Resultados de búsqueda: Libros de grigoriev boris

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Potsdam: Müller, 1921. Texts by Oskar Bie, Pawel Barchan, Alexander Benois and Boris Grigoriew] illus. (part col.) 26 x 21 cm. 47 plates (4 in color); 27 text illustrations. Translated from the Russian into German. Orange and yellow cloth cover split along spine edges.

2022. Paperback. New. 750 pages. 9.00x7.50x2.25 inches.

Berlin: C. Efron, 1922. small quarto, approx. 160 pp., 47 plates, four of which are in color; original illustrated cloth (hardcover), lacks the jacket, else very good; text in Russian. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request.

New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Thermophysical Properties of Individual Hydrocarbons of Petroleum and Natural Gases: Properties, Methods, and Low-Carbon Technologies.

Petropolis [Berlin?], 1924. Ltd ed. in French. Hardcover. Near Fine. 61, [2]p. plus 28 leaves of plates which are printed on one side and seem to alternate with text leaves. Blue buckram on which lighter blue front and back paper panels have been mounted. 35 cm. Endpapers browned. Glassine tissue guards have some browning and a couple have corner creasing but all are present. French text. This French-language edition was limited to 175 copies, 125 of which were to be numbered 1-125 and the other 50 numbered I-L on the colophon page -- this copy is not numbered. Translator not identified. Grigoriev was a Russian painter and graphic artist.

London, 1924. Hardcover. Good. 30 illustrations, 29 of which are glued along top and at tip of lower corners (8 full-page color, 16 full-page black & white, and 5 much smaller black & white). The 30th illustration ("Waking Children") is full page in reddish brown and printed directly on a leaf. There are also a few small decorations in reddish brown, 100, [7]p. Original 1/4 vellum. 36cm. Moderate cover soil and wear. Backstrip snagged at top. Contents generally sound and clean although one illustration has split along lower corner where glued. The tissue guards are browned, a few are missing and a few others are wrinkled or partially gone. Copy No. 20 of an edition limited to 500 numbered copies signed by Grigoriev. Text portions by Louis Reau, Claire Sheridan, Andre Levinson, Claude Farrere and Andre Antoine.

Berlin: C. Efron 1922. (Small 4to) Very good, no dust jacket. Beige cloth printed with red and yellow illustration on both covers and spine and with vignette illustration in black on front cover. 47 full-page illustrations (4 in color). Lacks the front endpaper, and there is an owner inscription on the back of the frontispiece. The covers are lightly shelfworn. Rare. Text in Russian Language. (Art, Artists--Russia).

London, 1924. Special edition by order of Morris Gest. Grigoriev, Boris. Folio, 37 x 28 cm. Publisher's gilt boards, vellum spine and corners. 100, [3] pages, 2 leaves. With 29 brilliant color and black and white illustrations, tipped to mats and separated with tissue guards, one final full page plate bound in and numerous vignettes. Tissue guards browned, slightly affecting the mats, but not the plates, binding a little dust-soiled, otherwise fine. An unnumbered copy from a stated limitation of 500. Inscribed by the theatrical producer Morris Gest to Herbert Fleischhacker, a prominent San Francisco businessman. Gest brought Constantin Stanislavsky's Moscow Art Theatre to America in 1923, and they toured repeatedly during the decade following. The illustrations include designs for "Boris Godounov," "Lower Depths," "Brothers Karamazov," "Cherry Orchard," from the company's repertory, as well as Grigoriev's monumental "Faces of Russia" cycle.

London, 1924. . First edition, limited edition of 500 copies, this copy hors serie; 4to, illustrated with 30 plates by Grigoriev with tissue guards; publisher's special binding for the owner of half vellum over boards, title gilt stamped to upper cover as well as 'The Moscow Art Theatre...Special Edition by Order of Morris Gest'. Grigoriev's wonderful work here printed specially for one of Broadway's most successful producers of the 1910s and 1920s. Numerous illustrations and tipped in reproductions of the artist's work are accompanied with essays by Louis Reau, Clare Sheridan, André Levinson, Claude Farrere and André Antoine.Although Grigoriev left Russia in 1918, the faces of Russian peasants continued to haunt him, and he worked tirelessly on this theme while living in France in the early 1920s. The result is an intense study of the faces of the Russian people; each portrait depicts the peasant in a uniquely harsh light, exposing the hardships of their lives through their rugged faces and… Leer más

Fine example of the first English edition of Grigoriev's celebrated extended cycle of Russian portraits. Limited to 500 copies only, this one num. 7.
Faces of Russia started its life as Grigoriev's initial project, the album titled 'Raseya' (a slang word for peasant Russia), published in Petrograd in 1918. At the time, Grigoriev was already scandalously famous: in 1913 he was expelled from the St Petersburg Art Academy and invited to take part in 'Mir Iskusstva' exhibition; in 1916 he produced one of his iconic paintings – a portrait of Vsevolod Meyerhold. In 'Raseya', he presented harsh, Cubist-style portraits of Russian peasants – a stark contrast to the idealised image of the spiritual Russian peasant popular in the West at the time. However, the album was neither in line with the Bolshevik vision of the Russian peasant class.
In 1919 Grigoriev left Russia and settled in Europe, where he published the 2nd, expanded, edition of 'Raseya': it appeared in Berlin in 1921 in Russian and in 1922 in… Leer más