American Realism de Lucie-Smith, Edward - 0000-00-00

Abrams, Inc., 1994. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Abrams, Inc., 1994. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Abrams, Inc. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Harry N Abrams Inc. Used - Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Brand: Harry N Abrams, 0000-00-00. First Edition. hardcover. Used: Good.

New York: Harry N. Abrams, 1994. Hardcover. Very Good/Very Good. Slight lean to spine, head of spine slightly pulled, otherwise Fine. Jacket handled, edgeworn. 240 pp., 250 illus. including 115 colorplates. Size: 4to

Abrams, 1994. Fine. Lucie-Smith, Edward. American Realism. New York: Abrams, 1994. 240pp. Indexed. Illustrated. 4to. Hardcover. Book condition: Near fine. Dust Jacket Condition: Very good. Light rubbing to extremities.

Harry N Abrams Inc. Near Fine in Near Fine dust jacket. 1994. Hardcover. 0810919419 . 11.1 X 10.1 X 1.1 inches; 240 pages .

NY: HARRY ABRAMS , 1994. 1st Edition . Hardcover. Near Fine/Fine. PHOTOS. BEAUTIFULLY PHOTOGRAPHED TITLE THIS BOOK EXPLORES THE SCOPE , HISTORY , TOUGHNESS AND SENSIBILTY OF AMERICAN REALIST TRADITION FROM THE BEGINNING TIMES OF THOMAS EAKINS AND EDWARD HOPPER TO THE PRESENT MUCH MORE THAN A COFFEE TABLE BOOK SOLID CLEAN BRIGHT AND UNMARKED BOOK APPEARS UNREAD SMALL INDENT TO BOTTOM OF FRONT COVER JACKET IS BRIGHT AND COMPLETE

ABRAMS, 1994. Hardcover. Like New/Very Good . 10x1x11. American Realism is Edward Lucie-Smith's eloquent and interesting discourse tracing the progress of American realist art from the colonial period through postmodernism. It features a generous 250 illustrations and 115 gorgeous, full-color plates. Lucie-Smith's underlying argument seems to be that realism more accurately reveals the American character than does abstract expressionism or minimalism. This premise is developed by examining specific paintings and placing them in a cultural and historical context. Of particular interest are the sections on Thomas Eakins, Thomas Hart Benton, Ben Shahn, Philip Pearlstein, Andy Warhol, and Eric Fischl.