Resultados de búsqueda: Movements / Photorealism from LEFT COAST BOOKS

Lawrenceville, NJ: Allan P. Kirby Arts Center Gallery, 1992. [12] pages, illustrations (some colour); 15 x 23 cm. Exhibition held May 1 to 21, 1992. Firm binding, clean inside copy.. 1st. Paperback. Fine. Oblong.

San Francisco: San Francisco Museum of Modern Art in association with Yale University Press, 1978. 64 pages, illustrations (some colour); 25 x 31 cm. Exhibition organized by Thomas H. Garver for the San Francisco Museum of Modern Art, January 20-March 5, 1978. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/international, except by special arrangement. The Brooklyn-born artist moved to California in 1969. Often grouped with the Photorealists, some of his earliest shows were held at the Stable Gallery in New York, in the mid sixties.. 1st.. Paperback. Very Good. Oblong.

San Francisco: San Francisco Museum of Modern Art in association with Yale University Press, 1978. 64 pages, illustrations (some colour); 25 x 31 cm. Exhibition organized by Thomas H. Garver for the San Francisco Museum of Modern Art, January 20 to March 5, 1978. PRESENTATION COPY. Warmly signed by the artist, with a personalized inscription. Moderate shelfwear to wraps. OVERSIZE! No priority/international, except by special arrangement. The Brooklyn-born artist moved to California in 1969. Often grouped with the Photorealists, some of his earliest shows were held at the Stable Gallery in New York, in the mid sixties.. SIGNED. 1st. Paperback. Very Good. Oblong. Collectible.

San Francisco, CA: Contemporary Realist Gallery, 1992. 64 pages, colour illustrations; 28 cm. Exhibition held at Contemporary Realist Gallery, San Francisco, California, September 10 to October 28, 1992; Rudolph E. Lee Gallery, College of Architecture, Clemson University, Clemson, South Carolina, November 16 to December 6, 1992. Firm binding, clean text. Previous owner's ink stamp/title page, otherwise unmarked.. 1st.. Paperback. Very Good. 4to.

Naples, FL: Naples Museum of Art, 2001. 53 pages, illustrations (some colour); 28 cm. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement.. 1st. Paperback. Fine. 4to. Collectible.

New York: Watson-Guptill Publications, 1983. Cloth, 159 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. A fine copy of the first printing. OVERSIZE! No priority/international, except by special arrangement. Studio interviews and working methods of ten leading contemporary painters: John Beal; William Beckman; Chuck Close; Robert Cottingham; Janet Fish; Ralph Goings; Joseph Raffael; Wayne Thiebaud; James Valerio; Neil Welliver.. 1st. Hardcover. Fine/Fine. 4to. Collectible.

New York: Sidney Janis Gallery, 1972. 24 pages, illustrations; 28 cm. With an introductory text by Janis. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. This important exhibition introduced "Super-Realism" or "Photorealism." Includes: Tom Blackwell, Claudio Bravo, Robert Cottingham, John De Andrea, Don Eddy, Richard Estes, Ralph Goings, Robert Graham, Duane Hanson, Jann Haworth, Guy Johnson, Howard Kanovitz, Ron Kleeman, Marilyn Levine, Noel Mahaffey, John Mandel, Richard Mac Lean, Willard Midgette, Malcolm Morley, Lowell Nesbitt, David Parrish, Philip Pearlstein, Michelangelo Pistoletto, Stephen Posen, John Salt, Paul Sarsikian, Paul Staiger, and Evelyn Taylor.. 1st. Paperback. Very Good. 4to. Collectible.

New York: E. P. Dutton & Co., Inc., 1975. xxx, 322 pages, 8 leaves of plates, illustrations (some colour); 22 cm. D377. Good+. Firm binding, gently creased spine. Clean inside copy. Age toning. CONTENTS: What is super realism?: The real thing, by G. Henry. Rent is the only reality; or, The hotel instead of the hymns, by I. Karp. The deductive image, by J.P. Marandel. The closeup vision, by C. Nemser. Some women realists, by L. Nochlin; Theory and criticism: Existential vs. humanist realism, by L. Chase. The ersatz object, by K. Levin. Realism now, by L. Nochlin. Beyond freedom, dignity, and ridicule, by H. D. Raymond. Reality again, by H. Rosenberg; The artists : The photo as subject, by W. Dyckes. The silk purse of high-style interior decoration, by G. Henry. Malcolm Morley, post-style illusionism, by K. Levin. Verist sculpture, Hanson and De Andrea, by J. Masheck. Paint, flesh, Vesuvius, by G.R. Swenson. Realism in drag, by H. Truewoman. The grand style, by J. van Baron; Gallery of artworks (p.… Leer más

Oxford: Phaidon Press Limited, 1979. Cloth, 80 pages, illustrations (some colour); 29 cm. Firm binding, clean inside copy. Age toning. Dust jacket, toned, protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement.. 1st. Hardcover. Very Good/Very Good. 4to. Collectible.

New York: William Morrow and Company, Inc., 1980. Cloth, 160 pages, illustrations (some colour); 27 cm. Near fine. Firm binding, clean inside copy. Age toning. First U.S. Edition. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated. CONTENTS: Roots. Abstract Expressionism; Pop Art; Minimal Art; New Realism; Other contemporary movements; Pioneers. Malcolm Morley; Audrey Flack; Robert Bechtle; Chuck Close; Richard Estes; John Salt; Photo-vision as subject. The Pictorial Conventions of Photography; Richard McLean; Hilo Chen and Noel Mahaffey; Joseph Raffael; Douglas Bond and Paul Staiger; Guy Johnson and Gerard Gasiarowski; David Kessler and John Clem Clarke; Photographic ways of seeing; Ben Schonzeit; Charles Bell and David Parrish; Ron Kleeman; The Camera as Tool. The Camera as Impartial Eye; Tom Blackwell; Ralph Goings; Idelle Weber, Jean Olivier Hucleux and Arne Besser; Franz Gertsch, Jack Mendenhall and John Baeder;… Leer más

Seattle, WA: Frye Art Museum, in association with the University of Washington Press, 2002. 108 pages, illustrations (some colour), portraits; 28 cm. Catalogue of an exhibition held at Frye Art Museum, Seattle, WA, 2002. Firm binding, clean inside copy. OVERSIZE! No priority/air, except by special arrangement. A major exhibition devoted to the American painter William Beckman, one of the leading exponents of the Realist "school." A figurative artist, he leans heavily upon classical tradition. The nude portraits can be sometimes jarring. Less well-known are his scenes of rural America, with farms and silos. "William Beckman (b. 1942) paints himself, loved ones, and the land he has lived upon, creating edgy portraits and landscapes. His subjects, whether mother or lover, are delivered to the viewer with gripping details, without embelishment. He creates his figurative art using a unique method. He applies paint, then shaves of layer after layer from the surface with a razor, repainting… Leer más

New York: Forum Gallery, 1997. [8] pages, colour illustrations (some colour); 21 x 26 cm. Exhibition held February 13, 1997 to March 22, 1997. Firm binding, clean inside copy. One of the leading exponents of the Realist "school.". 1st. Paperback. Fine. Oblong. Collectible.