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Used copy in excellent condition. No markings or highlighting in text. Spine is flawless. Very minor blemishes on cover, as shown in picture

A collection of ssays, memoirs, interviews, journal entries, letters, reports. Brand new.

Near-mint condition!This is the first introductory textbook intended for transgender/trans studies at the undergraduate level. The book can also be used for related courses in LGBTQ, queer, and gender/feminist studies.It encompasses and connects global contexts, intersecting identities, historic and contemporary issues, literature, history, politics, art, and culture. Ardel Haefele-Thomas embraces the richness of intersecting identities―how race, ethnicity, sexual orientation, class, nation, religion, and ability have cross-influenced to shape the transgender experience and trans culture across and beyond the binary. Written by an accomplished teacher with experience in a wide variety of higher learning institutions, this new text inspires readers to explore not only contemporary transgender issues and experiences but also the global history of gender diversity through the ages.

Excellent First Edition

Signed by the author. First edition limited to 130 copies.

Seventh Printing, 1983.Jacket is slightly faded due to sun exposure (see photos). Otherwise the book is in superb, like-new condition.

Book is in near-mint, like-new condition. Flawless!A pioneering figure in Industrial/experimental music and performance art, Cosey Fanni Tutti has embodied many roles since her early days as one half of COUM Transmissions, alongside Genesis P-Orridge. COUM's first art exhibition, Prostitution, at the ICA London in 1976, outraged the public with its inclusion of bloodied tampons and photographs of Cosey modeling for porn magazines, and was closed after four days. Cosey and Genesis went on to cofound Throbbing Gristle, the band that pioneered and named Industrial music as a genre; when they split in 1981 she formed the electronica duo Chris & Cosey with TG keyboardist Chris Carter. In 2010, Cosey returned to the ICA for an all-day celebration of her work, arranged by editor and author Maria Fusco. Arising from that occasion, this volume is the first major publication on Cosey, and features contributions by Martin Bax, Gerard Byrne, Cosey Fanni Tutti, Daniela Cascella, Diedrich Diederichsen, Graham Duff,… Leer más

A bundle of nine issues from the first series of this important and influential theosophy magazine, published in 1936. Includes "Special Number" issue (February 1936), Issue #1 (March 1936), Issue #2 (April 1936), Issue #4 (June 1936), Issue #5 (July 1936), Issue #6 (August 1936), Issue #7 (September 1936), Issue #9 (November 1936), Issue #10 (December 1936).Also includes a beautiful custom box I created for storage and preservation.Digest size. Stapled bindings. Color illustrations. A couple of issues have pen/pencil markings on the covers. There is some visible wear to edges, tips, and along the spine on a couple of issues, as well as some minor page discolorization. But overall these are in beautiful condition. Please see pictures.From the title page: "Voice of the I Am is the mouth-piece through which the Ascended Masters' instruction can reach the students quickly, so that the most powerful work possible for America and the world may be done by the students to release the greatest Light in the… Leer más

Extremely rare first edition hardback with original artwork by Buzzati on jacket. (Some water staining and damage to jacket, as shown in puctures.) Some slight warpage on book pages due to water, but only very faint staining and no damage to paper or print, as shown in pictures.

#83 of 200 copies, signed and hand-numbered by the author. Cloth binding with paper labels, with a clear acetate wrapper. Some minor foxing on first few and last few pages, and on edges, as shown in pics.

SIGNED by Ruscha on title page. One of 3000 unnumbered copies.Very well-preserved and archived copy. Original glassine wrapper has a tiny fold in upper left corner, and minor tanning on edges due to age, as shown in picture.I purchased this copy in 1982 at the San Francisco Museum of Modern Art, when they hosted Ed Ruscha's first major museum retrospective.