Resultados de búsqueda: Media / Glass from LEFT COAST BOOKS

Beaumont, TX: Art Museum of Southeast Texas, 1993. Cloth, [22], 54, [16] pages, colour illustrations [some folded]; 16 x 16 cm. Exhibition held at the Art Museum of Southeast Texas, Beaumont, Texas, September 4, 1993 to January 9, 1994; Laguna Gloria Art Museum, Austin, Texas, April 23 to June 12, 1994. Firm binding, clean inside copy.. 1st. Hardcover. Fine. 12mo.

Seattle: Portland Press, 1995. 1 portfolio, chiefly colour illustrations; 49 cm. A portfolio of images in fine condition by American glassmaker Dale Chihuly, with 28 color plates laid in. OVERSIZE! No priority/international, except by special arrangement. "This portfolio is dedicated to the glass-workers and citizens of Nuutajarvi. Thank you for the use of your glass house, your landscape and your river." - Inside front cover. 1st. Paperback. Fine. Elephant Folio. Collectible.

Daytona Beach, FL, and Seatttle, WA: Museum of Arts and Sciences; University of Washington Press, 1993. Cloth, 142 pages, chiefly colour illustrations; 32 cm. Exhibition held at Lowe Art Museum, University of Miami, Coral Gables, Fla., January 28 to March 28, 1993, traveling to other museums. Firm binding, clean inside copy. Dust jacket, with light shelfwear, protected in a mylar cover. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "'Chihuly's originality lies in his refusal to believe that there are fixed rules that must be adhered to,' wrote the late Henry Geldzahler, former curator of contemporary art of New York's Metropolitan Museum, in his essay for this work. Accompanying the artist's traveling retrospective, the book documents 10 of Chihuly's rule breaking series from the Baskets, begun in the late 1970s, through the Pilchuck Stumps of 1992. Painter and art critic Walter Darby Bannard introduces the… Leer más

New York: Abrams; Harry N. Abrams, Inc., Publishers, 2014. Cloth, 3387 pages, colour illustrations, portraits; 30 cm. Book design by Massimo Vignelli. Firm binding, clean inside copy. Second edition, revised and expanded; eighth printing, 2014. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. *** Please note: Volume One only, covering 1968 to 1996 *** "For some thirty years, artist Dale Chihuly has dazzled critics and international audiences with his glass art. His genius has been both singular, in the extent to which he has stretched the glass medium itself, and plural, in his revolutionizing of the American studio glass movement. As a cofounder of the Pilchuck Glass School, north of Seattle, Chihuly's teaching and vision have led American artists who work with this magical medium to worldwide prominence, and glassblowing itself has risen to new heights of achievement and a respected place in… Leer más

Daytona Beach, FL, and Seatttle, WA: Museum of Arts and Sciences; University of Washington Press, 1993. Cloth, 142 pages, chiefly colour illustrations; 32 cm. Exhibition held at Lowe Art Museum, University of Miami, Coral Gables, Fla., January 28 to March 28, 1993, traveling to other museums. Firm binding, clean inside copy. Dust jacket with moderate shelfwear. Another copy available. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "'Chihuly's originality lies in his refusal to believe that there are fixed rules that must be adhered to,' wrote the late Henry Geldzahler, former curator of contemporary art of New York's Metropolitan Museum, in his essay for this work. Accompanying the artist's traveling retrospective, the book documents 10 of Chihuly's rule breaking series from the Baskets, begun in the late 1970s, through the Pilchuck Stumps of 1992. Painter and art critic Walter Darby Bannard introduces the volume,… Leer más

Honolulu, Hawai'i: Honolulu Academy of Arts, 1992. 14 pages, colour illustrations; 29 cm. Published on the occasion of the exhibition Chihuly Courtyards at the Honolulu Academy of Arts, October 8 to November 22, 1992. Firm binding, clean inside copy. Front cover partly sunned. Another copy available.. 1st. Paperback. Very Good. 4to.

Seatlle, WA: Portland Press, 2009. Pictorial boards, 112 pages, colour illustrations; 16 cm + 1 videodisc (15 min., 12 sec.: colour, sound; 4 3/4 in.). Firm binding, clean inside copy. DVD included; produced for Portland Press by Peter West and Mark McDonnell. The colophon indicates this publication is "casebound" (there is no slipcase, if that is suggested).. 1st. Hardcover. Fine. 16mo.

Beaumont, TX: Art Museum of Southeast Texas, 1993. Cloth, [22], 54, [16] pages, colour illustrations [some folded]; 16 x 16 cm. Exhibition held at the Art Museum of Southeast Texas, Beaumont, Texas, September 4, 1993 to January 9, 1994; Laguna Gloria Art Museum, Austin, Texas, April 23 to June 12, 1994. Firm binding, clean inside copy. Light soiling/top edge & front board. Another copy available.. 1st. Hardcover. Very Good. 12mo.

Honolulu, Hawai'i: Honolulu Academy of Arts, 1992. 14 pages, color illustrations; 29 cm. Published on the occasion of the exhibition Chihuly Courtyards at the Honolulu Academy of Arts, October 8 to November 22, 1992. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps.. 1st. Paperback. Very Good. 4to.

Seatlle, WA: Portland Press, 2000. Cloth, 1 volume (unpaged), chiefly illustrations (some colour); 32 cm. Edition of 1500 copies. Firm binding, clean inside copy. Stated First Edition. Dust jacket protected in a mylar cover. No slipcase. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "A companion volume to Abrams' Chihuly, which offered a general overview, this new book, with its focus on his most imposing creations and its essays by Barbara Rose and Dale M. Lanzone, will delight all art lovers, collectors, curators, and artists." - Publisher.. 1st. Hardcover. Fine/Fine. Folio. Collectible.

Dallas and New York: Dallas Museum of Art; Harry N. Abrams, Inc., Publishers, 2000. Cloth, 496 pages, illustrations (some colour); 32 cm. Photography by Tom Jenkins. Catalogue of an exhibition held at the Newark Museum, March 15 to June 18, 2000 and the Dallas Museum of Art, July 23, 2000 to January 7, 2001. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Illustrated with more than 200 photographs of enticing glass and ceramic objects . . . [takes] a comprehensive look at the modern tableware used in American homes, examining its cultural and business history as well as its design." - Jacket.. 1st. Hardcover. Fine/Fine. Folio. Collectible.

New York: Hirschl & Adler Modern, 1989. 48 pages, colour illustrations, portrait; 27 cm. Catalogue of an exhibition held at Hirschl & Adler Modern, New York, June 1 to July 28, 1989. Firm binding, clean inside copy. Wraps lightly soiled, age toning.. 1st. Paperback. Very Good. 4to.

New York: Robert Miller Gallery, 2003. 1 volume, colour illustrations; 31 cm. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates.. 1st. Paperback. Fine. 4to.

London: Cinzano, 1980. 1 volume, illustrations; 24 cm. Firm binding, clean inside copy. . Paperback. Fine. 8vo.

Paducah, KY: Collector Books; Schroeder, 1978. 256 pages, colour illustrations; 29 cm. Firm binding, clean inside copy. Age toning. Dust jacket with light edgewear. OVERSIZE! No priority/air, except by special arrangement.. Hardcover. Very Good/Very Good. 4to.

Secaucus, NJ: Wellfleet Press, 1990. Cloth, 96 pages, illustrations (some colour); 31 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates.. Hardcover. Fine/Fine. 4to.

Norfolk, VA: Chrysler Museum, 1989. 227 pages, illustrations (some colour); 28 cm. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. CONTENTS: Ancient glass: 500 B.C. to 1000 A.D.; Venetian glass: 1500-1800; German glass: blown and enameled 1500-1750; European glass: 1700-1850; European Art Nouveau glass: 1878-1920; European Pate de Verre glass: 1890-1970; European glass: 1920 to the present day; American blown and mold-blown glass: 1790-1840; American early pressed and lacy glass: 1827-1860; American pattern (pressed) glass: 1850-1875; American cut, engraved, and enameled glass: 1850-1880; American art glass: 1878-1900; American glass of the Art Nouveau period: 1895-1920; American glass of the Art Deco period: 1920-1939; American studio glass: 1960 to the present day. . Paperback. Very Good. 4to.

New York, Tokyo, Kyoto: Weatherhill; Tankosha, 1982. Cloth, vii, 228 pages, colour illustrations; 31 cm. Limited edition. Text in English. Translation of: Gendai sekai no garasu. Photography by Harumi Konishi. Near fine. Firm binding, clean inside copy. Age toning. Stated First edition. Numbered "590"/1000 copies. Dust jacket, with light shelfwear, protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates.. 1st. Hardcover. Very Good/Very Good. 4to. Collectible.

New York: Bonhams & Butterfields, 2007. 40 pages, colour illustrations; 27 cm. Sale code: 15607. Auction held in New York, June 5, 2007. A fine copy. Studio Ceramics, Metal, Glass and Wood from the Collection of Maxine and William Block; Estate of Randall and Harriet Fawcett, Los Banos. Lots 1000-1070.. 1st. Paperback. Very Good. 4to. ..

Corning, NY: Corning Museum of Glass, 2001. 192 pages, colour illustrations; 23 cm. Photographer, Nicholas L. Williams. Near fine. Tight, clean copy. Light edgewear to wraps. CONTENTS: The origins of glassmaking; Glass of the Romans; Glass in the Islamic World; Early European glass; Later European glass; Asian glass; Glass in America; Crystal city; Paperweights of the world; Modern glass; Glass after 1960; Sculpture Gallery; Study Gallery; Carder Gallery. . 1st. Paperback. Very Good. 8vo. Guidebook.