Art Now: An Introduction To The Theory Of Modern Painting And Sculpture de Read, Herbert

London: Faber and Faber Limited, 1950. Hardcover. Good. Reprint. RC, book has rubbing of spine and corners of cover, fading of spine and edges of cover, foxing of endpapers, name of former owner on front endpaper, yellowing of pages. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.

Faber and Faber. octavo paperback (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs

Pitman Publishing Coporation. Used - Good. Good condition. No Dust Jacket (modern art, painting, sculpture, criticism and interpretation) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

London: Faber and Faber Limited, 1933. 1st Edition . Hardcover. Very Good/No Jacket. 8vo - over 7¾ - 9¾" tall. Striking black cloth binding with ditle and design in blue and white, the white of the title on the spine looks a little rubbed but otherwise clean bright and square. Hinge firm, no inscriptions, pages smooth and clean if lightly age-toned, a very nice well preserved and scarcely used book.

Faber and Faber Limited , 1938. Reprint . Hardcover. Very Good/Very Good. Signed by the previous owner. Reprint, 1938. New edition. Publication of 160 pages. The dust jacket is a touch edge worn. The boards are in good condition. Internally the pages are immaculately clean and complete. Tightly bound and presented in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Faber and Faber Ltd., 1933. Hardcover. Very Good. in x in x in. A clean, tight copy. Bookplate to the front endpaper. Black and white illustrated frontispiece. Black and white plates throughout. Text is clean and bright. Clothbound in black withe title in blue and white to the front cover and spine. First edition; 1933 (MCMXXXIII).

London: Faber & Faber, 1938. Second Printing of Second Edition. Hardcover with Dust Jacket. Very Good+/Very Good. E. McKnight Kauffer. Small 8vo. Pp. 160. Illustrated with 128 black & white halftone photo reproductions on coated paper. Black cloth, titles stamped in red and white on the spine, printed on heavy paper: moderate wear/foxing to edges, offsetting to endpapers, leaves crisp and binding tight. Bookseller tag on front endpaper "F. W. Preece Ltd. Adelaide." In the two-color illustrated dust jacket, price clipped, "Third Impression reissue at a lower price." Light edge-wear, with spine color minimally sunned. From the jacket blurb: "Both from the aesthetic and psychological points of view, this is the best exposition of contemporary art, including Surrealism." In a bold E. McKnight Kauffer dust jacket, a vibrant example of his mid-career style. Dust jacket is now preserved in a removable, clear archival sleeve.