Resultados de búsqueda: Libros de Black Mountain College Museum + Arts Center Bookstore

Very slim stapled catalogue for an exhibition of Kenneth Noland's work at Zone One Contemporary Gallery, Asheville, NC, November 6 - December 24, 1997. Two-page essay by Robert Godfrey, and reproductions of 4 works. Paperback, 4 pages. NEW.

Catalogue for the exhibition held at Black Mountain College Museum + Arts Center from September 21, 2007 - January 19, 2008, curated by Bobby Gold. This was the first exhibition to focus solely on the potters associated with Black Mountain College and their contribution to the field of ceramics. Featuring work by David Weinrib, Karen Karnes, Shoji Hamada, Peter Voulkos, M.C. Richards and more. Text by Bobby Gold, Kelly Gold, and Alice Sebrell. 12 pages, stapled in pictorial wrappers. NEW.

Jargon 107. Narrative poetry told from inside a Mexican jail during 1962 and 1963. Bound in black cloth with yellow spine label. Jacket photographs of mummies from the Church of Guanajuato, Mexico by Ron Nameth. NEW in publisher's mylar."These poems are narrative and multivocal; they could be radiophonic, but varied strophic forms (pulses) give them a solidly textual aspect. A main voice relays in solos an ensemble of other voices. All the voices are telling stories, while the main voice vividly complicates the threads of story into clusters of hallucinatory images. Narrative line and imaginative volume, alternating in a zigzag antiphony, disclose the essential scene: a Mexican jail. From it the actual world outside is only glimpsed on occasion: but in it the voices--Spanish, Anglo, or hybrid--are constantly rising fresh 'cells' open to startle their hardbitten denizens out: words or convicts. Not a phrase in this grim, precisely featured, colorful De Profundis falls back on literary props or poetic… Leer más

Catalogue for an exhibition held February 1 - May 31, 2008 at Black Mountain College Museum + Arts Center. Includes a short essay by exhibition curator Brian E. Butler, color reproductions, select chronology, and checklist of works loaned to the exhibition. 12 pages. Stapled wrappers. NEW.

Catalogue for an exhibition held at Richard L. Feigen & Co. in 2007, organized by Frances F. L. Beatty, Ph.D. Slim volume containing color reproductions, an essay by William S. Wilson titled "Ray Johnson: Finite but Unbounded," and chronology. Paperback, 12 pages. NEW.

Catalogue for an exhibition held September 7 - October 14, 2012 at Yvette Torres Fine Art and January 18 - June 1, 2013 at Black Mountain College Museum + Arts Center. Includes poetry and color reproductions of artwork by John Urbain. Short essays by Yvette Torres, Catherine Urbain, and Jan Laurens Siesling. Acknowledgment by Alice Sebrell. 32 pages. Stapled in pictorial semigloss wrappers. Fine condition, but may have price sticker or sticker residue on front cover.

Jargon 85. Maniacal drawings of highlights of the Old Testament, satirically abridged and illustrated by William (Bill) Anthony. Introduction by Gilbert Sorrentino. Designed by Alvin Doyle Moore. Softcover bound in textured cream paper. 45 pages. Fine in clean covers."I love the Gospel according to Anthony." –Roy Lichtenstein "I can't wait for the New Testament. This is the first Bible I could understand." –Andy Warhol "…weird and wonderful." –George Plimpton "…droll charm…" –Marjorie Welish, "Art in America," November 1978

Jargon 63. A compilation of poems by Simon Cutts, English poet and founder of Coracle Press and Gallery. Includes verse and words from various pamphlets and smaller volumes from 1981-1987, together with some earlier works, and several color illustrations also by Cutts. Bound in green cloth with photographic dust jacket. 128 pages. As new.

Catalogue for an exhibition held September 6, 2013 - January 4, 2014 at Black Mountain College Museum + Arts Center, exploring the role Black Mountain College played in shaping craft and design ideas and practices of our time, and linking it to the importance of craft on 20th century modernism as a whole. Essays by curator Katie Lee Koven. Acknowledgments by Alice Sebrell. 32 pages, with full color reproductions. Bound in pictorial wrappers. NEW.

Jargon 60. Designed and produced by the Arion Press in San Francisco. Cover montage by Joel Singer. Frontispiece photo by Robert Pruzan. Title page printed in red and black. [48] pages. One of 1500 copies bound in wrappers. Fine.

Jargon 106. In this set of three poems Peyton Houston continues his exploration of the predicament of the human in a universe not too-well understood and of what can be done about it. Afternote by the author. Designed by William E. Loftin, with three drawings made expressly for the book by artist James McGarrell. One of 1000 copies bound in warm, light brown cloth with cream-colored dust jacket. 65 pages. Fine.

Jargon 103. A collection of well wishes, anecdotes and musings assembled by Jonathan Williams to celebrate the 70th birthday of Donald B. Anderson, "the Polymathic, Panoramic Proteus of the Pecos Valley." Bound in glossy wrappers, with polaroids by Jonathan Williams on front and back covers. Design by Jonathan Greene. [64] pages. One of 700 copies. Spine faded from light, else fine.

Jargon 99. Thomas Meyer's third book of poetry for the Jargon Society. One of 1000 copies bound in plum-colored paper covers with cream wrappers. Frontispiece by David Hockney ("Tom listening to Ravel's L'Enfant et les sortilèges"). Bright, clean text within, set in Garamond printed on Mohawk Superfine paper in black and purple ink. Five abstract illustrated pages. 105 + [3] pages. Minimal shelf wear to wrappers due to storage, but NEW, from publisher's stock."What I had in mind was Le Radeau de la Meduse ("The Raft of the Medusa") and what that painting by Gericault encodes for Art History--a passionate yet scientific obsession with the human body focused against pathetic, modern circumstances in total belief the heroic were still possible.
Sappho has always felt to me like such an upheaval, the ache of indifference, the ecstasy of embroilment. While she provides a raft upon these boiling waves her raft is but a rideau, a curtain, which when raised to the rafters lets in the vision of shipwreck,
And… Leer más

An eclectic collection of "petalled wit, wisdom, absurdity, and insolence" compiled from texts as well as from "simply passing through a literate world.⁠" One of 1500 copies. Glossy covers illustrated on the front with a drawing by James McGarrell. 48 pages. Condition: NEW.

Catalogue for an exhibition held January 24 - May 17, 2014 at Black Mountain College Museum + Arts Center, showcasing Homire's life drawing and poetry. Short introduction by exhibition curator Connie Bostic. 48 pages. Bound in semigloss pictorial wrappers. NEW. Cynthia Homire came to Black Mountain College to study pottery with David Weinrib and Karen Karnes, and later married fellow BMC alum Jorge Fick. They opened the Fickery in Santa Fe where she made utilitarian stoneware that he glazed. They held life drawing classes in their studio for a number of years, and as her eyesight began to fail, Homire wrote poetry.

Catalogue for an exhibition held January 13 - May 13, 2017 at Black Mountain College Museum + Arts Center, curated by Connie Bostic and Alice Sebrell. Includes essays by Marcus' niece Julie Feinsilver and Garry L. Hagberg, Professor of Philosophy and Aesthetics at Bard College. xi, 32 pages with full color reproductions. Bound in pictorial wrappers. New. Zola Marcus (1915 – 1998), long-time resident of New York and abstract painter, attended the 1953 Summer Institute at Black Mountain College where he studied painting with Joe Fiore and Esteban Vicente.

Catalog for an exhibition held January 27 - May 26, 2012 at Black Mountain College Museum + Arts Center and January 26 - May 25, 2012 at the Fine Art Museum of Western Carolina University. Spans the 63 year career of Black Mountain College alumna and first-generation New York Abstract Expressionist Pat Passlof. Acknowledgments by Connie Bostic, Alice Sebrell, and Denise Drury; essay by Eleanor Heartney; photographs of Pat Passlof in studio by Alice Sebrell. vi, 58 pages with full-page color reproductions. New.

Jargon 112. Full-page black-and-white photographs, reproduced in 300-line screen extended-range duotone by The Stinehour Press. Designed by Elizabeth Matheson and John Menapace (to whom the book is also dedicated.) "Illuminations & Pyrotechnic Display" (text & collected quotations) by Jonathan Williams. One of 1450 copies issued in dark green cloth with pale green dust jacket. 64 plates. NEW in publisher's mylar.

Catalogue for an exhibition held February 18 - June 4, 2011 at Black Mountain College Museum + Arts Center and August 31 - October 13, 2011 at The Phillips Museum of Art at Franklin & Marshall College. Includes selections of painter, sculptor, writer, collagist, and Black Mountain College alum Irwin Kremen's work from 1990-2011. Essays by the artist and preface by Alice Sebrell. viii, 40 pages. Stapled in pictorial wrappers. New.

Catalogue for the exhibition Clay and Words 1952-1986: exhibited at the Crossing Point Gallery, Carmel, California. Oblong 8vo bound in white wraps. One of 500 copies numbered and signed by Julia Connor (curator of the exhibition, who also hand-set the type for the poems printed here) and Dennis Woodard (printer at Woodaen Angel Press).