Resultados de búsqueda: Libros de Cole & Contreras

New York: Kennedy Galleries, 1966. Prospectus for six new lithographs by Wengenroth. One folded sheet of coated paper. All six lithographs illustrated, with title, dimensions, and price. 8vo. Fine and bright.

Frankfurt: Frankfurter Kunstkabinett, 1968. An exhibition catalogue of paintings and drawings. Several full-page plates, including one in color. 8vo. Original wraps. Fine and bright.

Louisville, KY: Devyn Press, 1991. First edition of Cole's humorous fictional account of contract bridge at Harvard University during the late 17th and early 18th centuries. SIGNED BY THE AUTHOR. 8vo. Original wraps. FINE AND BRIGHT. Like new.

Paris: Fernand Hazan, n.d.. Text by Labrouche followed by 24 plates. Small 8vo, original wraps. Near fine.

London and New York: Marlborough-Gerson, 1966. A brief exhibition catalogue. One large sheet of heavy coated paper folded into 3, to make 6 pages. Three full-page plates. 4to. Light wear.

New York: Kennedy Galleries, 1983. A profusely-illustrated exhibition catalogue of portrait prints from the 15th century to the present. 111 items described, about half illustrated. Large 4to, near fine in original wraps.

Monte-Carlo: Poetes de Notre Temps, 1969. First edition, one of 500 copies. Small octavo, Harvard University Gifts and Exchange Section stamp on inside of upper wrapper, otherwise near fine in original wraps.

Paris: Champion, 1983. The only critical edition of this important text. 8vo, wraps, fine.

Paris: Champion, 1980. The only critical edition. 8vo, wraps. Fine.

Madrid, 1898 [reprint, 1991]. A bibliography of 19th century periodicals relating to bullfighting. Large slim 8vo, fine in original wraps.

Tuebingen: Max Niemeyer, 1956. Critical edition of this medieval German fabliau. 8vo, original wraps. Fine.

Brunswick, Maine: Bowdoin College Museum of Art, 1964. Nicely produced exhibition catalogue. 57 items described, 17 full-page plates. 8vo, original wraps. Fine.

Paris: Société Littéraire de France, 1917. First edition, first printing of this early illustrated book by Laboureur, with 5 full-page reproductions of drawings. 109 pp. 12mo. Uncut in publisher's printed wraps. Paper darkened (as always), else in very good condition.

New York, 2007. Recently, many people have begun to buy prints (lithographs, etchings, woodcuts, etc.) by major modern artists (Picasso, Chagall, Braque, Dali, Miro, Matisse, Warhol, etc.) from online sites, both at fixed prices and at auction (from sites like and Setdart). Unfortunately, many, if not most, of the offerings are fraudulent. Some sellers claim that junky reproductions (like plates from Dali's Biblia Sacra and Divine Comedy) are worth thousands of dollars. Worse yet, many sellers forge signatures and certificates of authenticity. This guide will help you to avoid the pitfalls and to buy smart. I NAME THE NAMES OF SEVERAL DOZEN CROOKS WHO SELL ON THE INTERNET. Sent as an email attachment, so there is no shipping charge. Satisfaction guaranteed or your money back. Many of the worst crooks on the internet are up in arms about this report, and for good reason. Unfortunately, executives like Bill Cobb, even though they know about the fraud, do nothing. The crooks discussed are:… Leer más

New York: Basic Books, 1970. First edition. Small 4to, publisher's cloth. Fine in near fine dj.

Paris: Champion, 1970. The best critical edition of Chretien's best work. 8vo, original wraps, uncut and unopened. Near fine.

Paris: Gallimard, 1928. One of 376 large-paper copies of this biography. Very good+ in original wraps and glassine. Small octavo.

New York: New York Public Library, 1959 [Folcroft reprint, 1971]. Several dozen lengthy descriptions of first and early editions of highly important English literature. Reprint limited to 150 copies. Large 4to, fine in publisher's buckram.

Cambridge, Massachusetts: Harvard, 1978. A critical edition edited by Donald Stone. Inscribed by Stone to a friend, and very rare as such (because almost everyone hated him). From the "Harvard Texts in the Romance Languages" series. Small 8vo, original wraps. Fine.

New York: Berard Danenberg Galleries, 1969. An exhibition catalogue illustrated with dozens of black and white plates. 4to. Original wraps. Minimal wear to covers, else fine and bright. An invitation to the opening, printed on fine bluish wove paper, is laid in.