Resultados de búsqueda: European / Dutch & Flemish from LEFT COAST BOOKS

New York: Thames and Hudson; World of Art Ser., 1977. 216 pages, illustrations (some colour); 21 cm. Near fine. Tight, clean copy. Age toning.. Paperback. Very Good. 8vo.

New York: Harrison House; Crown, 1984. Cloth, 351 pages, illustrations (some colour); 30 cm. An Artabras Book. Firm binding, clean inside copy. Age toning. Dust jacket toned, with light edgewear, protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates.. Hardcover. Very Good/Very Good. 4to.

Munich, London, and New York: Prestel, 2012. 159 pages, colour illustrations; 21 cm. Reprint 2018. Tight, clean copy. Richly illustrated with colour plates. "This generously illustrated volume on the work of Pieter Bruegel makes the world's greatest art accessible to readers of every level of appreciation. A Renaissance painter and printmaker best known for his landscapes and peasant scenes, Bruegel's paintings were often unsentimental depictions of daily village life. Overflowing with impeccably reproduced images, this book offers full-page spreads of masterpieces as well as highlights of smaller details--allowing the viewer to appreciate every aspect of the artist's technique and oeuvre." - Publisher. CONTENTS: Introduction; Life; Works; The artist and the man; Bruegel in close-up; Anthology; Locations; Chronology; Literature. . Paperback. Fine. 8vo.

Braine-l'Alleud: J.-M. Collet, 1996. Cloth, 385 pages, illustrations, facsimiles, plans, portraits; 30 cm. Issued in a slipcase. Text in French/Texte en francais. Includes a summary in English. TRES BON+ ETAT. Firm binding, clean inside copy. Fine DJ. Slipcase with light shelfwear. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated.. 2nd. Hardcover. Fine/Fine. 4to.

New York: Leonard Hutton Galleries, 2002. 64 pages, illustrations (some colour); 26 cm. Catalogue of an exhibition held at Leonard Hutton Galleries, New York, October 10 to November 30, 2002. Firm binding, clean text. Small gift inscription/title page (". . . in memory of Domela" by Becca?), otherwise unmarked. A fine copy. Dutch artist affiliated with Constructivism and the De Stijl movement.. 1st. Paperback. Very Good. 4to. Collectible.

London: Whitford and Hughes, 1987. [74] pages, colour illustrations; 26 cm. Near fine. Firm binding, clean inside copy. Age toning. Written and researched by Sarah Polden. Includes: Au bord de la mer, by Alfred Stevens; A midday pause, by Evariste Carpentier; The painting exhibition, by Evariste Carpentier; Camille van Mons, by Theo van Rysselberghe; Boats at sea, by Alfred William Finch; The pink ribbon (Sylvie Lacombe), by Theo van Rysselberghe; La baigneuse, by Theo van Rysselberghe; Le mendiant Arabe, by Henri Evenpoel; Pierrot et squelettes, by James Ensor; Le carrousel, by Georges Lemmen; Petit Pierre, by Georges Lemmen; The gleaners, by Emile Claus; Across the canal, by Emile Claus; Returning home, by Servais-Joseph Detilleux; The fragrant air, by Leon Frederic; The homestead, by Modeste Huys; A study in pink, by Modeste Huys; Op den boomgaard (In the wood), by Modeste Huys; Arbre au bord d'une riviere, by Leon de Smet; Contemplation, by Leon de Smet; The sideboard, by Leon de Smet; Still… Leer más

New York: Harry N. Abrams, Inc., Publishers, 1970. Pictorial boards, 120 pages, illustrations, genealogical table, 64 colour plates, portraits; 32 cm. Originally published in Italy under title: L'opera completa di Bruegel. Translated from the Italian. Firm binding, clean inside copy. Age toning. Light edgewear to boards & mylar cover. OVERSIZE! No priority/air, except by special arrangement. CONTENTS: Introduction, by Robert Hughes; An outline of the artist's critical history, by Piero Bianconi; The paintings in color; List of plates; The works; Outline biography; Catalogue of works; Appendix: Bruegel's drawings.. Hardcover. Very Good/Very Good. 4to.

New York: Bounty Books; Crown Publishers, Inc., 1970. Cloth, 251 pages (pages 33-228, 231-250 illustrations); 32 cm. Firm binding, clean inside copy. Expected browning. Dust jacket, toned, protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement.. Hardcover. Very Good/Very Good. Folio.

Amsterdam: Netherlands Association of Modern Art Galleries and Dealers; Vereniging van Galeriehouders en handelauren in Hedendaagse [c. 1982] 305 pages, chiefly illustrations; 21 cm. Text in English. Tight binding, with a few very minor annotations. Profusely illustrated with twentieth-century works by Dutch artists. Published for an American audience.. Paperback. Very Good. 8vo.

Rotterdam: Witte de With, Center for Contemporary Art, 2002. 184 pages, portraits; 24 cm. Near fine. Tight, clean copy. Wraps lightly rubbed. Prominent European curators and critics on contemporary art. Contributions by: Iwona Blazwick, Jeroen Boomgaard, Koen Brams, Catherine David, Anthony Dunne, Fiona Raby, Bart Lootsma, Janneke Wesseling, Camiel van Winkel and Kitty Zijlmans. "This publication results from the highly entertaining and much talked about series of debates organized by Witte de With in 2001. Without evoking formal theory, it explores and questions thinking routines and fashions that dominate the current art world. Catherine David and Iwona Blazwick explore the curator's new profile; Jeroen Boomgaard and Koen Brams tackle theory and art; Anthony Dunne and Fiona Raby question the relationship between design and art; Bart Lootsma and Camiel van Winkel look at art in public spaces; and Janneke Wesseling and Kitty Zijlmans discuss the position of non-western art in the western… Leer más

Amsterdam: Rijksmuseum; Nieuw Amsterdam, 2008. 67 pages, chiefly illustrations (some colour); 24 cm. English Edition. Firm binding, clean inside copy. "Lucas van Leyden (1494-1533) was as important for his age as Rembrandt was for the 17th century. He introduced the Renaissance to the Netherlands and was influenced by both D rer and Raphael. His paintings are lively, colorful, and full of narrative; his prints are refined and playful. The triptych The Dance around the Golden Calf (c. 1530) is one of his best-known works, and in this detailed study, Jan Piet Filedt Kok, the leading expert on Lucas van Leyden, explores the sources, iconography, narrative, and technique of this remarkable work. / Jan Piet Filedt Kok was senior curator of early Netherlandish painting at the Rijksmuseum, Amsterdam, until his retirement in 2008. He is also a professor of workshop practices at the University of Amsterdam." - Publisher. CONTENTS: The rediscovery of a masterpiece; The Old Testament story; The life… Leer más

Minneapolis and New York: Walker Art Center; Abbeville Press, 1982. 255 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition organized by the Walker Art Center, also shown at the Hirshhorn Museum and Sculpture Garden, and the Smithsonian Institution. Firm binding, clean text. Previous owner's signature/half-title page, otherwise unmarked. Age toning. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated. CONTENTS: Foreword, by Mildred Friedman; Introduction, by Hans L. C. Jaffe; De Stijl: a reintroduction, by Robert P. Welsh; De Stijl and the Russian Revolution, by Ger Harmsen; Painting and sculpture in the context of De Stijl, by Joop Joosten; Van der Leck and De Stijl 1916-1920, by Rudolf W. D. Oxenaar; Mondrian's Paris atelier 1926-1931; De Stijl/architecture = nieuwe beelding, by Sergio Polano; Neoplasticism and architecture: formation and transformation, by Kenneth Frampton; The furniture of Gerrit Rietveld: manifestoes for a new revolution, by… Leer más

Baarn: Bosch & Keuning, 1984. Cloth, [183] pages, chiefly illustrations (some colour); 28 cm. Tekst in het Nederlands/Text in Dutch. Zeer goede staat. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, toned, protected in a mylar book cover.. 1st. Hardcover. Very Good/Very Good. 4to. Collectible.

London: Paul Holberton Publishing, 2014. 200 pages, illustrations (some colour), portraits; 26 cm. Text in English, Dutch and German. Published in conjunction with an exhibition at the Suermondt-Ludwig-Museum in Aachen, 13 March to 22 June 2014 and the Rembrandt House Museum in Amsterdam, 12 July to 5 October 2014. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated. "Until recently, the Dutch draughtsman Johannes Thopas, who was born deaf in 1626, was only known to a small group of connoisseurs, dealers and collectors. However, his remarkable, subtle and technically refined portrait drawings on parchment deserve a wider audience. This handsome publication, the first devoted to his work, will prove to be an eye opener for many art lovers. Beginning with his earliest works (two beautiful miniatures of 1646 in the Fundation Custodia in Paris), Thopas produced incredibly refined drawings, usually with lead point on parchment.… Leer más

Zurich: Galerie Koller, 1974. 59 pages, illustrations (4 colour); 23 cm. Text in German and French. Cover title: James Ensor, die Sammlung Dr. Trussel, Bern. Catalogue of an exhibition (October 23 to November 3, 1974)--and sale (November 7-8, 1974) at the Galerie Koller. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning.. 1st. Paperback. Very Good. 4to. Collectible.

Düsseldorf: Völkischer Verlag, 1942. 96 pages, 80 plates; 27 cm. Text in German. Good+. Firm binding, clean inside copy. Spine slightly cocked/lean. Light shelfwear to boards, browning. Dutch Romantic Art. . 1st. Hardcover. Good/No DJ. 4to.

New York and London: Frick Collection in association with D. Giles Limited, 2017. Cloth, 72 pages, colour illustrations; 19 x 22 cm. Published in conjunction with the exhibition "Divine Encounter: Rembrandt's Abraham and the Angels," organized by The Frick Collection and on view from May 30, 2017 to August 20, 2017. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. "In 1646, on a panel fewer than nine inches wide, Rembrandt van Rijn (1606-1669) produced one of his most captivating images. In private hands and publicly exhibited only a handful of times, this extraordinary painting, Abraham Entertaining the Angels, is among the artist's lesser-known masterpieces and it is the inspiration for Divine Encounter. Rembrandt took an unusual and dramatic approach to Biblical subjects. He made use of the viewer's knowledge of the subject whilst finding ways to bring the familiar to life, a challenge he took on throughout his career. Abraham and the Angels is… Leer más

Los Angeles: J. Paul Getty Museum, 2010. xi, 275 pages, illustrations (some colour); 29 x 30 cm. Published to accompany an exhibition held at the J. Paul Getty Museum, Los Angeles, December 8, 2009 to February 28, 2010. Near fine. Firm binding, clean inside copy. Lower right corners lightly bumped. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Rembrandt was the most famous painter of the Dutch Golden Age, and the opportunity to work in his studio attracted young artists for nearly four decades, until the artist's death in 1669. This catalogue explores the workings of Rembrandts studio in the form of drawings made by the master himself and fifteen of his pupils. Rembrandt and his students would often depict the same subject matter as an exercise and make drawings of the same nude models. Organized chronologically, Drawings by Rembrandt and His Pupils: Telling the Difference is a groundbreaking study… Leer más

Rotterdam: Museum Boymans-van Beuningen, 1988. 367 pages, illustrations; 28 cm. English Edition. Translation of: Tekeningen van Rembrandt en zijn school. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated.. Paperback. Very Good. 4to. ..

New Haven, CT: Yale University Press, 2015. Cloth, xiii, 475 pages, illustrations (some colour), colour maps; 29 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Traditionally Dutch art is seen and presented as a coherent phenomenon--the product of state formation in the late 16th century. Elisabeth de Bievre challenges this view and its assumptions in a radical new account. Arguing that the Dutch Golden Age was far from unified, de Bievre exposes how distinct geographical circumstances and histories shaped each urban development and, in turn, fundamentally informed the art and visual culture of individual cities. In seven chapters, each devoted to a single city, the book follows the growth of Amsterdam, Delft, Dordrecht, Haarlem, Leiden, The Hague, and Utrecht over the course of five centuries. By embracing the full gamut of art and architecture and by drawing on the… Leer más