Resultados de búsqueda: European / 9. Contemporary from LEFT COAST BOOKS

New York: Museum of Modern Art; Distributed by Doubleday, Garden City, NY, 1965. Cloth, 119 pages, illustrations (some colour), facsimiles, portrait; 27 cm. Errata slip laid in. Exhibition held from June 9, 1965 to April 24, 1966. With an introduction by Peter Selz and an autobiographical statement by the artist. Firm binding, clean inside copy. Age toning. Dust jacket toned, with light edgewear, protected in a mylar book cover. Giacometti evolved from an abstract sculptor influenced by Surrealism in the 1930s to a figurative artist who embraced Existential philosophy in the 1940s.. 1st. Hardcover. Very Good/Very Good. 4to. Collectible.

New York: Acquavella Galleries, Inc., 1994. 125 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held at Acquavella Galleries, New York, October 27 to December 10, 1994. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates.. 1st. Paperback. Very Good. 4to.

Montreal: Montreal Museum of Fine Arts, 1998. 127 pages, illustrations (some colour); 31 cm. English Edition. Exhibition held at the Montreal Museum of Fine Arts, from June 18 to October 18, 1998. Firm binding, clean inside copy. Spine bumped at the crown. Contents page creased. OVERSIZE! No priority/international, except by special arrangement.. 1st. Paperback. Good. 4to.

Edinburgh and London: National Galleries of Scotland; Royal Academy of Arts, 1996. 192 pages, illustrations (some colour); 30 cm. Exhibition held at the Kunsthalle, Vienna, 24 February to 5 May 1996; Scottish National Gallery of Modern Art, Edinburgh, 1 June to 22 September 1996; and the Royal Academy of Arts, London, 9 October 1996 to 1 January 1997. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates.. Paperback. Fine. 4to. Collectible.

Malaga and Barcelona: Museo Picasso Malaga; Ediciones Poligrafa, 2012. 288 pages, illustrations (some colour); 24 cm. English Edition. Published on the occasion of the "Alberto Giacometti. A Retrospective" organized by the Museo Picasso Malaga with the collaboration of Foundation Alberto et Annette Giacometti, Paris, 17 October 2011 to 5 February 2012. Tight, clean copy. "The Swiss-born sculptor Alberto Giacometti (1901-1966) is best known for his bronzes depicting ghostly and attenuated figures, which made him a key figure of twentieth-century sculpture. This impressive monograph is a compilation of the in-depth studies produced over the course of a decade by Ve´ronique Wiesinger, director of the Fondation Alberto et Annette Giacometti in Paris. In contrast with the scholars who focus their analysis on the crisis of the Second World War, Ms. Wiesinger believes 'the real break is one of a philosophical, and not historical, nature: it is permanent and integral to the work.… Leer más

Paris and Courbevoie: Somogy and Association des amis d'Alfred-Georges Regner, 2002. Cloth, 237 pages, illustrations (some colour); 29 cm. Near fine. Gently browsed, clean copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated.. 1st. Hardcover. Very Good/Fine. 4to. Collectible.

Windsor, ON: Art Gallery of Windsor, 1988. 66 pages, illustrations (some colour); 22 cm. Catalogue of an exhibition held at the Art Gallery of Windsor, February to March, 1988, the Mendel Art Gallery, Saskatoon, April to June 1988, and the Saidye Bronfman Centre, Montreal, September to October 1988. Near fine. Tight, clean copy. Age toning.. 1st. Paperback. Very Good. 8vo.

Cardiff: National Museum of Wales, 1982. 71 pages, illustrations (some colour); 25 cm. Text in English and Welsh. Withdrawn from non-circulating museum library, with fewer than usual markings.. 1st. Paperback. Very Good. 8vo.

New York: Museum of Modern Art; Harry N. Abrams, Inc., Publishers, 1992. 128 pages, illustrations (some colour); 28 cm. Published on the occasion of the exhibition held at the Museum of Modern Art, New York, February 16 to May 5, 1992. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated.. 1st. Paperback. Fine. 4to. Collectible.

Hanover: NORD/LB, 2002. Pictorial boards, 72 pages, illustrations (chiefly color), portrait; 29. + 1 booklet. Edition of 1500 copies. Text in German with English-translation insert. Catalogue of an exhibition held at NORD/LB (Hanover), 25 September to 11 November 2002. Near fine. Firm binding, clean inside copy. Age toning. British Pop art sculptor Allen Jones.. 1st. Hardcover. Very Good. 4to. Collectible.

New York: Pavilion of Spain, New York World's Fair, 1964. 1 volume (chiefly illustrations); 24 cm. Text in English and Spanish. Firm binding, clean inside copy. Light shelfwear to boards, age toning.. 1st. Hardcover. Very Good. 8vo.

New York: Independent Curators Inc., 1987. 60 pages, illustrations; 26 cm. Catalogue of the exhibition held at Akron Art Museum, February 6 to March 29, 1987, and at three other museums, November 26, 1987 to November 27, 1988. Firm binding, clean inside copy. Wraps lightly rubbed, back cover slightly creased. Includes: Edward Allington, Art & Language, Helen Chadwick, James Coleman, Tony Cragg, Richard Deacon, John Murphy, Avis Newman, Olivier Richon and John Wilkins.. 1st. Paperback. Very Good. 4to.

London: Halcyon Gallery, 2008. 2 volumes, illustrations (some colour), portraits (some colour); 28 cm. Text in English. Issued in a slipcase. Both volumes in near-fine condition. Wraps lightly rubbed. Slipcase with light shelfwear. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. Portraits and allegorical altarpieces by a contemporary Spanish artist.. Paperback. Very Good. 4to. Collectible.

London: John Martin Gallery, 2010. 57 pages, colour illustrations; 22 x 23 cm. Near fine. Firm binding, clean inside copy. Age toning. Richly illustrated with colour plates. Budapest cityscapes.. 1st. Paperback. Very Good. Oblong.

New Haven, CT: Yale University Press, 2003. ix, 368 pages, illustrations; 20 cm. Tight, clean copy. "Richard Cork is one of the most serious, most influential, and best-informed art critics in Britain today. These four volumes contain a selection of his articles from the seventies, eighties, nineties, and the year 2000. The result is a fascinating chronicle and invaluable record of a turbulent period that gives an overview and survey of British art and its reception over the past thirty years which is wholly unprecedented in its scope. / Richard Cork is now senior art critic at The Times (London). He is the author of numerous works, including Art Beyond the Gallery in Early Twentieth-Century England (winner of the Bannister Fletcher Award for best art book of the year), David Bomberg, and A Bitter Truth: Avant-Garde Art and the Great War, all published by Yale University Press." - Publisher.. Paperback. Fine. 8vo.

Chicago: Richard Gray Gallery, 1994. [17] leaves of plates, chiefly illustrations; 27 cm. Catalogue of an exhibition held May 11 to July 30, 1994. Near fine. Firm binding, clean inside copy. Age toning.. 1st.. Paperback. Very Good. 4to. ..

London: Royal Academy of Arts, 2000. 251 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. First Edition. Slipcase in fine condition. OVERSIZE! No priority/international, except by special arrangement. CONTENTS: Apocalypse: Beauty and Horror in Contemporary Art, by Norman Rosenthal; Richard Prince: The Likes of Richard Prince, by Nathan Kernan; Gregor Schneider: Possibilities and Uncertainties, by Michael Archer; Luc Tuymans: Behind the Mask, by Michael Archer; Maurizio Cattelan: Tragic Pantomime, by James Hall; Mariko Mori: The Eve of the Future, by Nathan Kernan; Mike Kelley: Playgrounds for Adults, by James Hall; Wolfgang Tillmans: Moments of Being, by Nathan Kernan; Chris Cunningham: Man, Machine and Music, by Michael Bracewell; Tim Noble and Sue Webster: Shadowplay, by Michael Bracewell; Darren Almond: The Ticking of the Clock, by Michael Archer; Angus Fairhurst: Theatre of the Absurd, by Michael Archer; Jake and Dinos Chapman: Collaborating with Catastrophe, by James… Leer más

Venice: Marsilio Publishers; MIA - Meet in Art, 2009. 111 pages, colour illustrations; 27 cm. English Edition. Published in conjunction with an exhibition held in Venice, at the Complesso Monumentale di Santa Maria Gloriosa dei Frari, Archivio di Stato, as part of the 53rd Venice Biennale, June 6 to August 9, 2009. Firm binding, clean inside copy.. Paperback. Fine. 4to.

London: Portland Gallery, 1997. 48 pages, portrait, chiefly colour illustrations; 23 cm. Exhibition held 10 December, 1997 to 9 January, 1998. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Scottish painter.. 1st. Paperback. Very Good. 8vo.

London: Phaidon Press Limited, 1997. Cloth, 512 pages, colour illustrations; 30 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light edgewear, protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "This book started as a series of lectures entitled Contemporary issues in architecture at King Faisal University . . . in 1980 [and] given in similar format at several institutions over 37 consecutive terms ever since," - p. 511. CONTENTS: Introduction; The Modernist Legacy; European Rationalism; High-Tech; Minimalism; The Classical Revival; Post-Modernism; Deconstructivism; Contemporary Vernacular; The New Expressionists; Ecological Architecture; The New Moderns; Populist Architecture; Megastructures; The Los Angeles Avant-Garde; Experimentation in Japan; World Cities; Notes; Architects' Biographies; Bibliography; Chronology; Index.. 1st. Hardcover. Very Good/Very Good. 4to. Collectible.