Resultados de búsqueda: Art from The Glass Key

London: Headline, 1989. First Edition. Hardcover. Very Good +/near very good. A Quarto Book. First impression. 4to (340 x 236mm). Pp 191 with full colour illustrations throughout. Green cloth boards stamped in gilt on the spine. A clean, unmarked and tightly bound copy in an unclipped dust jacket. The dust jacket has a small closed tear and is just a touch rubbed at the edges.

London: Pan, 1982. First UK edition. Paperback. Very Good +. First impression. 4to (306 x 229mm). Pp 272 with over 350 illustrations in colour and b&w. Preface by Irving Howe. A clean, unmarked copy in printed wrappers.

London: Pavilion, 1994. First UK edition. Hardcover. Very Good +/very good. Square 8vo (210 x 200mm). Pp 64 with colour photographs by Mark Seelen throughout. Glazed printed paper boards. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

London: Pavilion, 1994. First UK edition. Hardcover. Very Good +/very good. Square 8vo (210 x 200mm). Pp 64 with colour photographs by Mark Seelen throughout. Glazed printed paper boards. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

New Yortk: Thames & Hudson, 1996. First US edition. Paperback. Very Good. First printing of this square 8vo paperback edition. Pp 128 with 183 illustrations of which 147 are in full colour. Previous owner's initials neatly in ink on the half-title else a clean, unmarked copy in printed wrappers.

Paris: Artstudio, 1991. First edition. Paperback. Very good. Bilingual (English and French) 4to paperback (272 x 210mm). Pp 174 illustrated in colour and b&w throughout. A clean, unmarked copy in printed wrappers.

Paris: Nouvelles Editions Francaises, 1964. First French edition. Hardcover. Très bon. In-Folio (335 x 250mm). En feuillets. 48 peges en feuillets augmentees de nombreuses illustrations en noir et blanc dans rt hors texte + 48 planches en couleurs contre collees. Chemise cartonne rigide et sous emboitage cartonne rigide.Tous en tres bon etat.

New York: Rizzoli, 1980. First edition. Hardcover. near Very Good/near very good. 1st edition. 4to (350 x 300mm). Pp 223 illustrated in colour and b&w throughout. 75 reproductions in full colour and 270 b&w illustrations. Cream cloth boards stamped in white on the spine and upper panel. The contents are clean and tightly bound. The cloth is a little stained in places and has worn through at the edges, both head and tail. The unclipped dust-jacket is just a touch rubbed at the head and tail of spine.

Nagoya: Maspro Showa, 1979. First edition. Hardcover. Near Fine. 4to (375 x 265mm). Pp 222 with illustrations in full colour throughout. Late Ukiyo-e prints (1855-1890) beautifully reproduced in colour. Glazed printed paper on boards with original clear plastic dust jacket. All text in Japanese but captions partially Romanized as well. A near Fine copy in publisher's original printed slipcase.

Munchen: Knorr & Hirth, 1928. First edition. Hardcover. Very Good. 4to (242 x 170mm). Pp 230 with 92 b&w photographs. Canvas cloth boards stamped in blue on the spine and upper panel. Light spotting to prelims else a clean, unmarked copy in a tight binding without dust-jacket. Text in German.

Munchen: Knorr & Hirth, 1931. First edition. Hardcover. near Very Good/good. 4to (242 x 170mm). Pp 209 with 109 b&w photographs. Canvas cloth boards stamped in blue on the spine and upper panel. Light spotting to prelims else a clean, unmarked copy in a tight binding with a worn and rather tatty dust-jacket. Text in German.

London: Sotheby's, 1985. First edition. Paperback. Very Good. 4to paperback (271 x 212mm). Unpaginated listing of 200 items (numbered 501 to 700) with photographs in colour and b&w. A clean, unmarked copy in printed wrappers.

Berkeley: University of California Press/Jewish Museum, New York, 1999. First Edition. Paperback. Very Good +. 4to paperback (292 x 204mm). Ppxix + 264 with illustrations in colour and b&w throughout. Previous owner's initials neatly in ink on the half-title else a clean, unmarked copy in printed wrappers.

Paris and London: Librairie de l'Art - J. Rouam/Remington, 1883. First printing of this edition. Hardcover. near Very Good. Reproduced from the original manuscript in the Library of the Institute of France. Introduction and Notes by Ludovic Lalanne. Translated from the French by H. Mainwaring Dunstan. 4to (335 x 240mm), Pp 38 + 200pp of plates. Top edge gilt. Original silver grey cloth bevelled boards stamped in gilt, blue and black on the spine and upper panel and in black on the lower panel. Binding by Engel (stamped Engel Rel). A clean, unmarked copy in a tight binding without dust jacket. The cloth is a little rubbed at the edges especially the corners. 20mm at the foot of the upper joint is worn,

London: Paul Hamlyn, 1971. First English language edition. Hardcover. Very Good +/very good. 4to (294 x 226mm). Pp 171 with full colour illustrations throughout. Red cloth boards stamped in gilt on the spine. A clean, unmarked copy in a tight binding and bright, unclipped dust-jacket just a touch rubbed at the top edge.

London: Phaidon, 1975. First edition. Hardcover. Very Good/very good. First impression. 4to (255 x 213mm). Pp 208 with 149 b&w illustrations + 32pp colour plates. Green cloth boards stamped in gilt on the spine. A clean, unmarked copy in a tight binding and price-clipped dust jacket.

London: The Royal Academy of Arts, 1977. First edition. Paperback. Very Good. Catalogue to an exhibition at The Royal Academy of Arts, 1977. Square 8vo (200 x 210mm). Pp 129 as 22pp text followed by 107pp b&w captioned illustrations. Wrappers a little soiled and rubbed at the corners else a clean, unmarked copy in printed wrappers. From a print-run of 5000 copies.

London: David Messum, 1988. First edition. Paperback. Very Good +. The Studio publication IX. 4to (262 x 210mm). 105 colour plates with descriptive text. A clean, unmarked copy in printed wrappers.

Brussels: Laconti, 1984. First edition. Hardcover. Very Good/near very good. Foreword by Philippe Roberts-Jones. Landscape 4to (208 x 244mm). Pp 159 with full colour illustrations throughout. Blue cloth boards stamped in black on the spine and upper panel. A clean, unmarked and tightly bound copy in an unclipped dust jacket. The dust jacket has a closed tear and a substantial chip close to the spine at the upper front edge. Name of ownership on the fronr pastedown endpaper.

London: Adam & Charles Black, 1958. Hardcover. 1st edition. 4to. Pp vii + 70 with frontis + 47pp monochrome halftone plates + 9 line illustrations in the text. Brown cloth boards stamped in black on the spine and upper panel. Signed Peter Morton on the title page. Very Good in near Very Good dust-jacket chipped at head of spine.