Resultados de búsqueda: Títulos que empiezan por W de Brian Cassidy Bookseller at Type Punch Matrix

New York: Metropolitan Museum of Art / Princeton University Press, 2000. First Edition. Very good + in a very good + jacket.. First printing, cublished in conjunction with an exhibition held at the Metropolitan Museum of Art in 2000. Curated by Maria Morris Hambourg, with essays by Douglas Eklund, Jeff Rosenheim, and Mia Fineman. Illustrated with 187 plates. Includes index and select bibliography. Hardcover. Large 4to. Black cloth boards in black and white photographic dust jacket. Mild edgewear. Light toning to jacket and pages. Very good plus.

New York: The Museum of Modern Art, 2001. Near fine in a near fine jacket.. Second printing, published in conjunction with an exhibition held at The Museum of Modern Art, New York, curated by Peter Galassi. Includes Walker Evans' own photography as well as his predecessors (Atget, August Sander) and the later generations influenced by him. Illustrated with 332 black & white and 67 color plates. Hardcover. 4to. Black cloth boards in black and white photographic dust jacket. 272pp. Minor shelfwear and bumping. Pages slightly toned. Near fine in like jacket. 272pp.

(Berkeley): (Bureau of Public Secrets), 1991. First Edition. Near fine.. Leaflet by Knabb discussing the media's coverage of the Gulf War. "The orchestration of the Gulf War was a glaring expression of what situationists call the spectacle - the development of modern society to the point where images dominate life. The PR campaign was important as the military one. How this or that tactic would play in the media became a major strategical consideration." [Ford 194]. 8vo. Single sheet folded once vertically; [4] pp. Near fine. Shows only mild wrinkling to edges. Else crisp and clean.

Luzern: Galerie Meile, 1994. First Edition. Very good +.. First printing of this photographic collection, illustrated throughout in black and white, with brief artist biography, exhibition chronology, and bibliography for Strba. Hardcover. 16mo. Pale yellow cloth boards stamped in red. No dust jacket as issued. Light rubbing and edgewear. Very good plus. 160pp. Text in German with English translation.

(Philadelphia): Allentown Art Museum of the Lehigh Valley / Locks Art Publications, 2016. First Edition. Near fine in a near fine jacket.. Monograph on the Philadelphia painter tracing his entire career, with reproductions of 120 works and esays by Carrier and Mehalakes. Hardcover. Folio. Purple cloth in dust jacket. Small dent to corner of front board, else fine in like DJ. Clean, sharp throughout. 255pp.

Washington DC: Friends of the Washington Review of the Arts, 1988. First Edition. Near fine.. Special issue of the bi-monthly Washington DC arts review, with poems by Terence Winch, Tina Darragh, Ed Zahniser, Beth Joselow, Michael Lally, Bernard Welt, Lee Lally, Ellen Carter, and Tim Dlugos. With an "Anti-Memoir" by Phyllis Rosenzweig and other features on the Mass Transit Poets by Troy Elliott, E. Ethelbert Miller, Joan Retallack, Patricia Griffith, and William McPherson. Wraps. Saddle-stapled wraps. 16'' x 11'' approx. Folded horizontally for mailing. Minor edgewear and scuffing. Near fine.

West Branch, IA: Toothpaste Press, 1972. First Edition. Near fine.. Signed first printing of this early publication from Allan Kornblum's Toothpaste Press, later becoming Coffee House Press. A handsome letterpress collection of poems with linoleum block design at front cover by Cinda Wormley. Wraps. Tall 8vo. Saddle-stitched in publisher's printed wraps. From an edition of 550, this one of 50 SIGNED by the author. Minor edgewear. Interior Bright and clean. Near fine.

Berkeley: Bureau of Public Secrets, 1998. First Edition. Fine.. Leaflet from Ken Knabb's Bureau of Public Secrets, discussing recent demonstrations in France by "tens of thousands" of unemployed people at the Ecole Normale Superieure and Jussieu University. Contains translated excerpts from leaflets and communiqués produced by the demonstrators. OCLC finds just one copy; at UC Davis. 4to. Single-sheet leaflet folded once vertically. About fine. Bright, clean, and crisp. [4] pp.

[Leipzig]: Kodoji, 2006. Near fine.. Collection of voyeuristic color and black-and white-photographs shot through car windows, signed by the artist. Originally published in "Brand New Animals," Lars Muller Publishers, 2000. 9.25'' x 6.5''. Original silver printed wraps. Limited edition of 500. 48 pages. Signed and dated by Spinatsch on inner flap of rear cover. Near fine.

[Berkeley]: Oyez, 1977. First Edition. Fine.. First printing of this book of verse from this contemporary Swedish poet. With introductory notes by the translator. Distributed by Serenipity Books. Wraps. 16mo. Photographic wraps. Fine. Review copy with slip laid in. Pages bright, crisp, and clean throughout. Binding tight. Unpaginated.

London: Trigram Press, 1969. First Edition. Very good.. Handsome first edition of this collection of poems and drawings from artist Jim Dine, best known for his visual work and pioneering "Happenings," events staged with other artists like Claes Oldenberg, Allen Kaprow and John Cage. Wraps. Small 4to. Publisher's photographic wraps. Some rubbing to wraps, particularly at spine, and touch of toning at rear panel. Interior bright and clean. Very good.

New York: np, 1971. First Edition. Very good.. First issue of this little magazine published from Herbert Lehman College in the Bronx. Features a 12-page interview with Ginsberg, 24 poems by Mary Oppen, poems by Robert Hellman and Michael O'Brien, and two narratives by Alison Colbert. Wraps. 8vo. Saddle-stapled wraps. Very good. Light creases to wraps and pages throughout, but clean, bright overall. 48pp.

Cambridge: The Riverside Press, 1960. First Edition. Very good + in a very good jacket.. First edition of the first book of poetry by this Pulitzer-winning American poet. Hardcover. 8vo. Quarter light-gray cloth over black boards, in photographic dust jacket. Very good plus, in a very good DJ. SIGNED by Kinnell in 1963 at title page. Mild edgewear, small nicks and surface rubbing to jacket; light toning. Book shows two small ticks to boards. Interior bright and clean throughout (with at least one textual correction presumably by Kinnell himself). 83pp. Includes ephemera from Kinnell's appearance at Wabash College, where he signed this book.

(Port Jefferson, NY): (Street Press), 1981. First edition (stated). Near fine.. Inscribed limited edition of this chapbook by the Long Island poet, illustrated by artist and fellow East Hamptonite Josh Dayton. 8.5'' X 5.5''. Original glossy black and white pictorial wrappers. Black and white illustrations by Dayton. 26, [1] pages. Edition of 526 copies, this copy no. 229. Inscribed by Long on title page. Light wear, traces of soil to wrappers.

(New York): (The Something Else Press), 1965. First edition. Near fine.. Rare first catalogue from Higgins's Something Else Press, with a signed note from the publisher of Fluxus artists and concrete poetry: "the sort of avant-garde work which offers a real alternative to the conventional art forms." This first catalogue advertises work by Robert Filliou, Philip Corner, Alison Knowles, Benjamin Patterson, Tomas Schmit, Al Hansen, Dick Higgins, Ray Johnson, and Daniel Spoerri, preceded by the titular essay on book design, production, and quality. 7'' x 5.5''. Original saddle-stapled printed wrappers. 7, [7] pages. Illustrated with black and white photographs by Peter Moore. Typed letter from Higgins to Charles Caramello at the Center for 20th Century Studies laid in, dated 1977: "Dear Chuck: I came across a copy of the old SEP catalog to which you had found a reference, and thought you might like to add it to the Caramello Collection." Letter signed by Higgins in pen. Wrappers sunned. Minor edgewear.

Oakland / Baltimore: Newlights Press, 2010. Limited ed. Fine in a near fine jacket.. Handsome edition of poems by Schlesinger, printed with concrete-poetry-inspired design throughout with layered text serving as visual art. Printed letterpress from photopolymer plates on various paper stock. Wraps. Slim 8vo. Stringbound wraps in folded dust jacket. About fine in a near fine DJ. SIGNED by Schlesinger at colophon, and numbered; this #80 out of 100 copies. Light handling wear, scratches, rubbing to jacket. Clean and sharp throughout. Unpaginated.

Kathmandu: Shivastan Publishing, 2004. First Edition. Near fine.. Clean first edition of this small press poetry publication. Wraps. 8vo. Saddle-stapled in black wraps with text in silver ink. Very minor shelf-wear. Interior clean and bright. Near fine. Printed in an edition of 333 on fine paper, this number 225.

Los Angeles: Black Sparrow Press, 1969. Fine.. Signed limited handbound edition of this illustrated book by frequent New York School collaborators Rivers and Koch, the product of friendly poetic competition between Koch and Frank O'Hara. Originally composed in 1953 but not published until 1969, WHEN THE SUN TRIES TO GO ON "was Koch's most concerted effort to simulate in poetry the effects of Abstract Expressionism. It was an attempt to present language at its most animated, liberated from the need to make ordinary sense." 7.25'' x 5.5''. Original yellow cloth with paper spine label and collage mounted on front board. Ochre endpapers. In original acetate protective jacket. Illustrated by Rivers. 113, [3] pages. Edition of 200 copies handbound in boards, signed by the author and artist. This copy no. 97, signed by Koch and Rivers at colophon.

New York: Harper & Row, 1970. First Edition. Fine in a near fine jacket.. Gallup's first major collection of poems. Cover by George Schneeman. Hardcover. Large 8vo. Fine in near fine jacket. Jacket faintly rubbed and toned. Review copy with slip laid in. SIGNED by Gallup to title page.

Calais, Vermont: Z Press, 1984. First Edition. Very good.. Collection of 28 poems associated with the New York School. Wraps. 8vo. Publisher's photo-illustrated wraps. Number 219 from an edition of 750. Very good. Front wrap suffers a scab at the lower corner toward the spine. Light edgewear and toning. Interior clean and bright. 32 pp.