Resultados de búsqueda: Illustrators from Lorne Bair Rare Books

New York: Gallery 63, [1964]. First Edition. Folio (50cm). Number 207 of an unspecified number of copies. Printed paper portfolio containing 21 loose sheets, including one page of letterpress and 20 halftones after original works by the author. Inscribed on front cover: "A Ben Shan [sic] / mio maestro e mi [illegible]," signed by the artist and dated in 1964. From the library of Ben and Bernarda Bryson Shahn, with estate label tipped on inside front cover. Attractive, privately-issued portfolio of Minei's drawings from the 1960s, mostly large-scale portraits and life studies rendered in ink wash. Minei (b. 1922) is an important Italian realist, one of the founders of the New Roman school and a student of Giorgio di Chirico. This item very scarce; none others noted in commerce, and OCLC returns no locations.

New York: Washington Square Outdoor Art Exhibit, 1952. First Edition. Small quarto broadside (23.5cm.) illustrated by Edward C. Caswell; light wear from handling with a few short closed tears, else Very Good or better. Flyer advertising the spring show in the Greenwich Village, "The Art Cradle of America," May 22 thru June 15, 1952. Illustration shows a beret- and pipe-clad artist painting the Washington Square Arch. Flyer not in OCLC as of July, 2015.

Tokyo: Kodansha, 1973. First Trade Edition. Two quarto volumes in slipcase, with accompanying softcover volume of plate descriptions. Small closed tear to title page of the plate descriptions, else a very Near Fine set, completely unworn, unfaded and apparently unread; in the original cloth slipcase, which is clean and sound; all housed in the original cardboard shipping box with printed title label. Uncommon thus.

Northampton: Gehenna Press, (1958). First Edition. Limited to 500 copies. 12mo (12cm); staple-bound printed wrappers; [52]pp. Printed throughout in red and black; each letter accompanied with a woodcut vignette (including four from original blocks by Thomas Bewick; two others by Baskin; the remainder from various 19th-c. stereotypes). Clean, fresh and unmarked; Fine or very nearly so. An uncommon and rather lovely little Gehenna Press keepsake, seldom encountered in commerce.

[Praha]: Knihovna Kosmopolis, 1927. First Thus. Slim 12mo (18cm.); publisher's cream pictorial card wrappers printed in red and black; 106pp.; pictorial ads in rear. Tiny split at bottom spine edge of upper cover, early signature (including title page) disbound at time of publication, else Very Good and sound. Czech translation of Stendhal's 1832 novella "The Abbess of Castro," attractive avant-garde cover art by Otakar Mrkvicka.

London: Hodder & Stoughton, 1914. First U.K. Trade Edition. Thick quarto; crimson cloth, with titling and elaborative decorations stamped in gilt on spine and front cover; viii, 236pp; illus. + 20 hand-tipped color plates. Some trivial wear to board edges, offsetting to endpapers, with old, shallow dampstain to right edge of text; Very Good+. Basis for Lewis Gilbert's 1957 British comedy film of the same name, starring Kenneth More, Diane Cilento, Cecil parker and Sally Ann Howes.

London: J. Mawman, 1819. Three volumes; octavo (22cm.); full contemporary mottled calf, black gilt spine labels, Vol. III recently rebacked in the same style, all edges speckled brown, later 19th-century endpapers; frontispieces to each volume, that of Vol. II hand-colored; additionally, 43 plates throughout, including 15 hand-colored added plates from the McLean edition published six months later. Leather a bit dried and extremities rubbed, some shallow loss of leather at spine ends of first two volumes, Vol. II shows some soiling to four leaves, else a Very Good and sound set, housed in a recent cloth clam-shell box.

New York: Charles Scribner's Sons, 1935. First Thus. First printing. Octavo (24cm). Black cloth stamped in gilt; yellow endpapers; xii,499,[1]pp; black and white illustrations throughout. Inscribed on the title page by the editor and illustration John Thomason to Morrow Roosevelt. A straight, slightly loosened copy, gently rubbed with slight wear to corners, patch of abrasion to front pastedown: Very Good. Jacket price-clipped, dusty, and rubbed, with marginal creases and short tears: Good or better. Marcellin Marbot (1782-1854) was a Napoleonic general who earned recognition for his military memoirs. This issue with illustrations by John Thomason (1893-1944), author, illustrator, and lieutenant colonel in the US Marine Corps. [62372].

London: Cape Goliard Press, 1970. First Edition. Cloth Issue. Quarto (28.5cm); black cloth, with titles stamped in white on spine and front cover; dustjacket; unpaged; illus. Signed by Padgett on the title page. Faint whitish transfer to lower edge of rear cover from corresponding damp mark on dustjacket; clean internally; Very Good+. Dustjacket is unclipped, with light wear and dustiness to extremities, and faint damp mark to lower edge of rear panel; Very Good+. Attractive collaborative work between the second generation New York School poet and American pop artist.

New York: Charles Scribner's Sons, 1934. First Thus. First printing. Octavo; black cloth with front cover illustration in color; 260pp; frontispiece and two unnumbered leaves of color plates; text illus. Near FIne, lacking the dustwrapper. Bookseller's ticket at rear (Traver's Bookstore, Trenton, NJ). Compellingly, the book bears the printed bookplate of "Orville Wright - McDonogh 1873" to the front pastedown. From what we can discern, however, this is not the ex-libris of the famous inventor and aviator; rather more likely that of one Orville Wright Donnelly, born 1923 and a 1940 graduate of McDonogh School in Owings Mills, MD.

London: The Folio Society, 2006. First Folio Society Edition. First Printing. Large octavo (28cm); patterned cloth boards and quarter green morocco backstrip, with titles stamped in gilt on spine; dark green topstain; publisher's original paper-covered slipcase; xvi,429,[3]pp; illus. Fine in a Near Fine slipcase, showing light wear, gentle bump to one lower corner, and a small circular patch of sticker pull to the lower right side.

New York: Clarkson N. Potter, [1976]. First Edition. Slim quarto (24.75cm.); publisher's paper-covered boards in cream pictorial dust jacket; 119pp.; illus. throughout. Small closed tear at bottom edge of upper jacket panel, a hint of shelf wear, contemporary ownership inscription to front free endpaper, else Near Fine. "Drink Me" Soup, "Eat Me" Cake, Oyster Banquet, etc.

West Kingston, R.I.: Donald M. Grant, 1978. First Trade Edition. First printing. Oblong quarto. Inscribed by Alicia Austin on title page, "To Elisabeth/with love," with small original drawing of a winged heart. Cloth boards (hardcover); dustjacket; unpaged; 40 color plates and numerous b/w text illustrations. A tight, Near Fine copy in slightly worn dustwrapper. The trade edition was limited to 2000 copies. Nice collection of works by the Hugo Award-winning fantasy & science fiction illustrator.

New York: Modern Age Books, 1939. First Edition. Wrappered Issue. Quarto (28cm); pictorial card wrappers; 21pp [text] + 70pp illus. Modest rubbing to joints and extremities, some faint creasing to wrappers, with a few faint scuffs to front cover; Very Good. Reproductions of Quintanilla's subtle pencil sketches of scenes from the Spanish Civil War; this was probably the most popular of the many such sketchbooks that appeared in the wake of the conflict. With an introduction by Ernest Hemingway. There was a simultaneous "deluxe" edition of 400 copies in boards. HANNEMAN B34.

New York: Federation of Jewish Philanthropies of New York, N.d. (c. 1947). Small quarto (26cm x 20cm). Staple-bound, pictorial card wrappers; [16pp]; illus. Trace of wear at bound edge, else tight, clean and unmarked. A Near Fine example. Illustrations by David Stone Martin; text unattributed. Very scarce fundraising prospectus for the Federation of Jewish Philanthropies 1947 fundraising campaign. Includes seven full-page illustrations by David Stone Martin, who also designed the covers and head- and tail-pieces. Martin (1913-1992) was best-known for his sensitive portraits of American folk, blues and jazz musicians, many of which were used as album-cover artwork for the Folkways, Mercury, Verve, and NorGran labels among others. This attractively-produced fundraising piece, one of many hundreds of commercial commissions Martin completed over his long career, is apparently unrecorded in OCLC, and we trace no copies in commerce.

Paris: Librairie Hachette et Cie, [1886]. 24mo (10.5cm). Original glazed paper boards, backed in orange cloth; yellow coated endpapers; 24pp; color wood engravings throughout. A straight, bright copy, lightly rubbed, with a few smudges: Very Good or better. French-language edition, printed in London by Edmund Evans.

New York: Holt, Rinehart and Winston, 1963. First Edition. 16mo. Rebound in publisher's presentation binding of three quarter red morocco gilt and cloth. Minor external rubbing, else very near fine. The illustrator's personal copy, from the library of the artists Ben Shahn and Bernarda Bryson Shahn, with estate label tipped on to front pastedown.

New York: Pantheon, 1954. First, Limited Edition. Tall octavo. Tan, rough linen boards, stamped in maroon and gilt; publisher's slipcase; [45]pp.; illus in text. Number 394 of 500 hand-numbered copies, signed by the artist and printed at the Spiral Press. Faint scratch to lettering on spine, else a Fine, unworn copy in a lightly rubbed, Very Good slipcase.

New York: Random House, 2007. First Edition. First printing. Quarto (26cm). Red paper over boards, backed in white paper, in blue dust jacket; [190]pp; extensive color illustrations. Lightly rubbed, faint foxing to top edge and to white paper over spine, else clean: Very Good. Jacket unclipped (priced $30.00/$38.00) lightly rubbed, else Near Fine.

Boston: A New York Graphic Society Book; LIttle, Brown & Company, 1986. Third printing. Quarto (27.5cm). Red cloth, cream pictorial dust jacket; [xiv],400pp; black and white illustrations. Sound but slightly cocked, gently bumped at corners, internally bright and clean: Very Good. Jacket lightly rubbed and toned at edges, tiny perforation at lower rear corner, else Very Good or better. Please note: this is a heavy book. International orders may incur additional shipping charges. [63299].