The Artist's Workshop; Symposium Papers XXII

Washington, DC: National Gallery of Art, 1993. Hardcover. VG/VG. Brown cloth/rust DJ. 196 pp. 4 color, 143 bw plates. This book is part of the series, Studies in the History of Art. The Varying practices, traditions, and products of the artist's workshop, from the trecento through the nineteenth century, inboth East and West, are explored in eight essays. Contents: Preface / H.A. Millon -- Introduction / P.M. Lukehart -- Observations on the trecento and early quattrocento workshop / M.S. Frinta -- Delineating the Genoese studio: Giovani accartati or sotto padre? / P.M. Lukehart -- Practice in the Carracci Academy / G. Feigenbaum -- Japanese studio practice: The Tosa family and the imperial painting office in the seventeenth century / J.M. Rosenfield -- The Making of manuscripts and the workings of the Kitab-khana in Safavid Iran / M.S. Simpson -- Carlo Fontana: Pupil, partner, principal, preceptor / H. Hager -- Victorian office practice and Victorian architecture: The case of Sir Gilbert Scott / D.B. Brownlee -- The British arts and crafts workshop between tradition and reform / L.D. Lutchmansingh.