Resultados de búsqueda: Movements / Expressionism from LEFT COAST BOOKS

New York: Leonard Hutton Galleries, 1977. 76 pages, chiefly colour illustrations; 31 cm. Text in English. Exhibition held March 18 trough May, 1977. Firm binding, clean inside copy. Moderate shelfwear to wraps, with rubbing & wear to extremities. Age toning. OVERSIZE! No priority/international, except by special arrangement. Der Blaue Reiter und Sein Kreis = The Blue Rider and Its Circle.. 1st. Paperback. Good. 4to.

K nigstein im Taunus: Karl Robert Langewiesche Nachfolger, Hans K ster, 1960. 66 pages, colour illustrations; 27 cm. Tight, clean copy. Light edgewear to wraps. Age toning. Full-colour plates of the Expressionists and Bauhaus artists.. 1st. Paperback. Very Good. 4to.

Dusseldorf: C. G. Boerner, 1990. 67 pages, illustrations (some colour), portrait; 27 cm. Text in German/Text Deutsch. Katalog zur Ausstellung bei C. G. Boerner, Dusseldorf, 13 March to 12 April ,1990. SEHR GUT+. Leichte Gebrauchsspuren. Near fine. Firm binding, clean inside copy. Age toning. Die schwarze Sonne: Fruhe arbeiten von Walter Gramatte = The Black Sun: Early Work by Walter Gramatte.. 1st. Paperback. Very Good. 4to.

Boston, MA: Institute of Contemporary Art: Distributed by Northeastern University, 1985. 122 pages, illustrations; 27 cm. Near fine. Firm binding, clean inside copy. Wraps lightly rubbed. "A series of three exhibitions: 'The Expressionist Challenge,' December 5, 1985 to February 9, 1986, 'Revolt in Boston: Fear vs. Freedom,' February 18-April 20, 1986, 'As Found,' April 29 to June 22, 1986.". 1st. Paperback. Very Good. 8vo. Collectible.

New York: Crown Publishers, Inc., 1974. Cloth, 95 pages, illustrations (some colour); 29 cm. Firm binding, clean inside copy. Age toning. Dust jacket protected in a mylar book cover.. Hardcover. Very Good/Fine. 4to.

New York: Watson-Guptill Publications, 1974. Cloth, 160 pages, colour illustrations; 32 cm. Good+. Firm binding, clean text. Front free endpaper (blank) excised. Age toning. Stated First Printing. Dust jacket price-clipped on front flap, with moderate edgewear. Another copy available. OVERSIZE! No priority/air, except by special arrangement. Focuses on Demuth, Dove, Hartley, Marin, Maurer, O'Keeffe, Walkowitz, and Weber.. 1st. Hardcover. Good/Good. 4to.

Cologne: Benedikt Taschen, 1995. 96 pages, illustrations (chiefly colour), portraits; 30 cm. Good+. Firm binding, clean inside copy. Top right corner bumped. Age toning. OVERSIZE! No priority/international, except by special arrangement. CONTENTS: Munch's artistic background: Christiania, Paris, Berlin; The frieze of life: A poem of life, love and death; Recognition late in life: Portraits, landscapes and self-portraits; Edvard Munch 1863-1944, a chronology.. Paperback. Good. 4to.

Oslo: Gyldendal, 1946. 73-232 pages, illustrations, portraits; 27 cm. 29 rgang, 3.-4. Hefte. Text in Norwegian. [Edvard Munch: Man and Artist.] An acceptable copy with a heavily creased spine. OVERSIZE! No priority/international, except by special arrangement. Indhold [CONTENTS]: Stenerud: Edvards Munchs testamente; Axel L. Romdahl: Edvard Munchs stil; Pola Gauguin: Mennesket Edvard Munch; Christian Gierl ff: Litt fra Skrubben og Ekely; Av N. Rygg: Noen timer med Edvard Munch; Erik Pedersen: Det siste arbeide; Birgit Prest e: Sma trekk om Edvard Munch; Chrix Dahl: Mesteren pa Ekely; Johan H. Langaard: Munch-Museet.. 1st. Paperback. Fair. 4to. Serial.

Ostfildern-Ruit, Germany: Hatje Cantz, 2007. 281 pages, illustrations (chiefly colour), portraits; 31 cm. English Edition. Issued in conjunction with exhibitions held at Fondation Beyeler, Riehen/Basel, from March 18 to July 15, 2007 and Kunsthalle Wurth, Schwabisch Hall, from August 4 to December 2007. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates.. 1st. Paperback. Fine. Folio. Collectible.

Los Angeles: Los Angeles County Museum of Art, 1969. xvi, 118 pages, illustrations (some colour), portrait; 27 cm. Exhibition held at the Los Angeles County Museum of Art, January 28 to March 9, 1969. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning.. 1st. Paperback. Very Good. 4to.

New York: Thames and Hudson; World of Art Ser., 1985. 216 pages, illustrations (some colour); 21 cm. Tight, clean copy. Light edgewear to wraps, age toning. CONTENTS: Childhood and early studies; The Norwegian scene; Christiania's Bohemia; What Paris meant to Munch; The Frieze of Life; Munch in Berlin; In Paris again; The lonely path of Edvard Munch. Love and death; Years of restlessness; Crisis and homecoming; The Oslo University murals; Reminiscences and premonitions; Munch's graphic works; How Munch worked. His style. The draughtsman; Epilogue; Notes on the text. . Paperback. Very Good. 8vo.

Cologne: Benedikt Taschen, 2000. 96 pages, illustrations (chiefly colour), portraits; 23 cm. English translation, Michael Hulse. Near fine. Firm binding, clean inside copy. Age toning. "For Edvard Munch (1863-1944), painting was an act of self-liberation. His treatments of fear, desperation, and death still exert a powerful visual and psychological effect on modern viewers. Of all Munch's paintings, The Scream (1893), representing a figure tortured by horror, is the most well-known-and certainly one of the most expressive. The artist reflected his innermost feelings in his work. ... Although Edvard Munch cannot be clearly identified with any single movement, he is deemed a pioneer of Expressionism." - Publisher. CONTENTS: Munch's artistic background: Christiania, Paris, Berlin; The frieze of life: A poem of life, love and death; Recognition late in life: Portraits, landscapes and self-portraits; Edvard Munch 1863-1944, a chronology. . . Firm binding, clean inside copy.. Paperback.… Leer más

Madison, WI: Elvehjem Museum of Art, University of Wisconsin-Madison, 1982. 79 pages, illustrations (some colour); 28 cm. Exhibition held at the Elvehjem Museum of Art, August 25 to 31, 1982. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. CONTENTS: Exhibitors; Foreword, by Carlton Overlandl Preface, by Alf B e; Edvard Munch and the Fauves: precursors of expressionism in the twentieth century, by Arne Eggum; Catalogue of the exhibition; Chronology.. 1st. Paperback. Very Good. 4to. Collectible.

Cologne: Taschen, 2011. 96 pages, illustrations (some colour), portraits; 23 cm. English translation, Michael Hulse. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/international, except by special arrangement. "For Edvard Munch (1863-1944), painting was an act of self-liberation. His treatments of fear, desperation, and death still exert a powerful visual and psychological effect on modern viewers. Of all Munch's paintings, The Scream (1893), representing a figure tortured by horror, is the most well-known-and certainly one of the most expressive. The artist reflected his innermost feelings in his work. ... Although Edvard Munch cannot be clearly identified with any single movement, he is deemed a pioneer of Expressionism." - Publisher. CONTENTS: Munch's artistic background: Christiania, Paris, Berlin; The frieze of life: A poem of life, love and death; Recognition late in life: Portraits, landscapes and self-portraits; Edvard Munch 1863-1944, a… Leer más

New York: Crown Publishers, Inc., 1988. Cloth, 95 pages, illustrations (some colour); 29 cm. Firm binding, clean inside copy. Remainder mark. Age toning. Dust jacket with light shelfwear.. Hardcover. Very Good/Very Good. 4to.

London: Phaidon Publishers Inc.; Alpha Books, 1960. Cloth, 143 pages, 89 illustrations (23 colour); 27 cm. Translated from the German. Firm binding, clean inside copy. Light foxing/front matter. Dust jacket with a sunned spine (legible lettering). An early monograph on the Norwegian Symbolist-cum-Expressionist. Well illustrated, with Eighty-Nine Illustrations Including Twenty-Three in Full Colour.. 1st. Hardcover. Very Good/Very Good. 4to.

New York: Museum of Modern Art; distributed by Simon and Schuster, 1957. 39 pages, illustrations, plates (1 colour); 25 cm. Firm binding, clean inside copy. Wraps lightly rubbed. Age toning.. 1st. Paperback. Very Good. 8vo.

New York: Galleri Bellman, 1982. 56 pages, illustrations (some colour), portraits; 28 cm. Exhibition held November 16 to December 22, 1982. Good+. Firm binding, clean inside copy. Top right corner dampstained in back. Age toning.. 1st. Paperback. Good. 4to.

Stockholm: Liljevalchs & Kulturhuset, 1977. 238 pages, illustrations (some colour); 21 cm. Text in Swedish and English. Exhibition held at Liljevalchs Konsthall, Sweden, 25 March to 15 May, 1977. Good+. Firm binding, creased spine. Clean inside copy. Browning.. 3rd. Paperback. Good. 8vo.

New York: Serge Sabarsky Gallery, 1985. 37 pages, 17 colour plates; 27 cm. Exhibition held Summer 1985. Firm binding, clean inside copy. Light shelfwear to wraps.. 1st. Paperback. Very Good. 4to.