Resultados de búsqueda: Original Lithographs from Charles Agvent

New York: Limited Editions Club, 1958. Hardcover. Mild soiling to the spine. Near Fine in a lightly soiled, Very Good slipcase. Joseph Mugnaini. Quarto (8-1/4" x 11-1/8") bound in vellum-backed decorated boards with the spine stamped in black on gold. Introduction by Dudley Fitts. Illustrated with ORIGINAL LITHOGRAPHS drawn on the stone by Joseph Mugnaini and printed from the stone by George C. Miller. Copy #844 of 1500 SIGNED by the artist on the colophon page. One of the finest illustrated books from the press during a time when it produced some of its most uninteresting books.

New York: Limited Editions Club, 1958. Hardcover. Fine in a lightly worn, Very Good slipcase. Joseph Mugnaini. Quarto (8-1/4" x 11-1/8") bound in vellum-backed decorated boards with the spine stamped in black on gold. Introduction by Dudley Fitts. Illustrated with ORIGINAL LITHOGRAPHS drawn on the stone by Joseph Mugnaini and printed from the stone by George C. Miller. Copy #1087 of 1500 SIGNED by the artist on the colophon page. One of the finest illustrated books from the press during a time when it produced some of its most uninteresting books.

New York: Limited Editions Club, 1958. Hardcover. Small university bookplate on the front pastedown; mild soiling to the spine. Near Fine in a lightly soiled, Very Good slipcase. Joseph Mugnaini. Quarto (8-1/4" x 11-1/8") bound in vellum-backed decorated boards with the spine stamped in black on gold. Introduction by Dudley Fitts. Illustrated with ORIGINAL LITHOGRAPHS drawn on the stone by Joseph Mugnaini and printed from the stone by George C. Miller. Copy #1185 of 1500 SIGNED by the artist on the colophon page. One of the finest illustrated books from the press during a time when it produced some of its most uninteresting books.

New York: Limited Editions Club, 1941. Hardcover. Bookplate on the front pastedown. Spine a little darkened, as usual. Near Fine in a Very Good slipcase with mild staining. Jean Charlot. Quarto (8-3/8" x 11") bound in bright and colorful hand-blocked gypsy silk cloth. Illustrated with 37 beautiful lithographs in color drawn on the plates by Jean Charlot. Copy #1205 of 1500 SIGNED and numbered by the artist. Perhaps the most stunning and underrated of the early books from the press.

New York: Limited Editions Club, 1941. Hardcover. Spine a little darkened, much less than usual. About Fine in a complete, Very Good slipcase with a split at the bottom edge. Jean Charlot.. Quarto (8-3/8" x 11") bound in bright and colorful hand-blocked gypsy silk cloth. Illustrated with 37 beautiful ORIGINAL LITHOGRAPHS in color drawn on the plates by Jean Charlot. Of a total edition of 1500 copies SIGNED by the artist on the colophon page, this is one of only 15 Presentation Copies with the publisher's blindstamp attesting to such on the colophon page where instead of a number the initials "G.M." are handwritten. Acquired directly from the publisher's files, and most likely the publisher George Macy's very own copy. Perhaps the most stunning and underrated of the early books from the press.

Oxford: Limited Editions Club, 1930. Hardcover. Slight offsetting to endpapers. About Fine in an intact but Good only slipcase with much wear. Zhenya Gay. Small folio (10" x 13-1/2") bound in canvas-backed Cockerell marbled paper boards. Illustrated with 12 lithographs drawn on the stone by Zhenya Gay and printed on hand-made Kelmscott paper by B. H. Newdigate at the Shakespeare Head Press. Copy #1397 of 1520 SIGNED by the artist and the printer on the limitation page. A sumptuous book.

[New York]: [John Becker], [1933]. First Edition. Disbound. Occasional marginal tears. Near Fine. Jean Charlot. Included are 10 of the 32 ORIGINAL LITHOGRAPHS from PICTURE BOOK printed in 6 or 7 colors on zinc signed in the plate by Charlot with a colophon page SIGNED by the artist, the printer, Lynton Kistler, and the designer, Merle Armitage. They are laid into a folder made of the same paper as that on which the lithographs are printed.

Philadelphia: Raymond and Raymond, in association with Circle Gallery, 1973. First Edition. Hardcover. Fine in a Fine clamshell box. Norman Rockwell. Portfolio with loose sheets of handmade Velin d'Arches paper (approximately 19-1/2" x 25-1/2") laid in, as issued. Sheets include title page, limitation page, 7 print title pages, and 7 ORIGINAL LITHOGRAPHS by Norman Rockwell printed by Fernand Mourlot in Paris based on the illustrations done for the Limited Editions Club/Heritage Press POOR RICHARD'S ALMANACKS. Each lithograph is numbered 2 of 200 and SIGNED by the illustrator. The lithographs are titled "Benjamin Franklin's Philadelphia," "The Drunkard," "Ben's Belles," "The Village Smithy," "Ye Olde Print Shoppe," "The Golden Age," and "The Royal Crown." Also laid in is a smaller printed sheet from the publisher describing the work.

New York: Limited Editions Club, 1988. hardcover. Fine copy in Near Fine original clamshell box with light wear. Robert Motherwell. Large folio (18-1/2" x 22") bound in full Irish linen. Illustrated with 27 original lithographs by Robert Motherwell ranging in size from 8" square to 14" x 10" and with an original lithograph recessed into the front cover. The lithographs were pulled at Trestle Editions of New York on handmade Japanese paper of various contrasting colors, and hand-mounted upon the same Magnani Italian mould-made paper used for the text. Copy #439 of 750 numbered copies of this massive book SIGNED by the artist and by the Nobel Laureate. One of the poems is a tribute by Paz to Motherwell.