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London: William Sams, [1828]. An Unusually Fresh & Clean Copy The Plates Superbly Hand-Colored SAMS, William. A Tour Through Paris, Illustrated with Twenty-One Coloured Plates, Accompanied with Descriptive Letter-Press. London: William Sams, [n.d., 1828]. [Second edition], identical to the first of 1824 but with subtitle added, and plates in different order. Folio (14 7/16 x 10 1/2 inches; 367 x 266 mm.). Engraved title-page and twenty-one hand-colored aquatint plates with accompanying unpaginated text to each. Interleaved throughout. Plates watermarked 1825, 1827 and 1828. Contemporary quarter maroon straight-grained morocco over pebbled maroon cloth boards ruled in blind. Expertly re-backed with the original spine laid down. Spine with five wide and flat bandsdecoratively tooled and lettered in gilt. Marbled endpapers, all edges gilt. With the armorial bookplate of Sir David Lionel Goldsmid Stern Salomons on front paste-down. A fine copy, unusually fresh and clean. Published by… Leer más

London: William Sams, [1828]. An Unusually Fresh & Clean Copy SAMS, William. A Tour Through Paris, Illustrated with Twenty-One Coloured Plates, Accompanied with Descriptive Letter-Press. London: William Sams, [n.d., 1828]. [Second edition], identical to the first of 1824 but with subtitle added, and plates in different order. Folio (14 1/4 x 10 7/16 inches; 361 x 265 mm.). Engraved title-page and twenty-one hand-colored aquatint plates with accompanying unpaginated text to each. Plates watermarked 1827 and 1828. Contemporary quarter crimson straight-grained morocco over marbled boards. Gilt decorated compartments at spine head and tail bookending title in gilt. With the bookplate of Laurence Currie. A fine copy, unusually fresh and clean. Published by printer-bookseller William Sams, of whom little is known, these beautifully designed and aquatinted prints of brilliant hue and warm saturation depict lively and diverse Parisian street scenes and interiors. The Plates: 1. Distribution of Wine on… Leer más

Paris: Desessart, 1847. Piracy, Banditry and Disorder" Bewitching Beauty Inflames Desires Uncut, in the Original Printed Wrappers SAND, George. Le Piccinino. Paris: Desessart, Éditeur, 1847. First edition. Five octavo volumes (9 1/16 x 5 7/16 inches; 231 x 139 mm.). [4], 315, [1, blank], [1, "Table"], [3, blank] (final blank leaf pasted to rear pastedown); [4], 301, [1, blank], [1, "Table"], [1, blank]; [4], 307, [1, "Table"]; 308, [1, "Table"], [3, blank] (final blank leaf pasted to rear pastedown); [4, advertisements], [4], 318, [1, "Table], [1, blank] pp. Uncut, in the original yellow printed wrappers, protected by glassine wrappers. Advertisements on rear wrappers. Minimal chipping to wrappers, spines slightly darkened, some light foxing and edge browning, as usual. A wonderful set. Each volume housed in a marbled board slipcase and the five volumes housed together in two quarter dark blue morocco over royal blue cloth clamshell cases, spines with five raised bands ruled in gilt, three… Leer más

London: , 1919. Ride You Naked Through the Town, And I Repeal it" "Then She Rode Back Clothed on with Chastity" [SANGORSKI, Alberto, calligrapher]. [COSWAY-STYLE BINDING]. TENNYSON, Alfred, Lord. The Lady Godiva and Other Poems. [Sonnet - O Beauty, passing beauty! sweetest Sweet!] & [The Sea-Fairies]. [London: 1919]. A Very Fine Alberto Sangorski Illuminated manuscript on vellum. Large quarto (10 1/16 x 7 11/16 inches; 255 x 195 mm.). Eighteen vellum leaves, mounted on guards, including three blank leaves at front and one at back. [6, blank], 25, [1, blank], [1, colophon], [3, blank] pp. Interleaved with white silk. Written in black and red, with title in burnished gold, red, and purple. Two full-page miniatures of Lady Godiva (on pages 4 & 17). Three-half-page miniatures of Lady Godiva, and The Sea Fairies (on pages 7, 20 & 25) and two small miniatures of Tennyson, and Lady Godiva (on pages 1 & 12). Twenty-two pages with elaborate borders in gold and colors incorporating large illuminated… Leer más

Boston: Houghton Mifflin and Company, 1894. Vedder's ‘Rubáiyát' set the standard for the artist-designed book in America and England." In a Superb Early Twentieth Century Inlaid Binding by Sangorski & Sutcliffe [BINDING]. SANGORSKI & SUTCLIFFE, binders. FITZGERALD, Edward, Translator and Editor. VEDDER, Elihu, Illustrator. KHAYYAM, Omar. Rubáiyát of Omar Khayyám The Astronomer Poet of Persia. Rendered into English Verse by Edward Fitzgerald with an accompaniment of Drawings by Elihu Vedder. Boston: [Printed at the Riverside Press for] Houghton Mifflin and Company, 1894. Small quarto (8 1/4 x 6 inches; 209 x 152 mm.). 30 leaves, [1]-45, [2], [47]-61, [1, blank] pp., all printed on French-fold paper. With illustrated title, six pages of notes with decorative frames, frontispiece, and fifty plates illustrating the poem, inset with panels of text, all by Elihu Vedder. Elegantly bound by Sangorski & Sutcliffe ca. 1910 (stamp­-signed on front turn-in) in full blue crushed morocco elaborately… Leer más

London : MacMillan & Co Limited, 1903. One of the Finest S & S Pictorial Inlaid Bindings that we have ever seen SANGORSKI & SUTCLIFFE, binders. BURNEY, Frances. THOMSON, Hugh, illustrator. Evelina or the History of a Young Lady's Entrance into the World by Fanny Burney. With an introduction by Austin Dobson and Illustrations by Hugh Thomson. London: MacMillan & Co., Limited, [1903]. Octavo (7 x 4 5/8 inches ;178 x 118 mm.). [i-vi], vii-xxxv, [xxxvi, blank], 1-477, [478, imprint], [2, advertisements] pp. Frontispiece, vignette title, and seventy-four full-page illustrations in the text by Hugh Thomson. Exquisitely bound in 1942 by Sangorski and Sutcliffe, stamp-signed in gilt on a red morocco label "Designed & Bound by / Sangorski & Sutcliffe / London, England, 1942" on a rear blank. Full crushed levant purple morocco extra. The covers with elaborate gilt borders of rose branches decorated with pale pink and green morocco inlays each enclosing multi-colored pictorial morocco scenes illustrating… Leer más

New York: Harcourt, Brace and Company, 1943. The Author's First Novel SAROYAN, William. The Human Comedy. Illustrated by Don Freeman. New York: Harcourt, Brace and Company, 1943. First edition, later printing (with no first edition statement and no price on dust jacket flap) Octavo (8 15/16 x 5 3/8 in; 219 x 137 mm). 291, [1] pp. Headpieces. Publisher's salmon cloth, lettered and with a vignette in black. Dust jacket spine slightly darkened, small tape repairs to head of spine and top folds. A fine copy in a very good dust jacket. Loosely inserted is the February Book-of-the-Month Club News flyer which discusses the book and the author, "...so that it can be pasted , if desired, to the flyleaf of the book." "The place is Ithaca, in California's San Joaquin Valley. The time is World War II. The family is the Macauley's - a mother, sister, and three brothers whose struggles and dreams reflect those of America's second-generation immigrants. In particular, fourteen-year-old Homer, determined to… Leer más

London: R. Ackermann, 1821. One of Fifty Large-Paper Copies With Remarkably Brilliant Impressions of the Plates That are Greatly Superior to those in the Regular Copies SAUVAN, Jean-Baptiste-Balthazar. Picturesque Tour of the Seine, From Paris to the Sea. With particulars historical and descriptive... Illustrated with twenty-four highly finished and coloured engravings, from drawings made by A. Pugin and J. Glendall; And accompanied by a Map. London: R. Ackermann, 1821. First edition. One of Fifty Large-Paper Copies. Folio (16 3/4 x 13 inches; 425 x 330 mm.). viii, [ii, contents and list of plates], 177, [1 blank] pp. Hand colored vignette title and tailpiece. Hand-Colored map and twenty four hand-colored aquatint plates by D. Havell after A. Pugin and J. Glendall. Plates and text watermarked 1820. Bound by [Rivière] for Hatchards ca. 1940 in three-quarter dark green morocco over green cloth boards, ruled in blind. Spine with five raised bands, lettered in gilt in compartments, top edge gilt,… Leer más

Paris: n.p. [Chez Martinet], 1824. Familiar Scenes of Parisian Society Caught in the Wry [SCHEFFER, Jean-Gabriel]. J.S-------, PIGAL, &c, &c. Recueil des Scènes Familiéres, et de Société de Paris. Paris: n.p. [Chez Martinet], 1824. First (only) issue. Folio (14 1/8 x 10 3/16 inches: 359 x 263 mm.). Three parts in one volume. Printed front wrapper from Seconde Partie as title. Twenty one hand-colored lithographed plates, most signed: Chez Martinet, Lith. de Villain; numbered and captioned, watermarked "J Whatman 1823." Light waterstain at top margin of printed wrapper, also affecting blank top margin of first plate. Wrapper slightly soiled and with very small expert repair on fore-margin. The last two plates supplied from a slightly shorter copy. Bound ca. 1890 in three-quarter dark green morocco over green marbled boards, ruled in gilt. Smooth spine ruled and lettered in gilt, dark green marbled end-papers, all edges gilt. An excellent copy, the vivid hand-coloring startlingly bright and… Leer más

Paris: Chez Ostervald ainé, 1830. The Lame Devils of Paris" Exceptionally Rare Suite of Six Hand Colored Lithographed Plates [SCHEFFER, Jean-Gabriel]. J.S -. Le Diable Boiteux A Paris, Par Gabriel Scheffer. [Paris: Chez Ostervald ainé, 1830. First edition. Part one only (of two). Oblong quarto (9 1/8 x 12 3/8 inches; 232 x 315 mm.). Publisher's pictorial front wrapper and six (of twelve?) superb hand-colored plates (plain rear wrapper supplied in matching tan paper). An exceptionally fine copy. The wrapper has "1er. Livraison" in manuscript ink at bottom of front wrapper. The Plates: 1. Étudians 2. Grisettes 3. Aristocratie Financiere 4. Éducation 5. Aristocratie Pure 6. Industriels We have only ever seen this suite Le Diable Boiteux a Paris (The Lame Devils of Paris) once before. That copy had eleven of the twelve plates - it was missing "Industriels" which is present in this copy. The hand coloring is bright and fresh and the scenes are quite amusing... The contemporary manners,… Leer más

Paris: n.p. [Chez Martinet], 1824. Exceedingly Scarce Familiar Scenes of Parisian Society Caught in the Wry [SCHEFFER, Jean-Gabriel]. J.S -, PIGAL, &c, &c. Recueil des Scènes Familiéres, et de Société de Paris. Paris: n.p. [Chez Martinet], 1824. First (only) issue, complete in three parts in one original printed wrapper (14 3/8 x 10 7/16 in; 365 x 266 mm) containing a total of twenty-one hand-colored lithographed plates signed: Chez Martinet, Lith. de Villain; numbered and captioned, with original tissue guards, and watermarked "J Whatman 1823." The complete suite of twenty-one plates are all bound into the original printed wrappers of part 2. All edges gilt. Housed in a custom-made quarter black morocco clamshell case. Only one institutional copy worldwide, at Yale. No copies have come to auction within the last thirty-five years. Not in Colas, Lipperheide, or Hiler. An excellent copy, the vivid hand-coloring startlingly bright and fresh, of an extremely scare collection. The… Leer más

Paris: Chez Gihaut Frères, 1829. 'What One Says And What One thinks' Sixty Fine Hand-Colored Lithograph Plates by Jean-Gabriel Scheffer [SCHEFFER, Jean-Gabriel]. Ce qu'on dit et ce qu'on pense [What one says and what one thinks]. Paris: Gihaut Frères, 1829. First edition. Complete. Oblong folio (9 3/4 x 13 inches; 248 x 330 mm.). Pictorial hand colored lithograph title-page and sixty wonderful hand-colored lithograph plates numbered consecutively. Plates 1-12 are lithographed by Villain, plates 13-60 are lithographed by Gihaut Frères. Plates 13-19 & 37-60 are signed 'Sheffer Gabriel'. Plate numbers 22, 25, 38, 43, 44, 46, & 51 have marginal repairs of varying degrees, most of them expertly and almost invisibly repaired, some of them touching but none of them defacing the image. Plates 37-60 are mounted on stubs, plates 48, 50 & 60 are 1/4 inch shorter at the lower margin and plate 51 is one inch shorter at the fore-margin. Plate 41 has a small ink splatter on the top blank margin. A few of… Leer más

Paris: Delpech, 1826. Grisettes Fifty Superb Hand Colored Lithographs [SCHEFFER, Jean-Gabriel]. J.S -. Recueil de Cinquante Scènes de Grisettes. Paris: Delpech, [1826]. First edition. Folio (13 x 9 1/2 inches; 330 x 241 mm.). Vignette lithograph title-page and fifty hand-colored lithographs. Contemporary quarter black diced paper over marbled boards, spine expertly restored. Front cover with bat-shaped paper label lettered in manuscript "Cinquante Scènes De Grisettes". Some minor spotting and staining throughout but still an excellent example of this notoriously rare book. Housed in a fleece-lined quarter black morocco clamshell case, spine with five raised bands decoratively tooled and lettered in gilt in compartments. Exceptionally rare with no copies appearing at auction over the past one hundred years. OCLC/KVK locate just three examples (all complete with 50 color plates) in libraries and institutions worldwide: Morgan Library & Museum (NY, US); Harry Ransom Library, University of Texas,… Leer más

Paris: Gihaut Frères, 1829. 'What One Says And What One thinks' Forty-Eight Fine Hand-Colored Lithograph Plates by Jean-Gabriel Scheffer [SCHEFFER, Jean-Gabriel]. Ce qu'on dit et ce qu'on pense [What one says and what one thinks]. Paris: Gihaut Frères, [1829-30]. Folio (13 1/2 x 10 1/4 inches; 343 x 260 mm.). Forty-eight (of sixty) hand-colored lithograph plates numbered consecutively up to 36, at which point they jump to 49 and then continue consecutively up to 60, for a total of 48. The last plate with two expert fore-margin repairs, some occasional light marginal foxing otherwise fine. Contemporary half red roan over diced red paper boards, smooth spine ruled, decorated and lettered in gilt. Near fine. This is only the second time that we have ever seen this exceptionally rare series of plates. They depict the many manifestations of hypocrisy in French society of the time. That copy, which we sold in 2001 also had the same forty-eight colored plates. We have only been able to locate only… Leer más

Paris: Chez Gihaut Frères, 1829. 'What One Says And What One thinks' Sixty Fine Hand-Colored Lithograph Plates by Jean-Gabriel Scheffer [SCHEFFER, Jean-Gabriel]. Ce qu'on dit et ce qu'on pense [What one says and what one thinks]. Paris: Gihaut Frères, 1829. First edition. Complete. Oblong folio (9 3/4 x 13 inches; 248 x 330 mm.). Publisher's original tan pictorial lithograph front wrapper (as title-page) and sixty wonderful hand-colored lithograph plates numbered consecutively. Plates 1-12 are lithographed by Villain, plates 13-60 are lithographed by Gihaut Frères. Plates 13-19 & 37-60 are signed 'Sheffer Gabriel'. A few plates with light, mainly marginal foxing, otherwise near fine. Mid-nineteenth century quarter dark green calf over marbled boards, smooth spine decoratively tooled and lettered in gilt. An excellent example of one of the great scarcities in French caricature. Certainly plate numbers 37-48 are of the utmost rarity. Highly amusing scenes showing classic situations of… Leer más

Paris: F.-L. Schmied, 1928. Livre D'Artiste - Francois Louis Schmied's The Twelve Caesars SCHMIED, Francois-Louis, illustrator. Les Douze Césars. Traduction inédite de Joseph Estève. Préface de Louis Barthou de L'Académie Francaise. Paris: F.-L. Schmied, 1928. Limited to 175 copies printed on vélin d'Arches (this being no. 165) signed by F.L. Schmied. Large octavo (11 1/4 x 7 3/8 inches; 286 x 188 mm.). [viii], 1-[10], I-CCCXXVI, [viii] pp. Decorative title and section titles printed in gold, and twenty-three color illustrations by Schmied, comprised of nine vignette tailpieces, and fourteen full-page plates, including the twelve portraits. Small stain (5/16 x 5/16 inch) on lower margin of preface and first dedication leaf. Original printed wrappers and spine bound in, some light foxing to wrappers only. Near fine. Bound ca. 1928 by Phillipe Gonin (stamp-signed in gilt on front doublure) in full dark blue crushed levant morocco, smooth spine lettered in gilt, medium blue calf doublures,… Leer más

Great Britain: The Limited Editions Club, 1961. One of the First Feminist Novels Illustrated by Paul Hogarth - A Descendant of the Great William Hogarth SCHREINER, Olive. [HOGARTH, Paul, Illustrator]. [DINESEN, Isak, Introduction]. The Story of an African Farm. With an Introduction by Isak Dinesen and Illustrations by Paul Hogarth. Great Britain: The Limited Editions Club, 1961. One of fifteen hundred copies signed by the illustrator, of which this is number 1483. printed by The Curwen Press; designed by Hans Schmoller. Large octavo (11 x 7 5/16 inches; 280 x 186 mm.). xx, 259, [1], [1, blank], [1, limitation] pp. Illustrated by Paul Hogarth with crayon drawings and color lithographs. Full chestnut-brown bark cloth from Uganda bound by Russell-Rutter Company. Title label stamped in gilt with a design from Schmoller. Pictorial endpapers. Housed in the original orange-brown cloth slipcase. A fine copy. The Story of an African Farm (first published in 1883 under the pseudonym Ralph Iron) was… Leer más

Lewes: Printed by W. and A. Lee, 1800. Ten Superb Hand-Colored Aquatint Plates Depicting Cattle & Sheep SCOTT, Edmund. [Portraits of Prize Cattle & South Down Sheep] Proceedings of the Sussex Agricultural Society, from its Institution, to 1798, inclusive. Together with Engravings of the Prize Cattle for that Year, from Drawings made by Actual Measurement. By Edmund Scott, Miniature Painter, of Brighthelmston. Lewes: Printed by W. and A. Lee, (1800). First edition. Folio (14 1/4 x 10 5/8 inches; 362 x 270 mm.). [vi], iv, 18, pp. Ten fine hand colored aquatint plates, six depicting cattle and four depicting sheep. Publisher's gray paper wrappers, sewn as issued with original printed label on front cover. Minimal chipping to extremities, still very fine. Housed in a quarter black morocco over marbled paper boards clamshell case, spine with five raised bands. decoratively stamped in blind and lettered in gilt in compartments. The plates: 1. Mentor, Mr. Colgate's two year old Bull (Brighton, Nov. 15… Leer más

Edinburgh: Printed for Archibald Constable and Co., 1826. The Escape of Charles ll SCOTT, Sir Walter. Woodstock; or, The Cavalier: A Tale of the Year Sixteen Hundred and Fifty-One. Edinburgh: Printed for Archibald Constable and Co., 1826. First edition. Three small octavo volumes. iii-xvi, 315, (i, blank); iii-iv, 332; iii-iv, 370 pp. Contemporary full brown speckled calf, spines decoratively ruled in gilt, maroon and green leather lettering labels, neatly rebacked, lower joint of volume three a little cracked. Bound without the half-titles, a few scattered stains but overall a very good set. "The busy period of the great Civil War was one in which the character and genius of different parties were most brilliantly displayed, and, accordingly, the incidents which took place on either side were of a striking and extraordinary character, and afforded ample foundation for fictitious composition." (Introduction) Woodstock, or The Cavalier: A Tale of the Year Sixteen Hundred and Fifty-one is a… Leer más

London: André Deutsch, 1978. Is Laughing Permitted? Caricature is a Serious Art Form" [SEARLE, Ronald]. BOCK, Henning. Ronald Searle. With an introduction by Henning Bock and an essay by Pierre Dehaye. London: André Deutsch, 1978. First edition. Large quarto (11 5/8 x 8 3/4 inches; 295 x 225 mm.). 236 pp. Profusely illustrated throughout in color and black & white. Publisher's red cloth grained paper over boards, spine lettered in gilt, original pictorial dust jacket. A fine copy. Ronald William Fordham Searle, CBE, RDI (3 March 1920 - 30 December 2011) was a British artist and satirical cartoonist. He is perhaps best remembered as the creator of St Trinian's School and for his collaboration with Geoffrey Willans on the Molesworth series. After moving to Paris in 1961, he worked more on reportage for Life and Holiday and less on cartoons. He also continued to work in a broad range of media and created books (including his well-known cat books), animated films and sculpture for commemorative… Leer más