Resultados de búsqueda: Movements / Pop Art & Happenings from LEFT COAST BOOKS

London: Tate Publishing, 2020. 224 pages, illustrations (some colour); 29 cm. Published to accompany exhibition held at Tate Modern: 12 March to 6 September 2020; Museum Ludwig: Cologne, 10 October 2020 to 21 February 2021; Art Gallery of Ontario, Toronto: 27 March to 13 June 2021; and the Dallas Museum of Art, Texas: 11 July to 7 November 2021. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated. "As an underground art star, Andy Warhol (1928-1987) was the antidote to the prevalent abstract expressionist style of 1950s America. He introduced popular everyday subjects into his practice and openly acknowledged the wide-ranging influences on his work. Throughout his career, his forays into advertising, fashion, film, TV and music videos, marked a fascination with mainstream popular culture.0This book will position Warhol at the vanguard of artistic experimentation. Looking at his background as an immigrant, ideas of death and religion,… Leer más

Cologne: Taschen, 2000. 95 pages, illustrations; 23 cm. First published, 1989, under title: Andy Warhol 1928-1987: Kunst als Kommerz. Translated from the German. Firm binding, clean inside copy. "Andy Warhol is recognized today as the most important exponent of the Pop Art movement. He overturned the traditional understanding of art and placed in its stead a concept that retracts the individuality of the artist. Warhol was a critical observer of American society, exposing his compatriots' consumerism in his paintings ('Campbell-' and 'Brillo' series), as well as their fascination for sensational journalism. In 1963 Warhol founded his 'Factory' in New York, literally a manufactory of ideas and work, which influenced film in the 1960s, published the influential magazine Interview in the late 1970s, and also produced Warhol's own artwork: Warhol conceived the idea, and a 'worker' in his factory carried it out. The work remained (consciously) unsigned - a fact… Leer más

New York: Random House; Whitney Museum of American Art, 1979. 141 pages, illustrations (some colour); 23 cm. Published in conjunction with an exhibition held at the Whitney Museum of American Art, November 20, 1979 to January 27, 1980. Firm binding, clean inside copy. Age toning. First paperback edition. . 1st. Paperback. Very Good. 8vo.

Cambridge, MA: MIT Press, 2001. 133 pages, illustrations; 23 cm. October files, 2. Tight, clean copy. CONTENTS: Andy Warhol's one-dimensional art: 1956-1966, by Benjamin H.D. Buchloh (1989); Saturday disasters: trace and reference in early Warhol, by Thomas Crow (1996); Death in America, by Hal Foster (1996); "Where is your rupture?" Mass culture and the Gesamtkunstwerk, by Annette Michelson (1991); Carnal knowledge, by Rosalind E. Krauss (1996); An interview with Andy Warhol, by Benjamin H.D. Buchloh (1985).. Paperback. Fine. 8vo.

Houston, TX: Museum of Fine Arts, 1991. x, 134 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held at the Museum of Fine Arts, Houston, November 17, 1991 to January 19, 1992; the Brooklyn Museum, February 28 to April 26, 1992; and the Detroit Institute of Arts, May 30 to August 2, 1992. Firm binding, clean inside copy.. 1st. Paperback. Fine. 4to. Collectible.

New York: Sidney Janis Gallery, 1996. [12] pages, colour illustrations; 27 cm. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. . 1st. Paperback. Very Good. 4to. Collectible.

Pullman, WA: Museum of Art, Washington State University, 2006. Cloth, 78 pages, colour illustrations; 26 cm. Catalogue of an exhibition at the Museum of Art, Washington State University, September 29 to December 16, 2006. Firm binding, clean inside copy. Lower right corners bumped. Dust jacket, with light edgewear, protected in a mylar cover. "Art & Context: The '50s and '60s brings together twenty landmark works of art within the broader context of dynamic changes in art and society. During these decades, mass media and the allure of popular culture took hold, and the potential for mass destruction became a pervasive influence on world affairs. Modern times were replaced with the seeds of the postmodern: mainstream culture gave way to counterculture. New social, sexual, and racial freedoms were explored, as were new artistic freedoms." - Publisher. CONTENTS: Something happened: an introduction to art and context in the 1950s and 1960s, by Chris Bruce; The echoes of influence, by… Leer más

Chicago: Museum of Contemporary Art, 1985. [24] pages, illustrations; 28 cm. Exhibition held September 7, 1985 to February 2, 1986. Near fine. Firm binding, clean inside copy. Age toning.. 1st. Paperback. Very Good. 4to. Collectible.

Tielt, Belgium: Lannoo Publishers, 2016. Pictorial boards, 493 pages, illustrations (chiefly colour); 29 cm. Catalogue of an exhibition held at BOZAR, Centre for Fine Arts, Brussels, 24 June to 25 September 2016; ZKM, Center for Art and Media, Karlsruhe, 21 October 2016 to 29 January 2017; Pushkin State Museum of Fine Arts, Moscow, 6 March to 28 May 2017. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "The Second World War also shattered the art world. "'Facing the Future: Art in Europe 1945-1968' shows how such artists as Henri Matisse, Pablo Picasso, Ossip Zadkine, Henry Moore, Renato Guttuso, Fernand Le ger, Yves Klein, Gerhard Richter and Lucian Freud worked through the trauma of 1940-1945 and the Cold War and started to explore new directions in art. This reference work includes some 400 works by 150 artists and for the first time brings together post-war art from both Western and Eastern… Leer más

Washington D.C. and London: Smithsonian Institution Press, 1992. Cloth, xviii, 250 pages, illustrations (some colour); 29 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light edgewear, protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. CONTENTS: The disintegration of the postwar synthesis; The inchoate threshold; Color-field painting and the Washington school; Assemblages, environments, happenings; Pop: its variations and mutations; Optical art; Primary structures and minimal art; Big sculpture; Earthworks; The disembodied idea; Art as adversary politics; Post-pop and photorealism.. 1st. Hardcover. Very Good/Very Good. 4to. Collectible.

New York: E. P. Dutton & Company, Inc., 1968. xvii, 238 pages, illustrations; 19 cm. Documents in modern art criticism. Tight, clean copy. Age toning. Stated First Edition. Dust jacket, with moderate edgewear/worn at extremities, protected in a mylar book cover.. 1st. Hardcover. Very Good/Good. 12mo. Collectible.

New York: Da Capo Press, 1992. x, 235 pages, illustrations; 23 cm. Firm binding, clean inside copy. Top edge lightly soiled. First edition thus. "This volume assembles interviews with over thirty major artists to form a unique document of American art of the '60s and '70s. Between 1966 and 1973, Jeanne Siegel conducted interviews and panel discussions with most of the major art figures of the period. Here is Marcel Duchamp on his role as the major progenitor of the period; Ad Reinhardt on the importance of art as art; Don Judd, Andy Warhol, Robert Murray, Saul Steinberg, and others on Barnett Newman and his influence; Louise Nevelson on "feminine sculpture"; Romare Bearden on the role of African-American art in the civil rights movement; Leon Golub on the importance of social protest in art; Carl Andre on the Art Workers Coalition; Robert Rauschenberg and Larry Rivers on the possibilities of multi-media; Allen Kaprow and George Segal on environments and happenings; Claes… Leer más

New York: Horizon Press Inc., 1969. 232 pages, 171 illustrations (some colour); 31 cm. Firm binding, clean inside copy. Age toning. Dust jacket, price-clipped on the front flap, protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement.. 1st. Hardcover. Very Good/Very Good. Folio.

New York and Paris: Whitney Museum of American Art; Flammarion, 1995. 279 pages, illustrations (some colour), portraits; 29 cm. Issued in connection with the exhibition held November 9, 1995 to February. 4, 1996 at the Whitney Museum of American Art, June 2 to September 15, 1996 at the Walker Art Center, and October 5 to December 29, 1996 at the M. H. de Young Memorial Museum. Near fine. Firm binding, with one slight spine crease. Clean inside copy. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated.. 1st. Paperback. Very Good. 4to.

New York: Farrar Straus Giroux, 1992. x, 263 pages, illustrations; 24 cm. Tight, clean copy. Stated First edition. Dust jacket, with a slightly sunned spine (bold & legible titles), protected in a mylar cover. "In Danto's view, Andy Warhol's Brillo Box was not only a radical attack on traditional definitions of the art work; it brought the history of Western art to a close. In this collection of interconnected essays, he grapples with this and many more of the most challenging issues in art today, from the problems of contemporary pluralism to the dilemmas of censorship and state support for artists." - Publisher.. 1st. Hardcover. Fine/Very Good. 8vo.

Houston, Oakland, and San Francisco: Contemporary Arts Museum, Oakland Museum; Chronicle Books LLC, 1988. 143 pages, chiefly colour illustrations (some folded); 25 cm. Exhibition coorganized by the Contemporary Arts Museum, Houston and the Oakland Museum, California. Firm binding, clean inside copy. OVERSIZE! No priority/air, except by special arrangement. West Coast Pop Art/Finish Fetish. "This beautiful volume chronicles the ever-changing work of Billy Al Bengston - art that spans a period of thirty years, encompasses a variety of materials, and consistently defies stylistic classification. With colleagues Edward Kienholz, Edward Ruscha, and Kenneth Price, Bengston was a leader in the art revolution that transformed Los Angeles from art backwater to international art center beginning in the 1960s. His own widely acclaimed work has changed dramatically from decade to decade, reflecting the artist's independent spirit and firm belief in the open-endedness of the creative process. Bengston has… Leer más

Barton, VT: Something Else Press, 1972. Cloth, xiv, 239 pages; 22 cm. Topstained blue. Tight, clean copy. Blue topstain faded, age toning. Dust jacket, with a corner crease/front flap, protected in a mylar book cover.. 1st. Hardcover. Very Good/Very Good. 8vo. Collectible.

Sunderland and Leeds: Northern Centre for Contemporary Art; Henry Moore Centre for the Study of Sculpture, Leeds City Art Galleries, 1988. 234 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held at the Northern Centre for Contemporary Art, Sunderland and other British museums, 2 February to 12 November, 1988. Firm binding, clean inside copy.. 1st. Paperback. Fine. 4to. Collectible.

1988. Postcard in near-fine condition, a little age-toned. Unmailed. Painted aluminum, 1987. Cards are sent in stiff mailers.. Very Good.

Aspen, CO: Aspen Center for the Visual Arts, 1982. [93] pages, illustrations; 28 cm. A catalogue and exhibition marking the twenty-fifth anniversary of the Castelli Gallery. Exhibition held April 23- to une 6, 1982 at La Jolla Museum of Contemporary Art, and other museums and galleries. Firm binding, clean inside copy. Light edgewear to wraps, age toning. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated. Includes an interview with Leo Castelli conducted by Laura de copper and Andy Warhol.. 1st. Paperback. Very Good. 4to. Collectible.