Resultados de búsqueda: Libros de Armadillo & Dicker Books & Ephemera

New York: Book People. 1975. A trade paperback magazine featuring work by Allen Ginsberg, Andy Warhol, Gregory Corso, Kenneth Rexroth and others. Good; clean and tight but with A few small chips along edge of spine and she lf-wear at edges. .

[Miller, Henry] Moore, John. The Latitude and Longitude of Henry Miller. Pasadena: Marathon Press, 1962. A critical evaluation in poetic form. With author’s illustrations. 8vo, stapled wrappers . 24 pp. Very good. Minor edgewear, corners bumped. .

First edition in d/w. Viking Press, 1955. Book: Good - Sound, tig ht copy but with some age-toning along spine and owner's signatur e inside front cover. The dust wrapper was trimmed so that it is 1/4" shorter than the book. .

New York: Putnams. 1974. First printing, inscribed by Westheimer on front end-paper. Fine copy with light soiling from shelf-dust on top edge, in fine dust wrapper. .

Charles T. Powner. 1946. 1946 reprint of a book first issued in 1924. 8vo illustrated wra ppers. 130 pp. A collection of minstrel gags, jokes, and speeches 'adapted to the use of amateurs and professionals.' Fine copy; no chips or tears - mild age-toning to the news pulp pages. .

San Francisco: San Francisco Review. 1958. 1st ed. Includes poetry by Charles Bukowski, e.e. cummings, Willi am Saroyan. Signed on copyright page by publisher R.H. Miller. Chip at top of spine; title page beginning to separate from text block. .

Random House, New York, 1965. 1st ed., 1st ptg. Cloth. Book Condi tion: Fine. Dust Jacket Condition: G. Peter Matthiessen's middle- masterpiece. DJ unclipped, and with price visible ($5.95), but wi th one-inch piece at upper spine and several smaller chips along top edge. D/W slightly age-darkened as is common. .

NY: Robert T. McBride & Company. 1927. First edition. 12mo stapled slate blue wrappers. Simultaneously p ublished in hardcover. 32 pp. biographical and bibliographic stud y by the noted critic. Published for free distribution to promot e the Kalki Edition of Cabell's works. .

Harper & Brothers. 1922. 1st trade edition, with designs by William Nicholson. 12mo, beige bonds with gold label on front and spine. Decorated end papers. 36 pp. A very good-near fine copy overall but with a bookplate in side front cover and lacking the dust jacket, a clipping of which is laid in. .

Los Angeles: American Cinematographer Magazine. 1969. Small 4to, embossed hardcover. Presentation copy from film edit or Herb A. Lightman to the Watts Training Center. Very good. .

Chicago: The Bookfellows. 1925. First edition. #64/300 signed copies. Cloth backed marble boards with paper labels on spine and front cover, deckle edges. Very g ood; corners bumped and rubbed, light wear to edges; spine label beginning to peel at top edge but still fully intact. Former owne r's bookplate and signature on front endpapers. .

New York: Avon Books. 1996. 1st hardcover ed., inscribed by Bradbury on title page. Pristine copy in d/w! .

n.p.: Press of the Wooly Whale. 1935. 1st ed., 16mo, 9 pp. First edition. Cloth backed decorated board s. Good copy with rubbed corners and scratches on back cover. Int erior clean and tight throughout. A lovely production from this f ine small press. The 8th of the Press' Armistice Day publications . Foreword by Melbert B.Cary Jr., founder of the Woolly Whale Pre ss. Cover design by Charles W.Smith. Printed by George W. Van Ve tchen, Jr. .

Brooklyn, NY: Merganthaler Linotype Co. Fine. 1930. 1st thus.. 12mo. One of 400 copies printed in Linotype Granjon on Kelmscott hand-made paper. Quarter parchment with marbled paper-covered boa rds." Reprint of the original which was published in Frankfort in 1568. Six engraved illustrations representing the printing trade s: the printer, bookbinder, type-founder, papermaker, draughtsman and woodcutter as well as the original verses by Hans Sachs, a p opular Nuremberg poet. With an additional leaf loosely laid in sh owing the text of two short letters to the publisher explaining t he disposition of two copies of this book to the Bodley library. Pristine copy. .

NY: Dodd, Mead & Company. 1931. 8vo, marbled boards, black cloth spine lettered in gold, t.e.g, r ibbon place marker. 1st ed. Limited to 1000 copies. An essay publ ished in tribute to McCutcheon who was a noted collector of first editions and a lover of fine books. Introduction by William Dana Orcutt who designed the .

Cambridge: at the University Press. Good. Hardcover. 1935. 1st thus.. “…Some Excelent Manscripts of Phisick, Cookery, Preserves &c which were the Palladum of Man Noble Familyes…” 1st thus, 16m o, cloth backed, paper covered boards. 45 pp. In tattered d/w. C ondition±: Good; front hinge lightly cracked, boards darkened. D ustjacket present but both panels tattered and lacking spine. Si gnature of Grant Dahlstrom (Ampersand Press) on fep. .

New York: William Morrow. 2003. 1st ed. Inscribed by Bradbury on title page. Pristine copy! .

Derrydale Press. 1933. 1st. M.B. [Max Brand]. Illustrated by Paul Brown. New York: Derrydale Press, 1933. Limited edition of 950 copies. Pebble-grained red cl oth decorated in gilt. Light wear to edges and corners, spine lig htly darkened. Bookplate front endpaper. Interior clean and tight . .

Macmillan, New York. Good. Hardcover. 1916. 1st ed.. 1st ed., 8vo, blue cloth, gilt titles. 485 pp. [4 advts]. Frontis piece of Viceroy of New Spain, plus 6 maps. Condition: Good; a c lean copy, with prior owner’s inked name and address on fep and back cover, rear hinge cracked; moderate wear to boards. .

1st ed., small 4to. Hand-pulled silkscreen on cardboard covers with metal bolts, [48] pp. 15 color plates. Limited to 1000 copies. Appreciation by José Luis Cuevas; introduction, "Anverso y Reverso en la Obra de Ignacio Iturria / The Obverse and the Reverse in the Work of Ignacio Iturria" by Damián Bayón; title essay, "Soñar con los Ojos Abiertos / Dreaming with Your Eyes Open" by Hugo Achugar; exhibitions; bibliography. Text in Spanish & English. Published in conjunction with exhibition of paintings by Uruguayan artist Ignacio Iturria at the Museo Jose Luis Cuevas, Mexico City.
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Iturria, who represented his country at the 1995 Venice Biennale, was trained in commercial art and graphic design before turning to painting full time. His palette is dominated by muddy browns and earth tones that reflect the colors of the Plate River and the southern Atlantic Ocean, which formed the backdrop to his childhood in Montevideo. He merges representation and surrealism concentrating on the domestic… Leer más