Descripción:
Bellingham and Seattle, WA: Whatcom Museum of History and Art; Real Comet Press, 1990. 131 pages, illustrations (some colour); 29 cm. Exhibition circulated by Independent Curators Incorporated. Firm binding, clean inside copy. Superb illustrations, with cogent text.. 1st. Paperback. Fine. 4to.
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A Different War: Vietnam in Art
de Lippard, Lucy R.
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The Disasters of War
de Goya, Francisco; Hofer, Philip (Introduction by)
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New York: Dover Publications, Inc., 1967. x, 97 pages, illustrations; 21 x 24 cm. Reproduction of Goya's Disasters of War (Madrid, 1863). Includes original Spanish title page and preface with English translation. Translation of: Los desastres de la guerra. With 3 extra plates and some new material. Firm binding, clean inside copy. Light edgewear to wraps, age toning. Another copy available. More relevant than ever.. Paperback. Very Good. Oblong.
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The Disasters of War
de Goya, Francisco; Hofer, Philip (Introduction by)
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New York: Dover Publications, Inc., 1967. x, 97 pages, illustrations; 21 x 24 cm. Reproduction of Goya's Disasters of War (Madrid, 1863). Includes original Spanish title page and preface with English translation. Translation of: Los desastres de la guerra. With 3 extra plates and some new material. Near fine. Firm binding, clean inside copy. Age toning. More relevant than ever. . Paperback. Very Good. Oblong.
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Drawing Support 2: Murals of War and Peace
de Rolston, Bill
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Descripción:
Belfast: Beyond the Pale Publications, 1998. viii, 60 pages, colour illustrations; 21 cm. Firm binding, clean inside copy.. 1st.. Paperback. Fine. 8vo.
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Golub
de Golub, Leon; Gumpert, Lynn, and Rifkin, Ned (Essays by)
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New York: Collins Design; HarperCollinsPublishers, 1984. 96 pages, illustrations (some colour); 20 x 23 cm. Catalogue of an exhibition held at the New Museum of Contemporary Art, New York, September 22 to November 25, 1984; La Jolla Museum of Contemporary Art, California, December 14 to January 27, 1985; Museum of Contemporary Art, Chicago, February 8 to April 7, 1985; The Montreal Museum of Find Arts, Canada, April 18 to June 2 1985; Corcoran Gallery of Art, Washington, D.C., July 6 to September 8, 1985. Firm binding, clean inside copy. Light shelfwear to wraps. A retrospective of painter Leon Golub, at the height of his popularity as a political artist. From mythic paintings in the fifties to activism against the Vietnam War and portraits of political dictators in the seventies, Golub shifted to scenes of political violence and torture in South Africa, Latin America (US-sponsored death squads), and images of white supremacists. Think of him as the Noam Chomsky of the artworld. Misleadingly dubbed a…
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Guernica: The Making of a Painting
de Puente, Joaquin de la; Bregazzi, Josefine (Translated by)
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Descripción:
Madrid: Silex, 1997. 192 pages, illustrations (some colour); 20 cm. Firm binding, clean inside copy. Front cover slightly creased.. Paperback. Very Good. 8vo.
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Guernica
de Skold, Otte (Preface by); Kahnweiler, Daniel-Henry (Introduction by)
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Stockholm: Hammarby Tryckeri, 1956. Moderna Museets Utstallningskatalog, Nr. 1.; National Musei Utstallningskatalog, Nr. 237. Text in Swedish, English and French. Exhibition held at the Moderna Museet, Stockholm, October to November, 1956. Good+. Firm binding, clean inside copy. Withdrawn from a non-circulating museum library, with a small ink stamp inside, otherwise very good. Moderate edgewear to wraps, age toning. Reproduces studies for Picasso's great mural, along with several newspaper clippings. Skold's preface is in Swedish and English, Kahnweiler's Introduction in French. Scarce.. 1st. Paperback. Good. 8vo.
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Gustave Courbet, Painter in Protest
de Courbet, Gustave; Boudaille, Georges (Text by)
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Greenwich, CT: New York Graphic Society, 1970. Cloth, ix, 151 pages, illustrations (part colour), facsimiles, portraits; 29 cm. Translated from the French by Michael Bullock. Firm binding, clean inside copy. Age toning. Dust jacket, toned, protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. CONTENTS: Original family; Precocious opposition; In Paris; Formative years; Assault on the salons; Baudelaire and the revolution of 1848; Large compositions and life at Ornans 1849-1853; Friendship with Alfred Bruyas and the universal exhibition 1854-1855; Glorious complete painter opponent of government and church 1855-1870; Scandalous large nudes and the pious portrait of Proudhon at the 1867 exhibition; Courbet the communard and the affair of the column 1870-1872; Exile and illness 1873-1877; Chronology of Courbets life; Historical chronology.. 1st. Hardcover. Very Good/Very Good. 4to.
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Gustave Courbet, Painter in Protest
de Courbet, Gustave; Boudaille, Georges (Text by)
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Greenwich, CT: New York Graphic Society, 1970. Cloth, ix, 151 pages, illustrations (part colour), facsimiles, portraits; 29 cm. Translated from the French by Michael Bullock. Firm binding, clean inside copy. Bookplate remnant/front free endpaper. Age toning. Dust jacket price-clipped on the front flap, with a corner crease/back flap. Another copy available. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. CONTENTS: Original family; Precocious opposition; In Paris; Formative years; Assault on the salons; Baudelaire and the revolution of 1848; Large compositions and life at Ornans 1849-1853; Friendship with Alfred Bruyas and the universal exhibition 1854-1855; Glorious complete painter opponent of government and church 1855-1870; Scandalous large nudes and the pious portrait of Proudhon at the 1867 exhibition; Courbet the communard and the affair of the column 1870-1872; Exile and illness 1873-1877; Chronology of Courbets life; Historical chronology..…
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Hans Burkhardt: Desert Storms
de Burkhardt, Hans Gustav; Selz, Peter (Essay by)
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Los Angeles: Jack Rutberg Fine Arts, 1991. 86 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held at Jack Rutberg Fine Arts, October 11 to November 30, 1991. Firm binding, clean inside copy. Moderate edgewear to wraps, age toning. A response to the Persian Gulf War of 1991; flag-based paintings.. 1st. Paperback. Very Good. 4to.
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Hot Off the Press: Prints & Politics
de Tyler, Linda, and Walker, Barry (Joint Editors)
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Albuquerque, NM: Published for Tamarind Institute by the University of New Mexico Press, 1995. ix, 139 pages, illustrations; 27 cm. Tamarind papers, v. 15. Near fine. Firm binding, clean inside copy. Light shelfwear, age toning. "Includes a print by Eric Avery" (Heartland Hate Summit)--Jacket (inserted). CONTENTS: Gustave von Groschwitz; historian, curator, lover of lithography and all that mattered, by Ellen Sragow; Revolution and its discontents; prints, politics, and the emergence of modernism in nineteenth-century France, by Stephen Pinson; The American league against war and fascism 1936 calendar, by Peter Walch; Harry Gottlieb; artist, printmaker, political activist, gentle radical, friend, by Ellen Sragow; The prints of Robert Gwathmey, by Reba White Williams; The skin of the world; Leon Golub and Nancy Spero, by Lynne Allen; An interview with Eric Avery, by Barry Walker; Prints, politics, polemics, by Mark Petr; Contextually loaded; a conversation with Patrick Nagatani, by Clinton…
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The Indignant Eye: The Artist as Social Critic in Prints and Drawings from the Fifteenth Century to Picasso
de Shikes, Ralph E.
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Boston: Beacon Press, 1976. xxviii, 439 pages, illustrations; 26 cm. BP 543. Good+. Firm binding, clean inside copy. Sunned spine. Moderate edgewear to wraps, age toning. First paperback edition. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated. CONTENTS: Prologue: the first stirrings of protest; The artist against the Church establishment: the sixteenth century; The artist, the peasant and war: the seventeenth century; Interlude; The English artist as social or political critic: from Hogarth to Cruikshank; Goya; The French Revolution and the Restoration: prologue to the nineteenth century; Daumier and his contemporaries: France, 1830-71; France and Belgium after the commune: from Pissarro to Rouault; Germany after 1871: Kollwitz, Beckmann, Grosz, Dix; The United States since 1870; Protest art in Mexico; Epilogue: social protest in art today.. 1st. Paperback. Good. 4to.
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Interrogation - Postcard
de Golub, Leon
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Descripción:
New Haven, CT: One World Artist Cooperative, 1982. Postcard in Very Good condition, unmailed, with minor marks on reverse. Slogan on back: "Demand and Vote for Peace and Justice." Cards are sent in stiff mailers. *** FREE SHIPPING FOR EACH ADDITIONAL CARD (price will be adjusted after checkout) ***. 1st. Very Good.
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Jil Love Revolution: We are the Voices of the Unheard
de Jil Love (pseud. Jordina Jil Salabert)
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Descripción:
Los Angeles: Jordina Jil Salabert, 2015. 80 pages, illustrations (chiefly colour); 29 x 37 cm. PRESENTATION COPY. Signed and warmly inscribed by the author Jil Love. Dust jacket with light edgewear. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. Spanish-born performance artist and social protester.. SIGNED. 1st. Hardcover. Very Good/Very Good. Oblong. Collectible.
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Jos Sances: The Republican Years: A Ten-Year Retrospective of Screenprints by Jos Sances
de Sances, Jos; Drescher, Tim, and Henderson, Robbin (Curated by)
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Charlotte, NC, and Berkeley, CA: Spirit Square Center for the Arts, and La Pena Cultural Center, 1990. 24 pages, illustrations; 28 cm. Catalogue of an exhibition at Spirit Square Center for the Arts, Charlotte, NC, July 1990, and at La Pena Cultural Center, Berkeley, CA, October 1990. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. The cover is an original screenprint by Jos Sances.. 1st. Paperback. Very Good. 4to. Collectible.
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Just Another Poster?: Chicano Graphic Arts in California = Solo un cartel mas: artes Graficas Chicanas en California
de Noriega, Chon A. (Edited by); Barnet-Sanchez, Holly, et al. (Essays by)
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Santa Barbara, CA: University Art Museum, University of California, Santa Barbara, 2001. 218 pages, illustrations (some colour), facsimiles; 30 cm. Catalogue of an exhibition organized by the University Art Museum, University of California, Santa Barbara and several other institutions between June 2, 2000 and 2003. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, fading to extremities. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. Excellent catalogue. "Just Another Poster? investigates the critical role posters and other graphic materials played in the Chicano struggle for self-determination in California, from the borderland of San Diego to the urban metropolis of San Francisco. This volume of essays by an interdisciplinary group of scholars and curators represents the first comprehensive study of the ways the poster, as a medium of expression largely relegated to the margins of art world display, distribution, and…
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Leon Golub: This Day is Ours - Postcard
de Golub, Leon
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New Rochelle, NY: Ronald Feldman Fine Arts, 2001. Postcard in Very Good condition, addressed and mailed. Cards are sent in stiff mailers. *** FREE SHIPPING FOR EACH ADDITIONAL CARD (price will be adjusted after checkout) ***. 1st. Very Good.
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Leon Golub: Snake Eyes, 1995; Sphinx and Other Enigmas, 1952-56 - Exhibition Invitation Postcard
de Golub, Leon
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New York: Ronald Feldman Fine Arts, 1996. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. *** FREE SHIPPING FOR EACH ADDITIONAL CARD (price will be adjusted after checkout) ***. 1st. Very Good.
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Let the Record Show: A Political History of ACT UP New York, 1987-1993
de Schulman, Sarah
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New York: Farrar, Straus and Giroux, 2021. xxvii, 702 pages, [16] pages of plates, illustrations; 24 cm. Near fine. Tight, clean copy. Small remainder mark (ink dot)/top edge. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. "In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. They stormed the FDA and NIH in Washington, DC, and started needle exchange programs in New York; they took over Grand Central Terminal and fought to change the legal definition of AIDS to include women; they transformed the American insurance industry, weaponized art and advertising to push their agenda, and…
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Mixed Blessings: New Art in a Multicultural America
de Lippard, Lucy R.
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New York: Pantheon Books, 2000. 278 pages, illustrations (some colour); 24 cm. Firm binding, clean inside copy. Age toning. Stated First Edition. CONTENTS: Mapping; Naming; Telling; Landing; Mixing; Turning around; Dreaming.. 1st. Paperback. Very Good. 8vo.
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