Art Into Life: Russian Constructivism 1914-1932

New York: Rizzoli, 1990. Comprehensive text presents current research from Soviet, European, and American scholars which provides an overview of Russian Constructivism and consider its resonance in non-Soviet art history up to the present day. Russian Constructivism aspired to bring "art into everyday life" and to de-fetishize the art object. Although Stalinism shattered these dreams in the late 1920s, Vladimir Tatlin, Alexander Rodchenko, Lyubov Popova, Varvara Stepanova, El Lissitzky and their cohorts imbued their art with a vision of a dawning revolutionary society intoxicated with the promise of technology. Featuring essays by Soviet, European and U.S. scholars, this intriguing monograph accompanies an exhibition organized by the University of Washington's Henry Art Gallery, the Soviet Ministry of Culture and the Walker Art Center, Minneapolis. It profiles familiar and less well known constructivist artists and includes hitherto untranslated or unpublished manifestos alive with the fervor of the movement. The Constructivist impulse is traced through Russian paintings, sculpture, graphics, collages, posters, clothing and building designs, to latter-day echoes in minimalism and the work of Laszlo Moholy-Nagy, David Smith and Anthony Caro. 276 pgs. Illustrated. Small pastedown label on front endpaper; minor very light stamp on title page which is nearly obscured by the black background color. No pockets, or other marks. Dustjacket in mylar. Minimal shelfwear.. First Edition. Hard Cover. Near Fine/Fine. 4to - over 9¾" - 12" tall. Ex-Professional Library.