African-American Young Woman de Van Der Zee, James

Lustrum Pr, 1981-11-01. hardcover. Very Good/Very Good. 9x4x1. Very good black boards with black lettering along spine. Binding and hinges tight and square; Contents clean and unmarked. VG dust jacket not price clipped; light rubbing along edges, 1 small closed tear, white cover of DJ slightly soiled. 176pp. All items carefully packed to avoid damage from moisture and rough handling.

New York: Lustrum Press, 1981. Paperback. Fair/N/A. FAIR only, with spine creased, head and heel of spine and corners lightly bumped; wrappers sunned, dustsoiled, edgeworn; binding cracked, first several pages pulling loose. Offered As Is. 176 pp., illus. (some color). Size: 4to

Lustrum Pr, 1981-11. Hardcover. Good.

Phaidon, 2013. -
. 9780714841694. James Van Der Zee (1886-1983) fue el principal fotógrafo de Harlem desde 1916 en adelante, cuando abrió su estudio Guarantee Photos. La gama fotográfica de Van Der Zee era amplia: hizo retratos y fotografió bodas y eventos públicos, y fue este estilo híbrido el que atrajo la atención del público fotográfico en la década de 1990. Muchas de sus obras se presentaron en la importante exposición de arte afroamericano de 1969 "Harlem on my Mind" en el Museo Metropolitano de Arte de Nueva York.

Simon & Schuster, 1986. First Edition. Hardcover. Fine/Fine. Photogrphs. Has the '1' in a number line. The definitive history and one of the most important books on bridge construction, with an excellent bibliography. A clean, unmarked and unclipped copy in a Mylar jacket cover.

Lustrum Press, 1981. 1st Edition 1st Printing. Hardcover. Fine/Near Fine. 176 Pp. Black Boards Stamped In Blind. 12 1/4"X 9 1/4". No Additional Printing Noted. Fine, No Marks Or Wear. Dust Jacket With Slight Wer Along Top Edges.

Carreiro Gallery, 1983. Book. Near Fine. Soft cover. 1st Edition.. A very nice copy of this thin oblong exhibition catalog. Minimal photos but quite uncommon..

N Y: Lustrum Press,, 1981. First Edition. Oversize Hardcover. Near Fine/Very Good. XL. A clean, unmarked book with a tight binding. Small tears on scuffed dust jacket. 176 pages. Photographs by David Attie, Chuck Close, Jan Groover, Evelyn Hofer, Lotte Jacobi, Gerard Malanga, Robert Mapplethorpe and James Van der Zee, with biographies of the photographers.

Dobbs Ferry: Morgan & Morgan, 1973. 1st. Hardcover. Very Good/Good. Hardcover, 159 pages. Illustrated with black & white photographs of life in Harlem. Previous owner's signature at top right corner of front endpaper. Small 1/4" chip missing from dust jacket at top of spine. Dust jacket price clipped at bottom of interior flap. Clean, tight copy. Record # 2558

Art Institute of Chicago, 2004. This is a very good softcover copy with almost no wear. Completely clean. This catalog was prepared to accompany the exhibition at the Art Institute of Chicago from January 24 to April 25, 2004. Essays by Colin Westerbeck and Dawoud Bey. Illustrated throughout in black & white. 9" high X 10" wide, 36 pages. This book will be securely packed and shipped with tracking. . First Edition. Soft Cover. Very Good.

Los Angeles (Circa 1935?), 1935. Original Art Work . No Binding. Fair. Original Sketch. Original Drawing, Image Approximately 118" X 12". Not Signed Or Dated By The Artist, But Titled By Him On Verso "Christ Child". Mounted On Larger Paper, Many Horizontal Folds, Left Edge Chipped Away. Napolitano Studied At Chouinard And Otis In 1922-1925, Engaged In Work On Architectural Murals 1925-1930 Working For Designer Herman Sachs On Such Prominent Buildings As Bullocks Wilshire, Los Angeles City Hall, The Palm Beach Biltmore, Etc.; Studied Ceramics In Ny In 1929, And Then Studied Mural Painting In Germany 1930-1931, Returned To Architectural And Other Work In Nyc 1931-1932, Completed Many Wpa Murals In Southern California 1934-1936 And Some Private Commissions Including The Bel Air Bay Club Circa 1937, Illustrated Many Books For Merle Armitage 1935-1960 (Including A Book About Napolitano, 1935), Worked As A Set And Prop Designer And Artist In The 1940'S And Early 1950'S (The… Leer más

Oblong exhibition catalogue for "Eli Wilner & Company, Period Frames & Mirrors". Interior is bright and tight. A great reference piece identifying various frame makers, their marks and design process. Cover is scuffed with closed tear to bottom edge, stapled binding. "An Exhibition focusing on American frames of the Arts and Crafts movement, 1870-1920". Frames designed by Stanford White, James McNeill Whistler and other artists.

Los Angeles , 1924. Original Art Work . No Binding. Very Good. Original Sketch. Original Drawing, Image Approximately 24" X 14" . Signed And Dated 1924 By The Artist. Some Tears And Chipping. Napolitano Studied At Chouinard And Otis In 1922-1925, Engaged In Work On Architectural Murals 1925-1930 Working For Designer Herman Sachs On Such Prominent Buildings As Bullocks Wilshire, Los Angeles City Hall, The Palm Beach Biltmore, Etc.; Studied Ceramics In Ny In 1929, And Then Studied Mural Painting In Germany 1930-1931, Returned To Architectural And Other Work In Nyc 1931-1932, Completed Many Wpa Murals In Southern California 1934-1936 And Some Private Commissions Including The Bel Air Bay Club Circa 1937, Illustrated Many Books For Merle Armitage 1935-1960 (Including A Book About Napolitano, 1935), Worked As A Set And Prop Designer And Artist In The 1940'S And Early 1950'S (The King And I, Etc.), Worked As A Designer-Craftsman For Judson Studios, Worked With His Wife On Original… Leer más

Leonard. Michael. Drawings by Michael Leonard. Thomas Gibson Fine Art Ltd., London, 2004. 8vo, 1st edition. Card covers, pp48. Catalogue for exhibition held16th march to 27th April 2004. Illustrated throughout with black and white images of Micheal Leonard's work of Nudes and Portraits in Time. Inscribed on the front page "for Arnold [Rattenbury] with Love from Michael 4th August '04" There is also a 'post it' note on the title page in the hand of Leonard "How lovely talking to you. Keep well! Love M. Additional entry in the Biography section in the hand of Leonard. In fine condition.

Canoga Park, California: Collectors Editions Inc.. Fine in Fine Dust Jacket. 1993. First Edition: First Printing. Hard Cover. 304 pages: 11.75 x 9.25 in.: 4.8: Signed by Artist: KB#007329: Dustjacket now protected by a new Brodart Mylar Cover. INSCRIBED / SIGNED BY ARTIST on half title page, "To Karen Best Wishes Jane Wooster Scott". Scarce, Out Of Print, Book. Boards and pages are clean, unmarked, brightly colored, tightly bound and sharp cornered. Stated First Edition. "Wooster Scott captures the essence of the American people, their traditions and institutions. Her naif art brings to life the broad American landscape, dotted as it is with cities, towns and villages unique to our culture, along with farms, factories, and waterfronts that are singularly New World.": Hand-painted .

NEW in original shrink wrap Red paper boards with black illustrated dust jacket. Includes 140 full color illustrations of Haida art - totem poles, masks, baskets, plates, pipes and much more. Beautifully written history of Haida art.

Los Angeles: Pasquale G. Napolitano, 1935. Original Artwork . No Binding. Fine. Sheet Of Thin Vellum-Like Paper 19 1/2" X 2" With 6 Groups Of Color Figures Of Holy Family, Probably A Sketch For A Mural. Napolitano Studied At Chouinard And Otis In 1922-925, Engaged In Wor On Architectural Murals 1925-1930 Working For Designer Herman Sachs On Such Buildings As Bullocks Wilshire, Los Angeles City Hall, The Palm Beach Biltmore, Etc.; Studied Pottery In Ny And Mural Painting In Germany 1929-1931, Returned To Architectural And Other Work In The U.S., Completed Many Wpa Murals In Southern California 1934-1938 And Some Private Commissions, Illustrated Many Books For Merle Armitage 1935-1960, Worked As A Set And Prop Designer And Artist In The 1940'S, And Notably Did Church Art Work For Th Next Twenty Years Including Full Church Interiors, Monumental Sculptures, Etc. He Is The Subject Of The Monograph "Napolitano", 1934, By Merle Armitage.

Los Angeles (Circa 1935?), 1935. Original Art Work . No Binding. Fine. Original Sketch. Original Drawing, Image Approximately 11" X 8 1/2" . Signed And Titled By The Artist, But Undated, Circa 1923-1940. Napolitano Studied At Chouinard And Otis In 1922-1925, Engaged In Work On Architectural Murals 1925-1930 Working For Designer Herman Sachs On Such Prominent Buildings As Bullocks Wilshire, Los Angeles City Hall, The Palm Beach Biltmore, Etc.; Studied Ceramics In Ny In 1929, And Then Studied Mural Painting In Germany 1930-1931, Returned To Architectural And Other Work In Nyc 1931-1932, Completed Many Wpa Murals In Southern California 1934-1936 And Some Private Commissions Including The Bel Air Bay Club Circa 1937, Illustrated Many Books For Merle Armitage 1935-1960 (Including A Book About Napolitano, 1935), Worked As A Set And Prop Designer And Artist In The 1940'S And Early 1950'S (The King And I, Etc.), Worked As A Designer-Craftsman For Judson Studios, Worked With His Wife On… Leer más

Los Angeles (Circa 1935?), 1940. Original Art Work . No Binding. Fine. Original Sketch. Original Drawing, Image Approximately 15 X 7 3/4". Not Signed, Dated Or Titled By The Artist, But With His Detailed Design Grid For This 17 Foot X 32 Foot Mural, Circa 1935-1950. Napolitano Studied At Chouinard And Otis In 1922-1925, Engaged In Work On Architectural Murals 1925-1930 Working For Designer Herman Sachs On Such Prominent Buildings As Bullocks Wilshire, Los Angeles City Hall, The Palm Beach Biltmore, Etc.; Studied Ceramics In Ny In 1929, And Then Studied Mural Painting In Germany 1930-1931, Returned To Architectural And Other Work In Nyc 1931-1932, Completed Many Wpa Murals In Southern California 1934-1936 And Some Private Commissions Including The Bel Air Bay Club Circa 1937, Illustrated Many Books For Merle Armitage 1935-1960 (Including A Book About Napolitano, 1935), Worked As A Set And Prop Designer And Artist In The 1940'S And Early 1950'S (The King And I, Etc.), Worked As A… Leer más

Los Angeles (Circa 1935?), 1935. Original Art Work . No Binding. Fine. Original Sketch. Original Drawing, Image Approximately 13" X 8 1/2" . Signed And Titled By The Artist, But Undated, Circa 1923-1940. Napolitano Studied At Chouinard And Otis In 1922-1925, Engaged In Work On Architectural Murals 1925-1930 Working For Designer Herman Sachs On Such Prominent Buildings As Bullocks Wilshire, Los Angeles City Hall, The Palm Beach Biltmore, Etc.; Studied Ceramics In Ny In 1929, And Then Studied Mural Painting In Germany 1930-1931, Returned To Architectural And Other Work In Nyc 1931-1932, Completed Many Wpa Murals In Southern California 1934-1936 And Some Private Commissions Including The Bel Air Bay Club Circa 1937, Illustrated Many Books For Merle Armitage 1935-1960 (Including A Book About Napolitano, 1935), Worked As A Set And Prop Designer And Artist In The 1940'S And Early 1950'S (The King And I, Etc.), Worked As A Designer-Craftsman For Judson Studios, Worked With His Wife On… Leer más