colour); 27 cm. Sale GEORGIA-8160, held May 9, 1995. Near fine. Firm binding, clean inside copy. Age toning. Lots 301-427. Profusely illustrated, with estimates. Art brut.. 1st. Paperback. Very Good. 4to. Collectible.

Sheboygan, WI: John Michael Kohler Arts Center, 1991. vii, 26 pages, colour illustrations; 31 x 31 cm. Catalogue of an exhibition held March 3 to May 12, 1991 at the John Michael Kohler Arts Center. Firm binding, clean inside copy. Moderate shelfwear to wraps, age toning. OVERSIZE! No priority/international, except by arrangement. Christian art and symbolism in the work of outsider artists Simon Sparrow, Norbert Kox, and Mary Le Ravin. Art brut.. 1st. Paperback. Very Good. 4to.

New York and San Francisco: Museum of American Folk Art; Chronicle Books, 1998. 256 pages, illustrations (some colour); 32 cm. Includes essays by Arthur C. Danto, Maurice Berger, and Gerald L. Davis. Firm binding, clean inside copy. First paperback edition. OVERSIZE! No priority/air, except by special arrangement. Richly illustrated with colour plates. Many critics, besides Danto, Berger, & Davis, have written catalogue entries on "folk," "naive" or "outsider" artists such as Bill Traylor, Morris Hirshfield, Horace Pippin, Grandma Moses, Henry Darger, Howard Finster, Thornton Dial, others. CONTENTS: The artworld and its outsiders, by Arthur C. Danto; Critical fictions: race, "outsiders," and the construction of art history, by Maurice Berger; The presence of mind in the production of American folk art, by Gerald L. Davis; The artists.. 1st. Paperback. Fine. Folio.

Nice: Musees de la Ville de Nice, 1993. 59 pages, colour illustrations, portraits; 30 cm. Text in French/Texte en francais. Published in conjunction with exhibitions of the works of Mohamed Tabal, at the Galerie du Chateau; Rachid Amarhouch, at the Nouvelle Galerie Renoir; and Maimoune Ali, Abdelmalik Berhiss, and Abdelkader Bentajar, at the Musee International d'art Naif Anatole Jakovsky, 18 December 1992 to 7 March 1993. TRES BON ETAT. Firm binding, clean inside copy. Light edgewear to wraps, age toning. Souffles d'Essaouira: Cinq Peintres Marocains = Breaths of Essaouira: Five Moroccan Painters.. 1st. Paperback. Very Good. 4to.

Brea, CA: NARSAD Artworks, 1997. Cloth, 112 pages, illustrations (chiefly colour), portraits; 24 x 28 cm. Near fine. Firm binding, clean inside copy. Light edgewear to boards and dust jacket. Stated First Edition: May 1997. OVERSIZE! No priority/air, except by special arrangement. Art therapy.. 1st. Hardcover. Very Good/Very Good. Oblong. Collectible.

New York: Museum of Modern Art, 1962. 187 pages, illustrations (some colour); 24 cm. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/air, except by special arrangement. First MoMA retrospective of Jean Dubuffet, the French painter who promoted the expression "art brut" to refer to art of the mentally ill, children, folk art, and other "primitives." Influenced by these untrained artists, Dubuffet was looking for authenticity and his paintings are often identified with the post-war existential philosophy of his contemporary Jean-Paul Sartre.. 1st. Paperback. Very Good. 8vo.

New York: Museum of Modern Art, 1962. 187 pages, illustrations (some colour) notes; 24 cm. Firm binding, clean inside copy. Wraps creased on the front flap and nicked at the tail/spine. Age toning. Another copy available. OVERSIZE! No priority/air, except by special arrangement. First MoMA retrospective of Jean Dubuffet, the French painter who promoted the expression "art brut" to refer to art of the mentally ill, children, folk art, and other "primitives." Influenced by these untrained artists, Dubuffet was looking for authenticity and his paintings are often identified with the post-war existential philosophy of his contemporary Jean-Paul Sartre.. 1st. Paperback. Good. 8vo.